Quotes of All Topics . Occasions . Authors
I have never had other kids in the house... I had a huge collection of marbles, and they all had names, which I think concerned my parents. I used to go and sweep outside and talk to myself, and my mum's friends would be over and say, 'Do you realise she is talking to herself?'
People have lots of misconceptions about me. My mum, who is half French and half Spanish, gets outraged when I'm called quintessentially English. I owe my looks to my mum-which was 90 percent of getting my first job. And, some people would argue, 90 percent of my entire career.
My mom is an actress, but she never really pushed me into it, and it was never something I thought I would be doing. She was very happy I decided to, but she certainly doesn't offer me criticism because she knows I'd tell her to shut up! Nobody wants to hear that from their mum!
The vampires of '30 Days of Night' never really came into discussions early on. They did later when we were trying to figure out the pathology of the 'Twilight' vampires. '30 Days' is a completely different film. If you are a kid, please ask mum and dad before you watch that one!
I loved being away from school. I didn't really fancy school that much when I was little; it wasn't until I was in third or fourth grade that I really settled down at school and I was much happier at home with my mum and she was very creative and sort of fostered all my interests.
On my mother's side, I'm English, so that's where the freckles come from. On my father's side, I'm German, and he has the fantastic olive hues... I was given mum's skin, whereas my brothers and sisters were given my dad's skin. I do tan up quite well, but it takes me a bit longer.
Before, I guess, mum and dad were everything, but now, in my case, I had two new girls and all of a sudden they're completely dependent on you and there's a third generation. It's a funny shift all of a sudden. You have the babies, you have yourself and then you have your parents.
You see these casting directors' lists of characters, and they're all boxed in. Twenties is the hot girlfriend, thirties you can still be hot but moving swiftly to hot mum. Forties, you're the legal person in a pantsuit. Then, once you reach your fifties, you're positively elderly.
I'm afraid that this is me getting on my high horse now but we have yob television, yob newspapers, and funny enough whereas it was my mum and dad, school, police, church who used to set the standards, now it's tabloids and yob television who set the standards by which people live.
My little brother is four years old and he listens to all my music. I don't know how he finds it, but he knows how to use an iPad and he's always online. So one day my mum said: 'You know what, you have to make something for your little brother,' and that's how I made 'Lean & Bop.'
I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.
I was eight when I found out I was adopted. My step-brother told me. He'd overheard my mum and my stepdad at the time talking about it, and he threw it in my face. But I didn't really care. It didn't seem relevant, because I never once in my life felt unloved or like I was a burden.
My mum - and my granny and I - would close the curtains, turn on the TV and snuggle up and watch 'Come Dancing.' It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.
Cinema dominated the Fife coalfield towns. We lived in Lochgelly, but my mum was caught up in Hollywood. She was in love with the style and glamour. Sometimes she would come with me to the cinema in the afternoons, and she would say things like, 'I wouldn't mind a peck with Gregory.'
I've never tried to find my real parents. I'm very grateful to my mum and dad for adopting me - they're completely incredible people. It was my dad who encouraged me to question everything, to forge my own path, to think, to read. I always felt it was my right to question everything.
My Italian granny and my mother made great spaghetti, but it wasn't a kind of southern Italian, Godfather-esque kind of thing - it was a wonderful, big mixing pot of all kinds of people - when you came home from school and your mum wasn't in, there were lots of people you could go to.
In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.
My mum brought me to my first job when I was 12. I started electrical work at her plant. She was an engineer, a technical expert, at one of the plants in the south, and in the summer she brought me in and I learnt how industrial things work: casting, electricity, maintenance, everything.
One of the first houses we lived in was like out of a fairy story. We had a stream that ran through our garden, and we played with the ducks - we locked them in my mum's office, and they pooed everywhere. It was crazy, picking blackberries and mushrooms, rabbits running through your legs.
Characters in TV and theatre tend to experience a lot of conflict, so I push myself through sport to physical and emotional levels that hurt so I've some other reference for extreme experience that isn't me shouting at my girlfriend or my mum. It's a way of controlling the uncontrollable.
As a kid I had a very unhealthy diet. I try not to place any blame. Mum was uneducated in cooking. She left school and home at 15, had my older brother when she was 17 and me at 19. It was usually frozen meals and lots of cola, peanut butter, jam sandwiches, sweets and loads of chocolates.
I remember not having a hot water tank, so we had to use a kettle for hot showers. So, you know, we would put the kettle on and go have a shower, and then my mum would come bring three or four kettles in, just to heat them up. And it would take five, 10 minutes for every kettle to heat up.
I can still remember my mum (a voracious, if not discriminating, reader - I have seen everything from the sublime to the ridiculous by her bed, from Ian Rankin and Elmore Leonard to Barbara Cartland and James Patterson) taking me to get my library card when I was four and not yet at school.
I'll be having lunch with my mum and she'll complain about the paparazzi outside. I tell her that she could have worn a beanie, but of course she never does. She loves it - it's how she chooses to connect with people. That's fine, I can respect that. But I'm the opposite. I always have been.
As a kid I'd lie awake at night and convince myself that a meteor was about to hit the Earth. It's my fatalistic streak, which I've inherited from my mum. I firmly believe something cataclysmic is going to happen in my lifetime and I have to be prepared to run for my life when the time comes.
