Quotes of All Topics . Occasions . Authors
I have the soundtrack for 'A Clockwork Orange,' which is kind of cool. I guess I don't really end up buying a lot of modern soundtracks. Another soundtrack I love is from a French movie called 'Betty Blue.' it has some really melancholy piano work.
How many actors have a shot at being a part of something that became a part of pop culture? It's been very rewarding. I'm not getting the 20 million bucks for the new movies, but at least I'm getting warmth and recognition from people wherever I go.
I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.
I wrote that song for my wife, and it's what some guy who's sitting under a tree would be singing to the woman of his life, telling her how wonderful she is. To me, that's more lasting than something that sounds like it belongs on a movie soundtrack.
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
It's important for Asian American kids to see themselves in stories and to feel seen. They need to know that their stories are universal, too, that they, too, can fall in love in a teen movie. They don't have to be the sidekick; they can be the hero.
I got fired from a movie that ended up being called 'Windows,' which Gordon Willis, the cinematographer, directed. I got fired because he refused to cast Meryl Streep, who at the time was at Yale. I told him I thought he was an idiot, and he fired me.
To be happy, to make other people happy, to get into movie production more and probably to give some other people the chances that I had, to carry on enjoying being a mum and never to stop having flowers bought for me. I've still got a long way to go.
A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.
I'm not scared of seeing bugs, but I get really scared if they crawl on me. I'm also really bad at watching horror films. During my freshman year of high school, I was watching a horror movie with a guy and I ended up hugging him without realising it.
I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.
People feel the worst film I made was 'Jack.' But to this day, when I get checks from old movies I've made, 'Jack' is one of the biggest ones. No one knows that. If people hate the movie, they hate the movie. I just wanted to work with Robin Williams.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
I have shot four films for sure. On most days, I wish that there were 48 hours in a day. When a movie is coming to an end and another is going to start, I've felt that I don't want to let go of this one just yet and say goodbye to the character nicely.
For everything bad, there's a million really exciting things, whether it's someone puts out a really great book, there's a new movie, there's a new detective, the sky is unbelievably golden, or you have the best cup of coffee you ever had in your life.
Redford always has been a cool presence both before and behind the camera. His best movie as a filmmaker, 1994's 'Quiz Show,' exhibits a classicism verging on self-repression, and the social indignation in many of his films engages more than moves you.
Development is the first phase. People write a script, you get concept art. You get to a point where you get a green light, which is basically a production company saying they're going to put the money up to make the movie. Then you go into production.
I did this movie called 'Their Eyes Were Watching God,' and I was an extra, and it was a movie that Oprah was producing. She had walked by, and I was making all the other extras laugh, and she said, 'You're a very funny young lady.' I was like, 'Eeeee!'
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing.
Why if I had half a chance, I could make an entire movie using this stock footage. The story opens on these mysterious explosions. Nobody knows what's causing them, but it's upsetting all the buffalo. So, the military are called in to solve the mystery.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
We just decided to pick the date 'The Matrix' opened in most of the world. At the end of the day, it worked out really great because the world seems to have got to a place where I think the movie is even more relevant now than it was several months ago.
I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
I wasn't thrilled about 'The Sound Of Music' - not the movie itself but my role in it. Captain Von Trapp was a bore, and they tried to help by giving it a bit more cynicism, but it wasn't my favourite role. I enjoyed the music, and I loved Julie Andrews.
I don't want to criticize any other designers, but I have to say that many of the people involved in this industry - directors and producers - are trying to make their games more like movies. They are longing to make movies rather than making videogames.
There was some scene in The Blues Brothers movie, when they had the chicken wire across the front of the stage, and it was almost like that. They had a big guard rail around the stage, which kept the college kids from getting on... we had some good times.
The comic is today's western, so many movies, and I think that if actors want to optimize their longevity, it's important for them to meet the fans because those fans are so loyal and will show up at any movie or tune in to any television show they're on.
I knew since third grade I wanted to be Jim Carrey. His freedom, his goofiness, his crazy, loud, sudden energy. I told my family I was going to be a pediatrician, but in the back of my mind, I was like, 'Nope, I'm going to be the biggest movie star ever.'
I think it's particularly stupid that filmmakers have traditionally said, 'Yeah, I like baseball, but the movie's not going to be about the intricacies of the game.' I mean, you wouldn't cast an overweight guy with stubble if you were doing a ballet film.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
I was shooting a German movie, 'Whatever Happens,' at the time, and I got the call from my agent asking me to self-tape for 'Blade Runner.' That was a no-brainer. I loved the original, and Rutger Hauer was a national hero, and he did such a good job in it.
You know how on movie sets there are specific chairs for each person? I hate that. We don't have names on our chairs. We have five chairs. Anyone can sit on them. I think the idea of names on chairs on a set is terrible. It's so dumb. So we got rid of that.
I don't read the reviews because it somewhere affects my work. If some critic doesn't like a movie, I can't keep his criticisms in mind the next time I am making a film. Even if someone writes a great review about my film, I don't want to be affected by it.
I do listen to music. Movie scores, exclusively, because it's all about mood and nonspecificity. I love the way modern movie scoring is all about nonspecificity. You know, if I shuffled the tracks from 'Inception,' I challenge you to tell me which is which.
Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
If you look good, you can act in a Bollywood movie, you don't have to be able to act; and Aishwarya Rai is a great example of this. She is a beautiful woman... You look at her, I want to look at her. Damn, she is fine; but stop acting or stop trying to act.
I wanted to be an actor when I saw the movie 'Die Hard.' I saw Bruce Willis shooting guns and blowing stuff up, and I thought, 'I wanna do that.' It really had nothing to do with acting; I just wanted a job that allowed me to do fun, bigger-than-life stuff.
Indians can identify with the Indian sensibilities, and rather than taking something from foreign films, it is always good to make a movie which has been enjoyed by a certain audience or in a certain part of India and make it available to a larger audience.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I dont have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
I loved being in the film called 'Carnal Knowledge' - the one with Jack Nicholson, which was very dark but a really brilliant movie. I loved being in 'The Ritz.' 'The Ritz' I think is just hilarious. I just saw it again recently and by God, it's still funny!
I was watching TV one day, and there was this open casting call for extras, and my brother says, 'You wanna try out for this movie?' and I said, 'No, I'm okay.' And then he said, 'Do you wanna be on a DVD?' And I said, 'I wanna be on a DVD!,' so I tried out.
In Hollywood, for me, it's all about the movie stars and the singers. Baseball players don't draw too much attention; we're low key. I'm good with faces and sometimes bad with names, but I'll walk up to somebody if I know who they are... show them some love.
I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape.
Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.
If the movie is good then great, but if it's not then God, I feel so bad for that person with their face fifty feet tall, all blown up. Some people would be happy with that, that as long as their face was out there they're stoked about it. I'm not like that.
They have the big ferris wheel and we've been out of town for two months, so he just was like, 'Mommy I want to go to Toys R Us and I don't care if you have a movie coming out and all that.' He was just being a kid. But I had to allow him to have that moment.