Quotes of All Topics . Occasions . Authors
My father was a country music singer and a motion picture actor, Tex Ritter, and I sort of had a normal upbringing, except dad would come down in full regalia with the boots and the guns and the hats, and the horse would eat with us. But other than that, it was pretty normal.
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
I grew up in Hollywood, California. A lot of my parents' friends were in the motion picture industry, but I saw their doctor friends as more solid. I admired them; there was a peacefulness in them, a sense of purpose that I liked. So I became very interested in being a surgeon.
Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.
Gravity may put the planets into motion, but without the divine Power, it could never put them into such a circulating motion as they have about the Sun; and therefore, for this as well as other reasons, I am compelled to ascribe the frame of this System to an intelligent Agent.
I would need a book to describe Jamal Miles. He can do it all. We line him up in the slot. We bring him into the backfield. We hand the ball to him. We send him in motion and get him the ball. He throws the football. He might be the best athlete I've ever been around in my life.
Almost everybody agrees that the Academy has to become more diverse. Even the Academy of Motion Picture Arts and Sciences knows this, which is why, in 2013, it announced it would extend its membership quotas in an attempt to bring more women and minorities into the organization.
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and sweeping vistas to stun your eyes and take your breath away. But what he hasn't mastered and what the technique can't do is this: emotion capture.
If somebody from the past doesn't rise up from the grave and start talking to me, I haven't got a book. I have to hear that voice, the voice of the narrator. How she sounds will tell me who she is, and who she is will tell me how she will act - and that starts the plot in motion.
Tim Miller's idea of Colossus was to be bigger and stronger than everyone else, so for the motion capture, they needed an extremely tall man. I'm 6-foot-4, but he wanted Colossus to be over 7 feet, so they used a stunt double to recreate his height, and he did very good job there.
Movies would be like a broad painted canvas... or a mystical process which cannot really be explained, like, 'What is electricity?' Along with the images that go on the screen, there's a corridor of dialogue that can happen through motion pictures, whether you're aware of it or not.
Your intentions are your nonphysical causes that set energy into motion. They create a multitude of effects and, therefore, determine the experiences of your life. This is one of the most important things that you can know. It is also something that you can see for yourself is true.
This game wears on you. It tears you down. It's perpetual motion for some people who've achieved a level of independence, like Madonna and Jay-Z - they don't need to do music anymore. But there's people who need it. And in that need, that's when it's tough and it tears you to pieces.
I've always loved acting, even from when I was a child. But when I got on stage, I realised I couldn't act my way out of a paper bag. I was wild and full of unharnessed energy, but I was around all these seasoned performers like Rita Cullis. It was as if they were all in slow motion.
There are things that I am nostalgic about from the 'good old days.' I loved motion control cameras, actually. I love the way they sound. I used to do a lot of miniature work, and it's still warranted, but it's done less often, largely for budgetary, schedule, and flexibility reasons.
It's kind of like some kind of church for me, playing live. Each show, good people from different pockets of the world come and open their soul and let their spirits mingle and dance. That energy comes up through me, and all I do is channel it; it's like a circular motion and very sacred.
Intuition is the wisdom formed by feeling and instinct - a gift of knowing without reasoning... Belief is ignited by hope and supported by facts and evidence - it builds alignment and creates confidence. Belief is what sets energy in motion and creates the success that breeds more success.
There are some good teachers out there, but the only one who is a genius at diagnosing my swing is my mom. She took up golf late, when she was 39, but in her younger days, she was an amazing athlete. She never read an instruction book or took lessons, but she has a remarkable eye for motion.
My first motion capture game was with Sony - 'NBA: The Life.' It was very ahead of its time. Brandon Akiaten, he was the writer and director. He had a real vision of what this game was meant to be; it was a basketball game where I was the Jerry Maguire sports agent type guy. And it was great!
'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!
The Screen Directors Guild was organized solely by and for the motion picture director... We are not anti-anything: The Guild being formed for the purpose of assisting and improving the director's work in the form of a collective body, rather than as an individual, as was necessary in the past.
Strong style is a philosophy for Japanese wrestling fans that was created by New Japan Pro Wrestling founder Antonio Inoki. He wanted you to show every motion and show real technique in the ring. It's important to use real techniques from real life and real martial arts. The detail is important.
