One must shed the bad taste of wanting to agree with many. "Good" is no longer good when one's neighbor mouths it. And how should there be a "common good"! The term contradicts itself: whatever can be common always has little value. In the end it must be as it is and always has been: great things remain for the great, abysses for the profound, nuances and shudders for the refined, and, in brief, all that is rare for the rare.

At one store, Gansey had started to pay for Blue's potato chips and she'd snatched them away. "I don't want you to buy me food!" Blue said. "If you pay for it, then it's like I'm... be---be---" "Beholden to me?" Gansey suggested pleasantly. "Don't put words into my mouth." "It was your word." "You assumed it was my word. You can't just go around assuming." "But that is what you meant, isn't it?" She scowled. "I'm done with this conversation.

So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.

So after E, it’s A for ‘Acceptable,’ and that’s the last pass grade, isn’t it?” “Yep,” said Fred, dunking an entire roll in his soup, transferring it to his mouth, and swallowing it whole. “Then you get P for ‘Poor’ ” — Ron raised both his arms in mock celebration — “and D for ‘Dreadful.’ ” “And then T,” George reminded him. “T?” asked Hermione, looking appalled. “Even lower than a D? What on earth does that stand for?” “ ‘Troll,’ ” said George promptly.

As usual, it occurred to me that words were the only thing that could possibly save me from this situation. This was a characteristic misunderstanding on my part. When action was needed, I was absorbed in words; for words proceeded with such difficulty from my mouth that I was intent on them and forgot all about action. It seemed to me that actions, which are dazzling, varied things, must always be accompanied by equally dazzling and equally varied words.

By consequence I hold that no one ever did, or can do, anything for "society."... Comte invented the term altruism as an antonym for egoism, and it found its way at once into everyone's mouth, although it is utterly devoid of meaning, since it points to nothing that ever existed in mankind; This hybrid or rather this degenerate form of hedonism served powerfully to invest collectivism's principles with a specious moral sanction, and collectivists naturally made the most of it.

I matched my heated tone with one of pure ice. "I believe I did attempt to relate to you the facts of my calls and you interrupted me with a rather magnificent display of temper much as you are doing now. If you do not have all the facts of the case perhaps you have no one but yourself to blame." Brisbane opened his mouth and shut it with a snap. His mouth remained closed but I could hear him muttering under his breath. "What are you saying?" "I am counting. To one hundred. In Cantonese.

Lyon knew she wasn't aware she was being watched, either. She wouldn't have eaten the leaf otherwise, or reached for another. “Sir, which one is Princess Christina?” Andrew asked Lyon, just as Rhone started in choking on his laughter. Rhone has obviously been watching Christina, too. “Sir?” “The blond-headed one,” Lyon muttered, shaking his head. He watched in growing disbelief as Christina daintily popped another leaf into her mouth. “Which blond-headed one?” Andrew persisted. “The one eating the shrubs.

Blay didn’t shake the hand that was offered. He reached over, took a hold of the fighter’s face, and drew Qhuinn in for a kiss. It was supposed to be only a split-seconder— like their lips were the ones doing the handshake thing. When he went to pull back, though, Qhuinn captured him, and held him in place. Their mouths met again… and again… and once more, their heads tilting to the sides, the contact lingering. “You’re welcome,” Blay said roughly. Then he smiled a little. “Can’t say it was all a pleasure, though.

He leaned her back against the tub, setting her head on the edge, then washed her shoulders. "I know I left you once." She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't. "I know I hurt you." Again, she wanted to argue. But she couldn't. "I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't". He slid the cloth over her arms. "If this ends, Hope, it won't be me that ends it. I think you know that.

It becomes 'one's own' only when the speaker populates it with his own intentions, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own

With lacquerware there is an extra beauty in that moment between removing the lid and lifting the bowl to the mouth, when one gazes at the still, silent liquid in the dark depths of the bowl, its colour hardly differing from that of the bowl itself. What lies within the darkness one cannot distinguish, but the palm senses the gentle movements of the liquid, vapour rises from within, forming droplets on the rim, and the fragrance carried upon the vapour brings a delicate anticipation ... a moment of mystery, it might almost be called, a moment of trance.

Contrary to any claim of a systematically “neutral” effect of taxation on production, the consequence of any such shortening of roundabout methods of production is a lower output produced. The price that invariably must be paid for taxation, and for every increase in taxation, is a coercively lowered productivity that in turn reduces the standard of living in terms of valuable assets provided for future consumption. Every act of taxation necessarily exerts a push away from more highly capitalized, more productive production processes in the direction of a hand-to-mouth-existence.

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