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In 2007, I discovered I was a father to a little boy who I did not know about. After being on MTV's 'The Real World' and traveling the world, I was greeted by a stack of papers on my doorstep informing me that I had a child.
We've shown everyone we are musicians first and foremost: we'll produce our own albums and play The 100 Club. We earned people's respect. We're not the band on MTV, wearing a bunch of makeup. We've proved we're the real deal.
For me and MTV, it was always the MTV year-end countdowns. It was what I'd look forward to honestly every year just as much as Christmas. When Christmas was over, the top 100 videos of the year would lead up to the ball drop.
Many young people don't vote because they feel unwelcome and irrelevant, and that's the system's fault... As much as MTV tries to get them to vote, politicians don't include young voters because young voters don't donate money.
My show on MTV, as outrageous as it was, it was also making a point, which was, 'Look at what we're doing here. This is something that you don't see on television every day, because you're not allowed to do this on television.'
Music and fashion have had a kind of incestuous relationship since the Fifties. It started with people like Elvis Presley and pop icons like James Dean. Then it exploded in the MTV days. Now, with the Internet, it's instantaneous.
Perhaps Western civilization is in a post-decline phase, or maybe the decline is just taking a really long time, like the Roman Empire's did. The Romans had gladiators and Christian-hungry lions and that sort of thing. We have MTV.
One thing that makes me optimistic is other media from the digital world coming at radio. MTV tried to kill the radio star back in the '80s. And with all the digital services coming at us, people say it's a thing of the past - it's not.
I never really got any attention until I was on MTV. I became a household name because I was on every day from 3-4pm. I wasn't prepared for it - how mean they can be in the press. I wouldn't say I'm jaded now, I guess I'm just used to it.
I don't think anyone can call a movie like 'I Know What You Did Last Summer' a horror movie. It's a jolt. It's a series of jolts followed by a quick one-liner that's wallpapered with an MTV rock & roll soundtrack. That's not horror to me.
When I started my show, it was a public access show in Canada, and I was a broadcasting student in the early '90s, years before I was on MTV. We were kids sort of experimenting and trying to take on the system - you know, the media machine.
I don't like MTV, and I don't like the culture that goes with it. It's OK in very small doses, maybe. Nevertheless, it's a social reality and has influenced how kids perceive things around them, the pace of life and the way people do things.
I'm excited about becoming a transmedia storyteller. The idea that we can tell the 'Agent Mom' story online with MTV Comics and build a fan base that we can take over to Paramount to discuss turning that story it into a movie is just awesome.
I was on MTV's 'Real World' at the time when 'Queer Eye' came out. I remember, the first time I won an award, I got the award, and they were like, 'It's a tie! With 'Queer Eye!'' I never thought that I would one day follow in their footsteps.
Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie Munster, among others - subsequently moved to Fox TV and copped an Emmy for writing.
Rooming with six strangers and having my life taped for MTV's groundbreaking reality series, 'The Real World', in the nation's most liberal city was a formative experience for a young, Hispanic, conservative, Catholic girl from the Southwest.
I've often said in the past that I thought MTV was sort of evil incarnate and signified the beginning of the end. And I don't know if I'm entirely wrong about that, but they did sign my paychecks a year ago, so I guess I'm part of the problem.
MTV wanted to downplay our lifestyles and pretend we weren't getting the checks that we actually were, so I think that was the blurry line between the lives we were really living and the lives that they wanted us to live, and things like that.
I was working as a staff writer at Rolling Stone. I had a friend who worked at MTV, and she called me and said, "They're looking for VJs for this new channel. Do you want to try out?" I had zero TV experience, but I thought, "Well, what the hay."
Here's what set MTV apart from places like ABC News and other bastions of liberal news dissemination: we had a prime demographic, a twenty-four-hour cycle, and an aura that simply could not be manufactured, bought, or faked by the major networks.
I loved my time at MTV because the music was critical; the music was our thrust. That's what the channel was all about. And I loved that, because we were pushing the limits with how we were covering and interviewing and consuming music and bands.
If the breaking news event has something to do with young people, specifically with MTV's audience, there was a higher chance that I would actually go cover it with a television camera instead of just write the story myself and read it on the air.
I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.
When we started, our style of music wasn't on MTV. It wasn't cool, and it wasn't popular. The only bands who were even kind of similar were Blink-182 and Green Day. But we don't sound like those bands, even if people throw us in that category now.
