Quotes of All Topics . Occasions . Authors
We moved to South Central Iowa to the farm where my dad had grown up, where my grandfather had grown up. The house was actually, it was a tiny little house. It was about 600 square feet and it was built by my great-grandfather. And that's the house I spent time in as a child.
I grew up all over the world. My dad was a doctor but not a career-type doctor. He was very curious, so he took the whole family and moved to Miami in the '70s, and we lived there for a couple of years. Then we continued like that and lived in various places around the world.
As much as I moved to New York and tried to work in theater as much as I could - I developed a relationship with Circle Rep - make no mistake about it, I really, really wanted to be in a film. It seemed like almost everyone I knew at least did something in a movie, except me.
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture.
People who think that Sylvia Plath was a poor, sensitive poet are not getting that she had great amounts of ambition and anger that moved her along, or she wouldn't have been able to fight against that depression to produce such an incredible body of work by the age of thirty.
I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.
It was football I enjoyed most. When I moved to L.A. to become a stand-up comedian, I thought it might be a good comedy hook to also be the punter for USFL club The L.A. Express, so I started practicing for the tryouts. Luckily, my stand-up took off, and I didn't need to do it.
It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.
When I was in fifth grade - so, about 11 - my folks moved us to Denmark. And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation.
I moved to New York on October 21, 2004, and it was the day that the Chelsea Grill, a restaurant in Hell's Kitchen on 9th Avenue between 46th and 47th Street, opened. I had never waited a table in my life, but I walked in and lied to the manager in a very J. Pierrepont Finch way.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.
Tom Petty was one of my guitar students; I knew Duane, and Stephen and I had a band. When he left, Bernie Leadon moved to Gainesville. His father was a nuclear physicist who was sent to the University of Florida to start their nuclear research facility, so he and I became friends.
In 1964, Jeanne-Claude and I became illegal aliens. That's when we moved here from Paris. And for three years, we were illegal aliens living in an illegal building. At that time, some artists started to move to SoHo, and they put A.I.R. - artists-in-residence - up on their windows.
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
Even though Jack Kennedy and I were about the same age and lived in the same neighborhood and attended the same elementary school, our paths seldom crossed during the years he lived in Brookline. I'm sure that in time, I would have gotten to know him better if he hadn't moved away.
In the summer of 1954, after several years in Austin, Minnesota, our family moved across the state to the small, rural town of Worthington, where my dad became regional manager for a life insurance company. To me, at age 7, Worthington seemed a perfectly splendid spot on the earth.
I was born in Evanston, about three blocks away from the Chicago border. My mother, at the time, was finishing her Ph.D. in African History at Northwestern University. Soon after my birth, my parents split, and my father moved to Wicker Park, which is on the north side of the city.
I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
When I first moved to London, I felt very homesick and yearned after the countryside a lot. Because London's hard. It's a big place, and it's lonely. It takes a while to get into it. But once I got into the flow of it and started to grow up, I realised that my home is wherever I am.
I was 19 when I got my first passport as an adult. I had moved from California to New York City and was living out of a suitcase, staying with friends. I'd just finished filming my first movie, 'Ordinary People,' but I didn't know whether acting was what I wanted to do with my life.
I felt, implicitly, or not so implicitly, that subjects about women and other races were out of my jurisdiction as a creator. That if I moved too far from my own experience, and my own established identity, I would be criticized for taking even more of those wedding pies from others.
Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who's connected with it, the studio's gone, the musicians are gone, and the only thing that's left is this recording which was only about a three-minute period maybe 70 years ago.
do you have to sit so close?" she asked on a ragged breath. "Yes." was his only reply. "want to tell me why?" "no." (Darius replied) "i don't like it." She insisted scooting from him for the second time. He moved closer "want to tell me why?" he parroted. "No" she parroted right back.
Belgium is half French-speaking and half Flemish, and I was born on the French side. So we spoke it a lot - like, in kindergarten, it was almost all French. But then I moved to New Zealand when I was 10, where we obviously spoke English all the time, so I lost the French a little bit.
For a while, gently bumping into my nightstand meant a pile of 50 books clattering onto my head and the floor. After the 10th time this happened, I moved most of the books to a shelf in the spare room. Now, my nightstand is sort of like a bookish country club. And not all books get in.
