Quotes of All Topics . Occasions . Authors
I want to clear this once and for all. I was born in Hong Kong. I grew up in Japan and China. London is not home for me. I was there only for three years before I moved to India, but that's probably why I am connected with it. London is definitely not the place I consider my home. It's India that I consider home.
I moved to Queens, New York, when I was seven and a half. I went to middle school in a foreign country, but I had so many different kinds of Americans push me along and encourage me. I was very odd. I didn't talk very well. We were poor, and we didn't have any connections, but people showed up and pushed me along.
I was born in Budapest, Hungary, and moved to the United States in 1956. It was during the Hungarian Revolution when Russian tanks rolled into Budapest, and my family - me, my brother, and my parents - escaped over the border to Austria. We just took whatever we could carry. It was perilous, but we made it across.
I was profoundly moved to be the first United Nations Secretary-General to attend the Peace Memorial Ceremony in Hiroshima. I also visited Nagasaki. Sadly, we know the terrible humanitarian consequences from the use of even one weapon. As long as such weapons exist, so, too, will the risks of use and proliferation.
Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
The system in which I came up in was that every territory had to have a black, a white... if you went to Texas you had to have somebody that was a cowboy or one that was from Mexico. There wasn't that many Afro Americans in the business at the time so I moved around a lot. But every time I moved around, I made money.
I love L.A. It was an awesome place to spend my 20s, full of creative people, but I never wanted to stay there. It wasn't necessarily Texas that I wanted to move to; I just knew I wanted to live in the country somewhere. My wife and I found this place in Texas that we really liked, so we packed up our stuff and moved.
Just as the system of the sun, planets and comets is put in motion by the forces of gravity, and its parts persist in their motions, so the smaller systems of bodies also seem to be set in motion by other forces and their particles to be variously moved in relation to each other and, especially, by the electric force.
We came from a neighborhood that was kind of older, so we didn't have that many kids that would go out and play. We moved into a neighborhood that has, like, 50 kids in it. There are 12 houses where we kind of all share a big backyard, and we're all circled in there. If one kid goes out there, they all go out and play.
While starving refugees in Homs were providing target practice for government snipers, Bashar al-Assad's strongest international backer was in Sochi, at the Iceberg Skating Palace, visibly moved, smiling with deep satisfaction, as the Russians beautifully glided and leaped their way to the gold medal in the team event.
I love nature like nothing else. Before I moved to Switzerland, my home was a flat in London with a garden. In those snatched moments away from dance, I did typical weekend things like pruning, planting, and weeding. I planted fruit trees and even had a vegetable garden, but I wasn't around enough, so it was a disaster.
When my family first moved to Hempstead in the 1960s, they were one of the first black families. It used to be an all-white neighborhood, but there was white flight when the black people with money started moving in. When I was, like, 13 or 14, Hempstead had just become all black, and the poverty became worse and worse.
You know, I've got experiences going back to the wage price controls in the Nixon administration where, in effect, we had what I think was a terrible mistake, in that case a Republican administration, where moved in and tried to control the wages, prices and profits of every enterprise in America. It was a huge mistake.
We're here so that Afghanistan does not once again become a sanctuary for transnational extremists the way it was when al-Qaeda planned the 9/11 attacks in the Kandahar area, conducted the initial training for the attackers in training camps in Afghanistan before they moved on to Germany and then to U.S. flight schools.
I found that through my life, living in the city of Toronto, I look above the Pizza Pizza sign, and I look above the other signs and window dressing, and I see evidence of a city that no longer exists in the keystones and the decorations that line the tops of buildings. That presence of the old city has always moved me.
I was 20 years old, working as a roofer and a telemarketer and driving a taxi, just barely getting by. A friend of a friend suggested I try acting. I was like, 'Why? What am I going to do? Community theater?' But I took a class, and the teacher thought that I had potential, so I moved to Vancouver and started auditioning.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
I dropped out of school to play poker, and at 21, I moved from Toronto to try my luck as a pro in Vegas. I ate the typical meat-heavy diet of most poker players in the '90s: burgers and steak, along with French fries, mash, and a bucket-load of wine, beer, and vodka. There was nothing fresh in my diet, and I felt terrible.
When I was 16, I moved to Torrance, California to train at a more advanced studio, and by 19, I joined the American Ballet Theatre in New York. It all happened so fast - it was pretty unheard of that someone could train for so few years and become a professional at one of the most elite dance companies in the United States.
When I was a kid, I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really - something that was almost see-through, but it just moved in front of me.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
Real Madrid wanted me to join their academy. It was a big decision to move when I was 15. It's a key age for a youngster, and you're close to your friends and family. But I moved to Madrid, and my family stayed at home. It made me mature earlier than normal. That was a very big decision, and it changed me in a positive way.
I realized why I can cook for different environments. Because of everything I've gone through growing up. Why can I cook for a Hollywood event without blinking an eye? Because I cooked at the Beverly Hilton and because I moved to Villa Park. Why can I cook for kids on Hollywood Boulevard at night? Because I went through it.
