I refused to learn English for two years when we moved to London, hoping to send my family back home. It was tough, but at the same time, it has given me a sense of displacement that actually really suits the life that I'm living now.

I visited Jobs for the last time in his Palo Alto, Calif., home. He had moved to a downstairs bedroom because he was too weak to go up and down stairs. He was curled up in some pain, but his mind was still sharp and his humor vibrant.

My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.

I moved to Seattle when I was two or three years old. Had my early education there, and would spend summers on the farm in Maryland. Then I went to boarding school in New Hampshire, to St. Paul's School. From there, I moved to London.

I emceed in metro Detroit throughout college, and even when I moved to New York, I would actually fly back on a Friday, emcee on a Saturday, and fly back on Sunday so that I could audition during the week. It was a big part of my life.

As long as you've got your courage of conviction, it works for you. I think that the same applies, too, even where you don't, because in today's world, financial resources are the least important. World has moved to the power of ideas.

It's very white in Guernsey, not racist, but there's not a lot of understanding about different cultures there. So I grew up there then moved to Brighton and found all these other people with different experiences, different narratives.

I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.

The whole reason I moved to the U.S. to be coached by Alberto Salazar is to be able to improve 1 or 2 per cent. I was sick of coming sixth in the world, seventh in the world, and get close to a medal, but not quite there, half-a-second.

I'm very moved by chaos theory, and that sense of energy. That quantum physics. We don't really, in Hindu tradition, have a father figure of a God. It's about cosmic energy, a little spark of which is inside every individual as the soul.

I started producing in California, and they called it mob music. When I moved to Atlanta, the sound was different. People in Atlanta didn't like to rap over West Coast beats. So I had to make adjustments to what was going on in the South.

After World War II, a lot of people moved to the cities for work and abandoned the old vineyards. Then in the 1950s and 1960s, wineries were paid to produce volume at a cheap price. That's when the Lambruscos and bad Chianti were popular.

When you've got big sky, big places and less people, people act differently and treat each other differently. It's tangible. It's not just a concept. I grew up in the country and then moved to the city, and there is a tangible difference.

I don't know that I had context for being trans until I moved to Rochester, New York, to pursue my dream of acting, and started going to drag shows. I had never seen a transsexual before, and I didn't yet fully understand my own identity.

When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.

You can ride your bike to anywhere in Portland if you want to. I think there was a charming underdog mentality when I first moved here in the late '80s that is definitely gone. People acted more like underdogs, dressed more like underdogs.

Our house was destroyed in 1943, and I moved the family to a cottage I owned before the war in the Bavarian Alps. This cottage was meant for a very few people, and at the end of the war, there were about 13 people in this very small house.

My parents and friends, they're Ph.D.s that worked as custodians, that owned their own businesses, that went bankrupt, that moved seven times, that sent their kid to Harvard, that don't have any money for retirement. Highs and lows of life.

I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.

It is very hard for me to think of Logan without thinking of Hugh Jackman and I have no idea who out there could take over from him if they moved ahead. It's like thinking of anyone other than Harrison Ford playing Han Solo or Indiana Jones.

In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.

I was who I was in high school in accordance with the rules of conduct for a normal person, like obeying your mom and dad. Then I got out of high school and moved out of the house, and I just started, for lack of a better term, running free.

When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.

During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.

My tour manager, I met him at Boot Barn. He was selling me a pair of boots... and he said, 'I moved to Nashville to be a tour manager, and I need work right now,' and I said, 'Man, I don't even have a tour manager. So you can tour-manage me.'

The first job I had with what you might call human dignity, meaning with an office of my own and a bit of self-determination, was in technical writing, and only after I moved to Tel Aviv, where being a native English speaker is a meal ticket.

I was born in the city of Brantford, Ontario, Canada - but by the time I'd left high school, I'd moved seven times with my family, my father's engineering work taking us to places as far-flung as Bay City, Texas, and Wolnae-Ri in South Korea.

He said there is 80 of us, ready to come down and the next thing I knew is that Jo Brown dashed in and said your family has already moved and you have to move, the boat is ready to take you out. I didn't have time to ask, even ask a question.

I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.

When someone needs copper, or wood or an ag product, and they invest capital somewhere to make that happen, and people get jobs from that, and that good gets introduced to the world stage and it gets traded and moved, the whole world benefits.

Having removed the dictator, the allies have moved to put Iraqis in control of Iraq. Now, as they draft and ratify their Constitution, we will indeed see the character of a new Iraqi nation revealed through the principles it chooses to uphold.

And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.

Most Americans acquire dogs impulsively and for dubious reasons: as a Christmas gift for the kids. Because they saw one in a movie. To match the new living-room furniture. Because they moved to the suburbs and see a dog as part of the package.

I didn't run into racism until we moved to Nassau when I was ten and a half, but it was vastly different from the kind of horrendous oppression that black people in Miami were under when I moved there at 15. I found Florida an antihuman place.

With my business, the way you make big money is you find a great management team and a good concept, and you stick to it, and you add to it over time. In philanthropy, there was more this idea that once an idea was formulated, you moved along.

I am grateful for the lessons I learned from my parents' sacrifices. They often had trouble making ends meet, so we moved for them to find work. I remember my mom would sometimes take on second jobs, like ironing, just so we could buy groceries.

You know, when you have a million plus names on the rolls, people who aren't voting or are inactive, dead, people who have moved away, that's a massive pool of potential voter fraud opportunities for those who want to be able to steal elections.

Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.

I'm a little bit nervous for us with all of this electronically generated new hyper-space that we've moved into, where not only people but also economies and systems, like banking, are left to zeros and ones. I want to be more than a zero or one.

I was totally into cartoon babes when I was a little dude. Cheetara from the 'Thundercats,' then Jessica Rabbit, and finally I moved onto a real-life human being and was into Punky Brewster, and then Christina Applegate on 'Married with Children.'

My parents came here from Colombia during a time of great instability there. Escaping a dire economic situation at home, they moved to New Jersey, where they had friends and family, seeking a better life, and then moved to Boston after I was born.

That is how it stiffens, my vision of that seaside childhood. My father died; we moved inland. Whereon those nine first years of my life sealed themselves off like a ship in a bottle - beautiful, inaccessible, obsolete: a fine, white, flying myth.

What a lot of people don't know is that I got started as a professional gamemaker when I moved out to Texas to join George Broussard and Scott Miller and Allen Blum who created Duke Nukem, to join those guys and become part of the 'Duke Nukem 3D.'

When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.

Then, I realized that there is an indigenous presence in the Solar System. It's us. So, then, I got to wondering what would happen if a more technologically advanced society moved next door to us, the way we moved next door to the American Indians.

When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.

When I told my mother that I wanted to be an actress, she said, you can't live here and do that, and so I moved out. I was determined to prove her wrong because she was so sure that I was going to go astray. And that's the juice that kept me going.

When I graduated from high school, my mom and dad were saying I needed to go to college, but I said I wanted to pursue my dream of acting. At the end of my high school career, they quit their jobs, and we moved out to California on a leap of faith.

As a kid we moved around a fair bit as a family. It was difficult to make friends but sport helped. Once people saw you kick a football it broke down barriers. Instead of being the new skinny black kid you were the kid everyone wanted on their team.

I worked for the Office of Management and Budget in the White House, on nuclear energy policy. But I decided it would be much more fun to have a specialty food store, so I left Washington D.C. and moved to the Hamptons. And how glad I am that I did!

Share This Page