I moved to Los Angeles in January 2004 because a buddy of mine, who I met at a friend's wedding, said he could get me a room in his apartment for $500 a month. I took it thinking that it would probably only be about six months before I moved back to Chicago, but I fell in love with it.
Geddy Lee and I went to the same grade school. He moved away when we were still young, but I remember him like I do all my friends from back then. Then in 1982, Dave Thomas and I were approached to do a record as the McKenzie Brothers on Anthem Records, the same label that Rush was on.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
In 1977, while I was performing in a play in Cardiff, a friend introduced me to a striking redhead called Myfanwy Talog, famed for her appearances on Welsh television with the comedy duo Rees and Ronnie. We were instantly smitten and eventually moved in together, sharing 18 happy years.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
With any of the movies I've had a chance to do, or any of the TV shows I've had a chance to contribute to, people approach me and say, 'Hey, would you like to do this?' I laugh out loud and say, 'Yes, that'd be funny.' Or, I'm very moved by what I read and say, 'Yes. How can I help you?'
I had moved across the country, taken internships, networked, worked long hours, and called in favors to get there. And I had done it. I was working in Hollywood. So imagine the melancholy I found myself in when I realized that I didn't love casting the way that I always thought I would.
I left L.A. and moved to Cleveland for four years in the early 2000s or whatever. I came back and thought that everything had changed. I was like, 'Oh my God, I don't think I ever fit in here. And wait, who are all of these celebrities that are not actors? Where did all of the actors go?'
I was born in Canada, and then my dad played pro soccer in England and then also on an island off the coast of Portugal. So we lived there for, like, 10 years. And then we moved to Minnesota. So I feel like I've experienced a lot of different cultures, and I'm still figuring out who I am.
In the early 1800s, both Spain and Portugal disseminated the smallpox vaccine throughout the Americas via the 'arm to arm of the blacks,' that is, enslaved Africans and African-Americans, often children, who were being moved along slave routes as cargo from one city to another to be sold.
Kabul is a walled city, which sounds romantic except the walls are pre-cast reinforced concrete blast barriers, 10 feet tall and 15 feet long and moved into place with cranes. The walls are topped with sandbags, and the sandbags are topped with guard posts from which gun barrels protrude.
It was less in pity than in anger that the world was moved by the photograph of little Alan Kurdi, that dead three-year-old Syrian refugee boy whose name we're all remembering now on the first anniversary of his drowning, along with his five-year-old brother Galip and their mother Rehanna.
I was 12 years old when I first moved to New York, and at that age, you're trying to find yourself. It was hard being so different from everyone I was around, and I felt that nobody could really understand me because everyone was American, and I was this little English girl with an accent.
In 1970, Dean Robert Ebert offered me the Chair of Pathology at Harvard Medical School. I moved to Harvard because I missed the university environment and, more particularly, the stimulating interaction with the eager, enthusiastic, and unprejudiced young minds of the students and fellows.
Once we got signed, I moved out of my house because I was having teenage issues with my mom. It really wasn't my fault, looking back. You know, I'm gay; it's weird. It was one of the things. She has no problem with me being gay, but she had a problem with me dressing the way I do at first.
My brother's my best friend, without a doubt. Me and my big sister get along so well. She moved to East London, though, so points off, but she's wicked. And then my little sister is a little genius. She's super talented and such a great person, always been far more mature and cool than me.
When I was thirteen years old, and we had just moved to Germany, I definitely felt I was missing out on normal teenage life. I was watching my old school friends from Canada grow up without me while I was in Germany trying to learn the language and trying to pass each year without failing.
I was fascinated by all of it. The sounds of the theater and the audience, their rapture when a play took over and moved them and held them quietly... When the audience was truly moved, it was absolutely quiet. They were in a communion because they were learning the truth about themselves.
Dark Souls is in some ways an incomplete game, and I like to think that it has been completed by players, by their discoveries, as they moved along. I'd love to say that the nature of this incompleteness was completely deliberate, but it is both deliberate and by accident in different ways.
Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.
My family moved from California to New Jersey in the beginning of my sophomore year of high school. I will never forget the first day in a new school, walking into the cafeteria during lunch and not knowing a single soul. I didn't feel confident enough to share a seat at just anyone's table.
I think the rise of China is inevitable, because China has moved from a low-cost producer, at low levels of technology, to higher levels of technology, and because it's very competitive, even in some high-tech products they offer at very competitive rates - much lower than their competitors.