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I was born in Amersham, England on 6/4/58. My family moved to Australia when I was eight, and I went to Box Hill High School and then Melbourne High School. I liked to draw and write at school, and I liked books by J.R.R. Tolkien, A.A. Milne and Kenneth Grahame.
I could count my modeling jobs on my hands and toes. When I graduated from college, I moved to New York specifically to study acting, and I needed to pay the bills, and it's better to make a couple thousand dollars in one day than to wait tables six days a week.
My parents moved around Stockton and Lodi. I had a lot of anxiety about jumping into another classroom. They were always putting me in special ed. But I was smart; I wasn't like these kids in the special-ed classes. But it would make me feel a little bit stupid.
I have never moved away from my mainstay - trying to address all the environmental issues that come to me. I consult with law firms in the U.S., Australia, the U.K., Italy, Greece, and India to begin to address environmental disasters. I do motivational speaking.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
Japan is the most intoxicating place for me. In Kyoto, there's an inn called the Tawaraya which is quite extraordinary. The Japanese culture fascinates me: the food, the dress, the manners and the traditions. It's the travel experience that has moved me the most.
Each of my novels has come from a different place, and the processes are not always entirely conscious. I have lived off and on in America for a number of years and so have accumulated observations, found things interesting, been moved to tell stories about them.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
I still have a Gypsy sense of adventure. I don't think I have slept in the same bed for more than three or four months my whole life. I am always planting vegetables that I never get to eat and flowers that I never see flower. I have always moved around the world.
I moved from Kentucky to Miramar, Florida, at about 8. I think I was in second grade. I still had my Southern accent, and down there, you got to experience a melting pot in full fury. All the kids I hung out with were, like, Sicilian kids from Jersey and New York.
It's been a long road. A humble Dearborn beginning. Secretary mom, dad teaching handicapped children. Working for what they had. Eventually, I moved to L.A. but, not good for me, I felt rejected. So I stopped acting and, needing to feel good inside, became a chef.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.
Every business decision I ever made I learned from my grandfather Papa Sam. He moved here from Russia when he was a boy. He worked his way up selling newspapers and ladies' handbags, and eventually, he became Cadillac Sam, one of the biggest car dealers in Chicago.
I drove to Nashville a few times, met with some people and hung out, went to the Opry, and that kind of stuff. I made the decision - you've got to be present to win, so I packed it up and moved out here, and it's been great. It's been the best decision I ever made.
When I moved to Cleveland, defense research was laying the foundations for the Internet. The Apollo program was just about to put a man on the moon - and it was Neil Armstrong, from right here in Ohio. The future felt limitless. But today, our government is broken.
Of-course we did, but we didn't reply because we knew once this leaks the others will scatter, so in the few days we moved quickly before the press got hold of it. The press did get hold of it a few days later, we nabbed, we were able to get 15, the others got away.
I used to go and hang out at Patricia Field's store when it was on 8th street before it moved downtown. Amanda Lepore would be there, and I would be obsessed with the shoes and the make-up - everything. I just knew it was a creative place that I wanted to be around.
We moved there a year ago, just as a weekend place. Then we decided to move out of London completely. We will eventually have to work it out a bit more, because you can't have a little boy living with his sisters like that, can you? But we like the idea of closeness.
I kept saying that I'd never live in L.A., and I didn't think I would. But that's where the work is, and I ended up making a lot of friends there, and my old friends moved out to Los Angeles too. And also, I think when you're famous, its hard to live in a small town.
When I grew up in Italy in the 1950s, it was still very agricultural. Food was very important; produce was very important. Everyone made their own olive oil. It took me a long time after I moved here to understand that Americans are much further away from their food.
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up.
I've done so many jobs. As an actor, you have to. I didn't have my parents footing the bill when I moved to New York. I moved here with, like, 300 bucks. I was a bike messenger. I was a waiter. I was a bartender. I worked in a consignment shop for high-end designers.
When I first moved to the bench, it was a little tough to adjust to, but I've just recalled last season when I first started. Just taking care of my body and knowing that there could be a random time that I'm checking in, so I need to continue to take care of my body.
Jeff Smith was the Julia Child of my generation. When his television show, 'The Frugal Gourmet,' made its debut on PBS in the 1980s, it conveyed such genuine enthusiasm for cooking that I was moved for the first time to slap down cold cash for a collection of recipes.
As President Trump quickly moved to limit immigration, civil rights, and environmental protections, I felt fear for my young children, and guilt, too - as if I'd somehow betrayed the unspoken contract all parents make to give our children a better life than ourselves.
