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In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'
The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out.
I was not only typecast as a Russian, but I was typecast as Yakov Smirnoff. This is understandable, and I was very happy to get the roles, but it would be nice to be in a movie where I could be someone else.
I learned that getting a movie made in Hollywood is a near impossibility, and the process can be a wild adventure. TV is a lot more consistently productive - no offense to the beautiful world of feature film.
The truth is, if I was maybe better or funnier or prettier, wouldn't I have starred in a movie? I can see it objectively as a businesswoman - if no one's buying your product, then there's not a desire for it.
I see everything like a movie. I laugh and cry, I smell, touch, see and describe my own experience. I don't care if this sounds strange; I am not the creator - I am only the channel. The story is given to me.
They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.
I turned down a movie this summer because it was nine weeks in Vancouver and my oldest daughter is 14. I've got four more summers with her. I'm not giving away nine weeks of her summer to go do a silly movie.
They make Spy Kids, they make Scream, they make A Scary Movie. This doesn't do that, so it could be a very bad marriage. I'm trying to keep this potential nightmare quiet because we're just finishing editing.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
I used to think as I looked out on the Hollywood night, 'There must be thousands of girls sitting alone like me dreaming of being a movie star.' But I'm not going to worry about them. I'm dreaming the hardest.
Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.
The intensity of the story breaking on 'Vampire' has never been easy. Every week, you're starting with a blank board and trying to make a new movie. There's no formula; there's no franchise to hang your hat on.
Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.
Everyone's the hero in their own story. You've lived your life. You're the good guy of your life, the protagonist of your own movie. Everyone knows that they have more in them to offer than they sometimes show.
If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
I was diagnosed with hypoglycemia, an abnormal decrease of sugar in the blood. Eventually I learned to eat five small meals a day. Now if I'm making a movie and get hungry, I call time out to eat some crackers.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
Many years ago, I was a producer on a movie called 'My Dog Skip.' Willie Morris, the great southern writer, had written the book. We had adapted it and taken 17 years of his life and compressed it into one year.
When I got to filmmaking, the most democratic of environments where anybody could say anything, those were the best environments, but what you don't want to assume is that you know what the audience is thinking.
Movies give me an opportunity to go places. I'm not only a Swede but an American, not just a man of my time, but I've been living 2,000 years ago-and not just in a new country, America, but in the Holy Land, too
My partner, Danny Strong, came to me with this idea of telling a story about my life and merging that with music and the hip-hop world. He wrote 'The Butler' and originally wanted to do 'Empire' also as a movie.
A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?
But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?
I would say that it's a lot easier, especially if you have a bit of an attention deficit disorder, to be on a movie because you can give it your all, and kill yourself for however many months, and then let it go.
That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
I am heartbroken that this movie would cause anyone pain. It should be a source of joy. The story is a metaphor about how we try to stay in our own little bubbles, we don't let life in, we don't take the journey.
The Bollywood distribution system is so corrupt that they have trouble making money off movies. So they sell shoes that an actress stepped in. If they turned up the amps some, maybe they could sell the actresses.
As for Kate Bosworth, I've always admired her. I watched her in a movie called 'Girl in the Park,' which has never been released - not even on DVD. I had a copy, and it was bravura acting I had not seen from her.
I miss my Dad. My Dad loved cheesy monster movies, so we'd have Godzilla movie marathons. Those are some of my favorite memories, laughing at how the monster outfits were so bad, like black garbage bags for heads.
Robert Duvall saw me playing at a restaurant in Louisiana and invited me to be an extra in his movie 'The Apostle.' He gave me a guitar for my sixth birthday, and I thought that was the coolest thing in the world.
I'll never be Jennifer Lawrence or Tom Cruise, someone who can hold a movie and then be charming and charismatic doing promotion. I haven't got what they've got. But at least I'm now comfortable just being myself.
One hopes that with a book or movie, the reader or the audience will emerge from it thinking. That's the most you can hope for: that you've raised questions that will be there for the audience to think about later.
To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously.
I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
President Bush said this Iraq situation looks like 'the rerun of a bad movie.' Well sure, there's a Bush in the White House, the economy's going to hell, we're going to war over oil. I've seen this movie, haven't I?
There are so many factors that go into how you feel, as a performer, on any given movie, that it's really hard to identify which things are the things that help you be good, and which are the things that hinder you.
I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.
David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.
Everything I do from now on, I'll have a mustache. I can promise you that. I don't care who I have to convince. If you see me with a mustache in a movie or on stage in the future, you'll know that I pitched the idea.
The pickings are pretty slim when you have to play the part of a housewife who doesn't go out of her apartment because she's afraid she's going to get mugged, or a woman who turns into her brother, who is a murderer.
We set up a beta site, a test site, with movie, music and book reviews. If you're reading them and you want to buy a book or a ticket for a movie that's reviewed on the site, you can do that without leaving our site.
There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
Anonymity is a wonderful thing if you can hang on to it. I live in Pasadena where we try to keep the movie people out. We discourage them from moving in our neighborhood and if they do we burn effigies on their lawns.