I don't care where you went to school. There - have I made your day? No? All right, I'll go further: I also don't care what your dad did for a living or how your mum voted. Nor do I mind whether you ate your tea in front of the telly, dinner at the kitchen table, or supper in the dining room.
My mother was devoted to helping people - with my father's money! - who had great voices but didn't have the financial means to study music. He and my mum gave away dozens of music scholarships, and my mum opened a school in town, introduced opera to children and created fantastic programmes.
When I was young and we got caught pinching apples, we got a smack from the local policeman. Today if that happened he would be sued. There is a tendency to punish the victim, not the criminal. If someone broke into my house or my mum's house, I worry that the burglar has more rights than me.
My mum was a librarian, and she brought home a lot of interesting books, and we just read and read. I suppose I didn't really think I could be a writer myself until I was working in editing in my 20s and discovered that actually, the books that came in were not very much like published books.
Well, unfortunately, my father passed away before my first book was published, so he never lived to see me as an author. But I think my mum was suitably pleased because she was mad about words. If she ever came across a word that she didn't know, she would always look it up in the dictionary.
I remember being about eight and watching 'Pollyanna' with Hayley Mills. I looked at my mum and said, 'Mum, I want to be Pollyanna.' She said, 'You're going to have to make yourself cry if you want to be an actress.' So I turned my head away, and when I turned it back I was in floods of tears.
We are still so close, David and I. We were at a party the other day at my mum's house and I was sitting on his lap. We're very affectionate. And I looked at him and thought after being married for 11 years! We were the only couple who were even near each other at that party. We're soul mates.
The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.
This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'
I never really had a job, because I've been cycling from such a young age: there was never really a time to have a job. My mum went into Starbucks once and asked if they had a job for me, and they offered me one - but I never took it up because I couldn't fit the job in with school and cycling.
I experienced the sharp end of a tough time, living with a single parent, my mum, and she was really struggling to get a job. These are the things that form your views in life. They are established when you are growing up and being raised. That stuff doesn't really go away; that stays with you.
I was mainly raised by a working mum who didn't have much time or inclination for making food. So I had three or four basic meals: fish fingers and a tomato; a packet scotch egg and a tomato; pasta with a tin of tomatoes; and extra mild plastic-y cheddar chopped into cubes with bits of cucumber.
Eliza was my first name for two reasons. My dad was reading 'Uncle Tom's Cabin,' which features the maid Eliza in it, when I was born. Then there was Eliza Doolittle from 'My Fair Lady' and 'Pygmalion.' My mum always loved the name, and I got called Eliza Doolittle a lot, so it stuck, basically.
When I was a child, I was always nicking my mum's jewellery to wear, and I loved to drape a massive Chinese shawl around me from our fancy-dress box. I was obsessed with a feather and rabbit-fur collar from the age of three and attempted to make one with my friend, whose father was a gamekeeper.
It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
Personally, I had a great education. My mum was a trained teacher, a Montessori teacher, and I know that I could not have written 'Eragon' if I had gone into a public school system because I would have just been too busy attending classes and doing homework - I wouldn't have had the time to write.
I know who my dad is, I've met him a few times, but I don't even call him dad. I know it sounds horrible, but I don't even see him as part of my family, to be honest. If you want the truth, it doesn't bother me because I don't know any different. I just know that me and my mum, that was my family.
If I'm naughty, I'm grounded for two weeks or Mum takes my phone and my laptop because she knows I can't live without them. Sometimes I'll say, 'Mum, do you just want to take my laptop?' because I can still use the Internet on my phone. But now she's going to read this and see what I've been doing.
There's so much fakeness in the fashion world, but Mum and Dad have always given us a good work ethic and were quite worried at first about whether I could make a living from acting. They've been together for 29 years and share the same values. I really do want to have that kind of marriage myself.
My love of music comes from as long as I remember. I begged my mum to learn piano for a year when I was 4; she wanted to make sure I was serious, and I wanted to be Chuck Berry when I grew up! We were a very musical family; my mum would play guitar, and her, my dad and aunt would sing and harmonize!
One day Mum saved up for this exciting new thing - a frozen chicken. She cooked it on the Sunday and we all sat around waiting for it, but there was a terrible smell from the kitchen. She didn't realise that the giblets were in a plastic bag inside it. We just ate vegetables and she cried and cried.
At home in Ghaziabad, everyone is a pure vegetarian. In fact, when I want to cook non-veg there, my mum shoos me out on the terrace where I have my cooking utensils. I'm told categorically that whatever non-veg or egg, etc., that I have to cook, I should do upstairs and not enter her kitchen at all.
Mum left school at 15, and after a few years of modelling and dating jazz musicians, was married by 21 to my father, Mike Taylor, a journalist on the 'Daily Mirror.' They had my brother and me pretty quickly and had split up by the time I was two. I don't really have any memories of them as a couple.
My teacher told my mum, 'I think William has dyspraxia,' and Mum asked what that meant. She said, 'Well, if I put a chair in the middle of the room and asked every child in the class to walk around it, William would be the only child in the class to walk into it.' Mum was like, 'Yeah, that's my boy'.
I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.