You've seen how actors make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

'Red Dawn' was really the most fun I ever had making a movie, because I love Westerns, and I love the idea of being a tomboy, and riding horses and shooting guns.

I usually set aside a lot of time in advance of a movie with important roles for kids to search, but when you have great ones, they can be a real ace in the hole.

When a picture can't make it on its own, the producers pull in a 'controversial' message - the way a couple whose marriage is falling apart decide to have a baby.

I've learned a great deal about a certain type of filmmaking. But I have ambitions toward another type of filmmaking that I haven't been allowed to engage in yet.

I think I mentioned to Bob [Geldof] I could make love for eight hours. What I didn't say was that this included four hours of begging and then dinner and a movie.

Some mornings you wake up and think, gee I look handsome today. Other days I think, what am I doing in the movies? I wanna go back to Ireland and drive a forklift.

I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.

You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.

When I was young, I wanted, most of all, to be a writer of films and film music. But Middlesbrough in 1968 wasn't the place to be if you wanted to do movie scores.

Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.

I loved doing Judge Doom in 'Who Framed Roger Rabbit.' I'm constantly running into people who saw that movie when they were kids, and it absolutely horrified them.

it's difficult in Hollywood to be allowed to try anything. It's all a terrible compromise. There is no time for art. All that matters is what they call box office.

U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.

You know, people at Wal-Mart are standing there with their uniforms on. I feel like I'm putting on a uniform to do a movie. I don't feel like it's dressing in drag.

I did eight months of training for 'Wimbledon,' and then, by the time I finished the movie another four months later, I was like, 'That's me. I'm done with tennis.'

I'll watch a movie only if it meets the following criteria: 1. It has to have at least two women in it. 2. Who talk to each other. 3. About something besides a man.

For many different reasons, my number one favorite horror movie is 'Halloween II.' I love the way it's shot, and I love the way the synthesizer sounds on the score.

You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.

Since films and television have staged everything imaginable before it happens, a true event, taking place in the real world, brings to mind the landscape of films.

At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'

I remember at the premiere of my second movie I started crying. I thought, I'm so bad that I either have to stop this and do something else or learn what I'm doing.

'Jaws' was the ultimate man vs. nature movie, and it was a movie that was basically three people against the elements, so that was the biggest influence on 'Frozen.'

I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

I asked you here tonight because when you realise you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.

I've found out that money is the most important thing in the world and, as God is my witness, I don't ever intend to be without it again. I'll never be hungry again.

Rather like Batman, I embody the themes of the movie which are the values of family, courage and compassion and a sense of right and wrong, good and bad and justice.

There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast.

I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.

You are always hoping that movie audiences are interested in characters and interested in story values rather than just mindless special effects. But you never know.

In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.

One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much

I often compare putting a hotel together to old-time movie production. You come up with a story line, you hire the writer, the director, the stars, the set designer.

Movie failures are like the common cold. You can stay in bed and take aspirin for six days and recover. Or you can walk around and ignore it for six days and recover.

We did this two-week boot camp before we filmed the movie. I got to know everybody in the group and we became friends. We got really tight throughout those two weeks.

It's something that was very interesting to me to be a part of and all of them again because of the relationship. Some of the superhero movies are better than others.

On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.

Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.

In 'Sweet Days of Discipline,' the narrator, years after graduating, fortuitously encounters her old friend Frederique at a movie theatre. Frederique invites her home.

I would have been very happy just working from job to job, paying my rent one movie at a time. I never wanted to be this famous. I never imagined this life for myself.

Look at every action movie in Hollywood. Every leading man from Spider-Man to Batman to James Bond, 'Bourne Identity', every one of them possesses martial arts skills.

What's a bigger mystery box than a movie theater? You go to the theater, you're just so excited to see anything - the moment the lights go down is often the best part.

On planes I always cry. Something about altitude, the lack of oxygen and the bad movies. I cried over a St. Bernard movie once on a plane. That was really embarrassing.

The actual process of filmmaking, the many hours out of your life- it is very slow and boring. I'm not interested in that now unless an opportunity was provided for me.

It wasn't until the movie came out that it all changed for us. Some people say it was the start of Ten Years After, but in another way, it was the beginning of the end.

Nowadays it seems more and more like the 'business' in 'show business' is underlined, and there are campaigns, and it's all part of getting people in to see the movies.

I want to get back to my fighting weight of 98 pounds. I have the exact measurements of that guy from the movie, Powder. Right now, I am the reigning West Coast Powder.

'E.T.' was the movie that made me want to make movies in the first place, and it was the first movie that made me focus on writing instead of what happens in the movie.

Share This Page