Just because you're big doesn't mean you're going to be successful. The beauty of the motion picture business is that you can make a little movie like 'Driving Miss Daisy' or 'Rain Man' and go right through the roof. This business is still about creative juices, and size is no guarantee of that.
Every now and then, we hear parents commenting on the fearful things which motion pictures may do to the minds of children. They seem to think that a little child is full of sweetness and of light. We had the same notion until we had a chance to listen intently to the prattle of a three-year-old.
Redwood time moves at a more stately pace than human time. To us, when we look at a redwood tree, it seems to be motionless and still, and yet redwoods are constantly in motion, moving upward into space, articulating themselves and filling redwood space over redwood time, over thousands of years.
I'm at a point where there isn't any wasted movement in the throwing motion. Everything is consistent and smooth. When I first got into the league, I held the ball really high. That was the standard in college, and it messed up my timing a little bit - the draw, bringing it back, then the release.
What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more cheese per square inch than a soul food diner.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
As the CG in motion capture made it look realistic, it put more of an onus on the game makers to make the dialogue they're saying more realistic. It doesn't matter what they say when they're 8-bits, but if they look almost photo-real, it matters. More and more, the games industry is realising that.
There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.
We have been investing in building a mobile-first selling capability by establishing the Consumer Channels Group to strengthen and align the device-selling motion and to expand our impact with OEM, retail channel partners and our operator channel, and by extending it with our opening of Microsoft Stores.
Oftentimes, WWE lives in its own bubble because it is forever moving. Oftentimes, a motion picture will live in its own bubble because they have a certain amount of time to get everything done. It's just, when you connect the two and get everything straightened out, truly, it may take a little elbow grease.
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.
Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.
By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.
No matter how fast or how slow you get to the quarterback, it all goes to slow motion when you get there. Everything just stops. You don't see anything but the quarterback. You don't hear anything but the quarterback's breath. It's almost like you're a shark. Your eyes get real big and everything's just quiet.
One of the things that I really admire about the Marvel motion pictures is that, in one year, 'Captain America: The Winter Soldier,' which was a taut political thriller, and 'Guardians of the Galaxy,' which was a cosmic comedy, came out, and they could not be more different, and yet they both felt very Marvel.
In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.
I find motion, literally, is where ideas come from. It's almost like a built-in rhythm section. The contents of the songs are about change, and a lot of that stuff happens when you're on tour, and you wake up and you're in a different place and you start thinking about where you're going and where you've been.
The same law takes place in a system, consisting of many bodies, as in one single body, with regard to their persevering in their state of motion or of rest. For the progressive motion, whether of one single body or of a whole system of bodies, is always to be estimated from the motion of the center of gravity.
Some indeed have tears naturally, when the higher motion of the soul makes itself felt in the lower, or because God our Lord, seeing that it would be good for them, allows them to melt into tears. But this does not mean that they have greater charity or that they are more effective than others who enjoy no tears.
It is seen that both matter and radiation possess a remarkable duality of character, as they sometimes exhibit the properties of waves, at other times those of particles. Now, it is obvious that a thing cannot be a form of wave motion and composed of particles at the same time - the two concepts are too different.
Every industry has standards. For example, the motion picture camera, there are 2 or 3 film formats with a number of brackets and number of speed, a shooting speed that is standard. If we didn't have that, then some motion pictures will play back too slowly, and people would talk very slowly, and it will be bizarre.
A journalist gathers information for a media outlet that disseminates the information through a broadly defined 'medium' - including newspaper, nonfiction book, wire service, magazine, news Web site, television, radio or motion picture - for public use. This broad definition covers every form of legitimate journalism.
Just as the system of the sun, planets and comets is put in motion by the forces of gravity, and its parts persist in their motions, so the smaller systems of bodies also seem to be set in motion by other forces and their particles to be variously moved in relation to each other and, especially, by the electric force.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
In a gas, motion has the upper hand; the atoms are moving so fast that they have no time to enter into any sort of combination with each other: occasionally, atom must meet atom and, so to speak, each hold out vain hands to the other, but the pace is too great and, in a moment, they are far away from each other again.
When one knows at an early age that their gift, talent and direction is musical, one tends to focus on that and let nothing interfere or impede the forward motion toward the end of that rainbow. And after 50-something years of rockin' out, you still realise there is no end to that distant rainbow until one's last sunset.