Quotes of All Topics . Occasions . Authors
I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.
It was an impulsive at her zenith Zeenat decision to act in 'Boom,' I signed the film after 70 per cent of the movie was done.
Malayalam industry is pretty awesome, and I will definitely do a movie in Malayalam. There are some great directors over there.
Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
I think a lot of people do big movies not because they are talented artists but because they can function in the circumstances.
I remember, after getting my very first CD player for a birthday, I immediately purchased the soundtrack to the movie 'Grease.'
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
If you want to buy a good movie, you'll buy a good movie. If you don't want to buy a good movie, you'll buy a 'Twilight' movie.
I used to be very vain about my thumbs. I have fat thumbs. If there's a movie where you see me on the phone, it's not my hands.
It's said in Hollywood that you should always forgive your enemies - because you never know when you'll have to work with them.
Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.
I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie.
It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree.
What is a movie star? A movie star is many things. They can be tall, short, thin, or skinny. They can be Democrats... or skinny.
A film is a boat which is always on the point of sinking-it always tends to break up as you go along and drag you under with it.
Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
At worst, spring break in Daytona Beach feels feral - like everybody is trying to re-create scenes from the movie 'The Hangover.'
I'd come into filmmaking as a painter so, for me, making 'Good Will Hunting' was experimental because I didn't know how to do it.
Delhi gives you a lot of love. Bombay people don't care much because it's usual for them to see a TV serial guy or a movie actor.
It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
When I was young, all I wanted to be was a movie star. At a certain point, I started to grow up and really care about what I did.
I don't want to live in a militarised country behind an iron curtain. It's boring. Been there and seen the movie. I've done that.
I am always surprised at what movie studios think people will want to see. I'm even more surprised at how often they are correct.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it
'Grease' is an awesome movie. I wish they'd make a new one, more for our time. The graphics are terrible when you look back on it.
If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
It is odd there are many movies with many men. But generally movies have one woman, or maybe the older woman and the younger girl.
When I made 'Voices of a Distant Star,' I wanted to make money from making that movie, of course, but that wasn't my major reason.
You know, I hope that someday they make a movie about me. People need to know the story of 'Dolemite;' they need to know my story.
Well, I think one of the main things that you have to think about when acting in the movies is to try not to make the acting show.
Before I do a movie, I watch Meryl Streep movies over and over. It's not to mimic her. It's to remind myself to be more committed.
A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
I put the movie days totally behind me... It was a part of my past that I really kind of put in a little drawer and shut the door.
In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
Woody is so musical in his filmmaking. I've never worked with anyone I've trusted so completely. He won't let you hit a false note.
The mecca of filmmaking in the world just so happens to be in America. It's quite simply a case of us just going where the work is.
I have an idea for a movie called 'The Walken Dead' which is about a town where, instead of zombies, everyone becomes Chris Walken.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.
The movie theater is never going away. If that was a case why are there still restaurants? People still have kitchens in their home!
It's just a fact of life that I don't think I've ever been taken particularly seriously in movies by movie makers. I don't know why.
I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
Uh, I do not wear a wig in 'Star Trek' like I did in 'Bottle Shock,' thank God. 'Bottle Shock' will be the last wig movie I ever do.
When I was young, I believed in three things: Marxism, the redemptive power of cinema, and dynamite. Now I just believe in dynamite.
You do sequels because they are tent poles. They open well, and they hold the tent up. But in between, you make a movie you respect.
I don't think movies can ever be too intense, but people have to understand why you're showing them the things you are showing them.