My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.
Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it. I loved anything that moved up there and I didn't miss anything that happened and there was no popcorn either.
I think I went through my phase of feeling sort of invisible when I left my small hometown in Canada and moved to the big city of Vancouver. I kind of had to decide right there in that moment what I was going to do with the rest of my life and make a thousand decisions after finishing high school. Fortunately, I chose acting.
I went to UCF in Florida in Orlando. I went for advertising and public relations. I moved out to California my senior year because I knew I wanted to be an actor, but I also wanted to finish school and get my degree. I took mainly a bunch of criminal justice courses online for the last year because that's all that they offered.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.
After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.
With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.
My coming to faith did not start with a leap but rather a series of staggers from what seemed like one safe place to another. Like lily pads, round and green, these places summoned and then held me up while I grew. Each prepared me for the next leaf on which I would land, and in this way I moved across the swamp of doubt and fear.
In 1949, when I was 2, my family moved from Yonkers, NY, to a development of brick houses in Elmont, a Long Island suburb of New York City. What I remember most about the house was the glider on our porch. I used to sit there evenings close to my father, Victor, as he talked about the moon and the stars. He taught me to dream big.
In 1995, Russia virtually gave Chechnya de facto statehood and independence even though, de jure, it didn't recognize Chechnya as an independent state. And I would like to emphasize strongly that Russia withdrew all of its troops, we moved the prosecutors, we moved all the police, dismantled all the courts, completely, 100 percent.
Robert Frost had a house in Bennington, Vermont, and I had a friend, the poet Mary Ruefle, who was the caretaker of it when it was owned by Norman Lear, the TV producer. She got a grant to go to Scotland, and she had to be gone six or nine months, so I moved in, and my job was just to make sure the ravage didn't overtake the place.
I was a 6-foot-tall 13-year-old who couldn't play basketball. I moved around all the time as a kid, and at each new school, the coach would say, 'He's the great white hope' - but I couldn't play ball. So my thing was jokes and characters and making fun of myself and being the 6-foot-9 Jewish guy. That was my way into show business.
We bought property after Iniki in '92. I figured we'd never find better bargains. As it turned out, we didn't get a bargain, but we did find the spot we wanted to live on. It actually took a couple years to secure that spot. Then, after we moved, it took over 10 years to start construction on the house. It's still a work in progress.
I come from a large family, with 16 cousins. My cousins studied well and moved to the U.S. When we all gathered together for special occasions, they would be well groomed and confident. I was the odd, useless one out. All I wanted was to be able to earn without my dad's help and be self-sufficient enough to own a house and a vehicle.
At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene.
I would go to an aunt's house, and she would let me play music, and she had 'The Last Poets' album. At that time, albums didn't have explicit stickers on them, so some of the songs had profanity on them, and I was moved by that. I would listen to those songs, to the flow, and I'd balance it back and forth with the nursery stuff I had.
As a spiritual person, nature for me has always been a healing place. Going back all the way to my childhood on the farm, the fields and forests were places of adventure and self-discovery. Animals were companions and friends, and the world moved at a slower, more rational pace than the bustling cities where I'd resided my adult life.
There was one incident at a movie theater where my girl got mad at these guys who were talking behind us. I never looked back there, but she was like, 'Will you all just shut up!' And I just got up and moved three rows in front. She was like, 'What are you doing?!' I was like, 'You better get up here! I don't play the fighting games.'
Singing was my first love and I never even considered it after I started acting, but now I'm bringing it back into my life. I trained from the ages of 11 to 17. When I moved to New York and got into serious acting, I just kind of abandoned the whole singing thing. But when I grew up in Pennsylvania I went to voice lessons once a week.
As a real person, he wouldn't last a minute, would he? But drama is about imperfection. And we've moved away from the aspirational hero. We got tired of it, it was dull. If I was House's friend, I would hate it. How he so resolutely refuses to be happy or take the kind-hearted road. But we don't always like morally good people, do we?
When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
I moved to London when I was 21 and I needed a job. I'd just done a year working in Waterstones in Manchester and I was looking for any old job. This advertisement came up for an editorial assistant on Dora the Explorer Magazine. Because I'd been working in the Children's Department in a bookshop for a year I just nailed the interview.
The 'OK Plateau' is that place we all get to where we just stop getting better at something. Take typing, for example. You might type and type and type all day long, but once you reach a certain level, you just don't get appreciably faster. That's because it's become automatic. You've moved it to the back of your mind's filing cabinet.
I grew up Southern Baptist, so my experience was fairly conservative. Not archly so, but I think Memphis - when you get to certain parts of Memphis - are more liberal for sure. But I grew up, until I was about 13 or 14, in a section called Whitehaven, and then we moved to a suburb called Germantown - which is a pretty conservative area.
There are usually three sections of people who like my work. There are those who like them aesthetically. They see beauty in the images. Second, there are those who like the horror aspect, which is by design, and I like that. Third, there are those who are moved by the historical or political nature of them. They want to talk about them.