I remember years ago I was an extra, just an extra, and instead of asking me to move - he was a big fella - the director just picked me up and moved me. And I headbutted him. You know, he shouldn't have done that, but I shouldn't have done that either. I just done it.
My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!
I moved to New York aged 16, and worked part-time in a Korean store in South Bronx selling groceries, bread and confectionery. I earned $10 and it was painful because I didn't want to be there. I also worked in Debenhams as a kid, and a Wimpy in Brighton when I was 20.
I think the defining moment in my career is the day that I moved to Nashville - September 1, 2001. That's the biggest step to getting here is making that move. Anything that happens, the wonderful opportunities that happen to you, can't happen until you make that move.
Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera. I thought, 'Hey, this will be a really fun story to tell my grandkids one day, that I auditioned for a soap!'
When I first moved to Los Angeles, I had a really bad run. I would sleep in my car during the day outside the Disney building in Burbank, and that's where I got my first job, which is really weird. I liked to stay around the studios and kind of get the good vibes going.
I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.
I started with soul music and icons like Aretha Franklin and Etta James and then moved to R&B and artists such as Erykah Badu and Lauryn Hill. Electronic music came later on, when I was in high school and I was really influenced by artists like Skrillex and Major Lazer.
My parents separated before I was 1 year old. I moved in with my aunt and uncle when I was in fourth grade. I was, like, 8 or 9 years old. I was getting in a lot of trouble when I was in Southern California. My older sisters were in gangs. My older brother was in gangs.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.
I was born in 1937, in Yakima, Washington, the oldest child of Robert Emerson Lucas and Jane Templeton Lucas. My sister Jenepher was born in 1939 and my brother Peter in 1940. My parents had moved to Yakima from Seattle to open a small restaurant, The Lucas Ice Creamery.
I used to live in an old historic shipyard town called Trenton, Michigan, and a month after I moved in, I started hearing this woman screaming my full name at three in the morning, every night. Finally, on the seventh or eighth night, she screamed it again, and I woke up.
I guess I'm lucky in that I started working very young in all three of the mediums. I started in stage first, and then I moved into film, also very young, and when I did 'Taxi,' for instance, it was live in front of an audience but also filmed; that was a fun combination.
One of the things I did when I discovered this huge importance of being vulnerable is very happily moved away from the shame research, because that's such a downer, and people hate that topic. It's not that vulnerability is the upside, but it's better than shame, I guess.
Missionary zeal does not grow out of intellectual beliefs, nor out of theological arguments, but out of love. If I do not love a person I am not moved to help him by proofs that he is in need; if I do love him, I wait for no proof of a special need to urge me to help him.
I was watching TV and saw the 'Emeril' show, and it spoke to me. I went out and started researching the culinary world and chefs that I knew nothing about. Then I moved to New York and went to culinary school, and everything just fit like a glove. It's been on ever since.
I always tried to move up the food chain. I started with cement and then moved into textiles and banking. When I was trading sugar, I added salt and flour so that then we could do pasta. And then I thought, why not make the bag for it, too? So, we started making packaging.
During the Cold War, America undertook serious military cuts only once: after the election of Richard Nixon, during the Vietnam War. The result: Vietnam fell to the Communists, the Russians moved into Afghanistan, and American influence around the globe waned dramatically.
It was a small farm in a little rural town by the Indiana state border. I lived there from ages 5 to 12, I would say, before we moved to Dallas. We had chickens and a vegetable garden, and I had to get up to milk the goats at seven in the morning or do it at seven at night.
I first met my husband on the day we got married, when I was 20. I moved to be with him in Leeds, 165 miles from Luton. The kitchen was absolutely tiny. But I got my first hand-held mixer and first set of scales and first blue cake tin from Tesco and that was very exciting.
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
I went to UCLA for a year and a quarter. There were too many students at UCLA interested in what I was interested in, and they couldn't accommodate all of us. I wasn't allowed to take voice or dance, only theater and acting. So I saved my money and, at 19, moved to New York.
When I moved to Hollywood, I was expecting it to be this Mecca of extraordinarily talented musicians, and it was instead the era of Faster Pussycat and bands that had an appeal, but I couldn't do anything like that. There's nothing in my being that can do anything like that.
Throughout her career, many women would view Mrs. Clinton as an imperfect vessel for the feminist cause. She was a Yale-educated lawyer who, at the height of the 1970s women's movement, moved to Arkansas to put her own ambitions on hold in furtherance of her husband's career.