We hoped to get a TV show, and we almost did, but 'The State' beat us out for this MTV show. So because they were there, and 'SNL' and 'Kids in the Hall' were there, we thought, 'Let's go try to do what Python did, and instead, let's make movies.'
The way I think it all went down was MTV was doing a special on people and my publicist heard about it.It was a good thing though. People ask me about that all the time, all over the world. Sometimes I feel I'm more known for that then for rapping.
My life could have easily gone another way. But I had this one teacher who gave me direction and got me into performing. She got me into touring with an educational play called 'The Inner Circle' along with Pedro Zamora from MTV's 'The Real World.'
Pop music has been all but relegated to the remainder bin at MTV and VH1, where high-maintenance concoctions such as Paris Hilton, Flavor Flav, and Hulk Hogan's biohazard clan of bleached specimens provide endless hours of death-hastening diversion.
After getting the job at MTV, the challenge was, 'How do I start my career as a television host without people holding my dad's career over my head?' It's a very easy thing for people to look to my dad and say, 'Well, he got his job because of this.'
Generally what you see happen is these talented kids make a great album, but they don't have a chance unless they have someone working with them who has integrity. They get thrown out by MTV and radio in six weeks, and they don't get any time to grow.
A friend of mine - a cameraman at MTV - lost a lot of weight from cycling, and I thought Id try it, too, thinking whenever you look at a cyclist they all look super-skinny, so hey, why not? But then it turned into such a psychologically satisfying thing.
A friend of mine - a cameraman at MTV - lost a lot of weight from cycling, and I thought I'd try it, too, thinking whenever you look at a cyclist they all look super-skinny, so hey, why not? But then it turned into such a psychologically satisfying thing.
The Internet's completely over. [...] The Internet's like MTV. At one time MTV was hip and suddenly it became outdated. Anyway, all these computers and digital gadgets are no good. [...] They just fill your head with numbers and that can't be good for you.
In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.
I'm glad we're not splattered all over MTV, because I don't think that's entirely the right way to go about building a career. Look at Green Day - they were built up - and then came crashing down. The overexposure is just too much of a burnout for most people.
I wasn't the biggest hip-hop fan, because I had to listen to whatever my parents listened to, so growing up, it was a lot of Dolly Parton, Elvis, and Whitney Houston. When they finally put a TV in my room and I got to listen to MTV Jams I was like: 'Here I am!'
Everyone related to me in my circle was from church: church friends, church school, church activities. All my friends weren't allowed to watch MTV or go to PG-13 movies or listen to the radio, so I didn't really know anything different. That's how I was raised.
I met Matt when he was in Busted. I was working at MTV and I'd see him wearing baggy jeans, waddling around like a duck so they didn't fall down. He used to wear makeup and have weird hairstyles. But I remember thinking underneath all that was a really cute guy.
As a kid, I'd watch MTV and think how great it would be to have my own music videos on those shows. Now I turn on MTV and, along the bottom of the screen, it often reads, 'Coming next... Pixie Lott.' That's so strange that I can't even begin to make sense of it.
You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy.
I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
When my first show was on MTV, and it was this outrageous persona, I think people certainly didn't know what to think. But it was a performance. I'm sure people didn't know that it was a performance; they thought maybe I was just nuts, but that was all intentional.
But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
When I first got famous, Greg Dulli was also just starting to cook with the Afghan Whigs, and because of the MTV awards I met Dave Grohl and Nirvana and all these rock and roll bands. So I had experience with what it was like when people were taking off at that time.
When you get something like MTV, it's like regular television. You get it, and at first it's novel and brand new and then you watch every channel, every show. And then you become a little more selective and more selective, until ultimately... you wind up with a radio.
What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence, the violence itself, like consumption for the sake of consumption, hypermasculinity writ-large with an adapted potency.
During the first season of 'Human Giant,' I remember the people at MTV were all over us. They hadn't really done a live-action short-film comedy show, so they didn't know what it was going to be, and they were worried. But after that, they let us do whatever we wanted.
Nada Surf and Harvey Danger are good bands. I think they've just stayed true to why they play music in the first place, it's just because they love doing it and they love each other and that's the impetus for doing it, not trying to keep singles on the radio and on MTV.
The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.
As a member of the oldest slice of the Millennial generation, my teenage years spanned the late 1990s through the start of the new millennium. I spent that time watching a lot of MTV's 'Total Request Live', 'Dawson's Creek', and wearing out a dual VHS tape of 'Titanic'.