In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery

One cannot overstate the potential for hysteria on a movie set. Everyone always acts as if making the movie is as important as eradicating malaria.

The song 'Tyler Durden' is about the movie 'Fight Club,' so obviously, it's not a personal experience, but I love that song. It's my favorite song.

But having a really good understanding of history, literature, psychology, sciences - is very, very important to actually being able to make movies.

There's a little bit of Sid and Nancy to the Joker and Harley look, which I always felt would not be a bad look if they were in a live-action movie.

I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.

People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.

I'm a workaholic. I love every movie I've been in, even the bad ones, every TV series, every play, because I love to work. It's what keeps me going.

Woody makes a movie as if he were lighting 10,000 safety matches to illuminate a city. Each one is a little epiphany: topical, ethnic, or political.

I like celluloid, I like film, I like the way that when a movie is projected it sort of breathes a little in the gate. That's the magic of it to me.

The next movie will be in Mandarin. I enjoyed shooting all the Japanese stuff in Kill Bill so much that this whole film will be entirely in Mandarin.

'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'

I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.

People have a preconceived notion about who I am and it's interesting. It's like picking who you want to win for the Oscars and not seeing the movie.

The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus.

When I storyboard, they're just fragments of thoughts. I write in three acts like a movie, so I have my plot points up on the preliminary storyboard.

Don't be an extra in your own movie. Move out of your comfort zone. Don't be afraid of feeling uncomfortable or awkward. Step-out and make it happen.

The goals are not about the sweet smell of success as much as it's about enjoying a damn day on the movie set... I live in a complete state of grace.

We may be reaching the end of the era in which individual movies meant something to people. In the new era, movies may just mean a barrage of images.

My parents are refugees from Vietnam, so they didn't grow up with 'Star Wars.' I don't think they know what's going on in the movie at any given time.

When I was doing 'This Boy's Life' I wanted to be as old as Robert DeNiro and as experienced as him and have the same respect as he did in that movie.

Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.

Humans love sex, we need sex, it's how we connect, it reminds us we're alive, it's the third most basic human need, after food and good movie popcorn.

My favorite traditional Christmas movie that I like to watch is All Quiet on the Western Front. It's just not December without that movie in my house.

I wanted to make a movie about a black family in Middle America. I wanted to make a film where everyone can look at them and say, 'This is my family.'

Cronenberg's a lot of fun, and that a lot of people don't know watching his movies. He doesn't take himself seriously. He's still reinventing himself.

The most powerful Vietnam movie, to me, was 'The Deer Hunter,' which was more about what happened to the folks who went and about their relationships.

The movie people would have nothing to do with me until they heard me speak in a Broadway play, then they all wanted to sign me for the silent movies.

Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life.

Nothing beats novel writing because it's complete expression of you. You just control everything. Not even a movie director has that level of control.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.

I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.

I've got a great sense of humor, and if I'm able to say or do something in a movie that people feel like they want to repeat, that's hugely flattering.

Movies can and do have tremendous influence in shaping young lives in the realm of entertainment towards the ideals and objectives of normal adulthood.

I mostly travel on weekends, so weekdays end up being my break days. At home, I'm super lazy. I eat, sleep, watch a movie and chill with my dog, Frodo.

It's a required part of your film history to know who Woody is. His movies are so wonderful, and not just funny but so insightful about human behavior.

I don't like to go to the movies to see violence or some kind of spy thing with all kinds of information you have to assimilate to understand the plot.

Some of my ideas were shot down by Lucasfilm because they stepped on territory that has been reserved for the movies. I didn't have a problem with that.

The average Hollywood film star's ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.

I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.

There's an old Fred Astaire movie where the stage becomes bigger and deeper and more complex. Moments like that really did impact on me and influence me.

It's kind of like family. I can't say that we go out to lunch and to the movies every day with each other. Everyone's fully grown adult women with lives.

Editing is not merely a method of the junction of separate scenes or pieces, but is a method that controls the 'psychological guidance' of the spectator.

Scientists are not movie stars or politicians who will feel insulted if they are not showered with accolades. Scientists are not interested in accolades.

If 10 people see my movie and all ten really love it, then that means a lot to me, rather than ten million people go and see it and most of them hate it.

If I am writing a movie and I am stuck, I can call the studio and tell them it's delayed. You can't do that with television - you have air dates to meet.

I definitely have found a balance. I've had so many offers in the past to do different movies or different things and I always choose tournaments over it.

When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.

Choosing hockey to make a sports movie was a bit tough but I wanted to show people the hard work a hockey player puts in while going through his practice.

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