Quotes of All Topics . Occasions . Authors
There is nothing more unpleasant than watching someone on a TV or movie set act like they are entitled to a particular kind of treatment just because they have been doing it for longer. We are all in the same boat - one job at a time.
Your principal motive on a movie set is to get the film made, but on a Woody Allen set, there's an ulterior thing that goes on, which is, 'Did you have a conversation with Woody? How friendly have you been with him? Am I liked by him?'
In the modern road-running era, digital photography has intersected with weekend-warrior culture, creating a golden age of social-media humblebragging. For some, the marathon course is sacred ground. For others, it's a personal movie set.
In 'Stranger Things,' of course, I have all these kids around me and I feel like on a TV show, you're more connected with everyone already. But it's fun getting on a movie set and getting to know everyone. There're pros and cons to everything.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
It's weird. All I want is to play my guitar when I am on a movie set. But then when I am out on tour, all I want to do is get into a role again. When I am doing one thing, I am missing the other. I guess that's how I know I should keep doing both.
In the acting world, you can really only become good by practicing and doing it, and I just think every time you walk onto a set you just become better and better. I think I'm in a totally different space than I was back then on that first movie set.
I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen.
I love TV. I know all the theme songs from the shows I watch. I'm not one of those who'd rather be a movie star. I prefer TV because of the rushed way of working-on a movie set, you sit around and wait and wait to do a scene because they're adjusting the lights.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.
I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.
When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
My feeling is... when you show up to a movie set where there's, like, 50 people standing around and months of preparation gone into it, you want to be as prepared as possible, so you should make a million baguettes. That might not actually help in any explicit way, but it'll make you feel more prepared.
I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.
I was on my way to law school when a friend of mine at an extras agency said, 'Do you want to come to this movie set and get paid $100 bucks a day to pretend you're at a party?' And I was like, 'Yeah, summer holiday, let's do it.' So I went, and on lunch, the writer asked me to audition for a role, and I got it.
I don't wish I started later, but I was never a child star. I was in school every year and had normal friends and I loved it and here I am, so I can't say that I wish I hadn't done it. I used to say, 'No, I didn't miss any of my childhood,' but it is a very adult place to be, a movie set. Like, it's a little weird.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
I think if my daughter was interested in acting, I would find ways for her to act in theater that has to do with her school or a kids' improvisational thing. There are ways to do it where you're not on a movie set with 60 adults, which I loved at the time, but as a parent, I don't know that I'd be dying to put her in that spot.