I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.

The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields; they laughed all the time.

Reality has been so politicized such that people truly believe, mostly, that there are two versions of reality: a conservative and a liberal version. In my mind, there's only one version of reality and then those who lie about it. Much as in a court of law.

The Great Depression of the 1930s saw more American unmarried women working from nine to five, mostly in repetitive, boring, subordinate, dead-end jobs. But the number of working women doubled between 1870 and 1940. During World War II it doubled once again.

My parents were a little more on the hippie spectrum of Christianity - they weren't liberal Christians by any means, they were pretty conservative - but they preached mostly about love and caring for people, so I grew up with a lot of compassion and empathy.

Right now, there are a limited number of customers for Canadian oil. Due to simple geography - and without the pipeline - it's really only cost effective for Canadian oil producers to sell their oil to North American customers, mostly American Midwesterners.

Most visions of extraterrestrial life are actually steeped in human hubris. The fictional extraterrestrials of 'Star Trek' or a hundred other space operas are less alien than many of my neighbors. And funny, the ones running the place are mostly WASPish men.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

Nothing surprises me on 'Happy Endings,' because the show - I think one of the awesome things about the show is that it's so open to doing anything. We could do a genre episode. We have the green light to do whatever we want. Mostly because no one's watching.

When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates were doing.

No one can tell you the rules of 'Celebrity Apprentice.' No one. Donald Trump just does what he wants, which is mostly pontificating to people who are sucking up to him, while the network people try to manipulate him into making the highest-rated show they can.

In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.

Anybody who gives away money is mostly looking at things where they think they can make a difference. I'm trying to help people who helped me, educational institutions that helped me with scholarships, or organizations that were very useful to me in growing up.

We are aware that in 2005 our efforts to preserve the stability and prestige of the Republic of Bulgaria in the area of foreign policy, and our efforts to attain fully our strategic goals will be mostly contingent upon the way we address our domestic priorities.

I was mostly surprised by the rap artists, actually, that were influenced by Sabbath. That was a surprise. But it's very nice and I'm very honored. It's nice to know after 27 years now that what I said in the first place has stuck, and that was the belief in it.

I've been to the Bahamas. It's a beautiful country with truly excellent people. When I took a cruise that docked for a couple hours in Nassau, it mostly reminded me of a giant version of my grandmother's neighborhood in Mobile, Alabama... but with better accents.

I think one of the few faults in Dickens is that mostly his lead characters are blanks - who is David Copperfield, who is Oliver Twist? And yet he takes such joy in populating the rest of his novels with these fantastic, grotesque people like Pecksmith and so on.

In real life, I have mostly gone for nice guys. I definitely had a phase where I was like, "Oh, the bad guy is really cool." It's fun to be bad for a while, and then that ended really terribly - one piece of advice I'll give to people is your mom is always right.

I mostly eat healthy. I just do. I'm not a vegan for health reasons - although obviously I'm 20 pounds lighter than when I started. I stayed 20 pounds lighter. I feel better. My friends say I look better. All that's true. But I'm a vegan for compassionate reasons.

I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.

As the years went by, working on Broadway, I started seeing that I had a fan base and that they were mostly young girls. They are looking for someone that they can look up to, that they see as a role model. And I don't take that lightly; it's a big responsibility.

Our daughters were coming of age during a rising consciousness about gender equality. Throughout their school years - from kindergarten through graduate school, 1972 to 1992 - women were starting to take their places in areas traditionally reserved mostly for men.

Ninety-nine percent of the things that seem weird in my life can be answered with my religion. Paganism is mostly about nature-worship. It's about being in harmony with your environment and bringing the world of spirit and world of man together. It's about balance.

We've made so much headway with storytelling - mostly on cable, let's be honest - but also on the networks and, you know, I think it's about time that the leads are women. I'm not a woman, so I'm a bit biased - I wouldn't mind if a few roles were left over for men.

What's funny is that the idea of popularity - even the use of the word 'popular' - is something that had been mostly absent from my life since junior high. In fact, the hallmark of life after junior high seemed to be the shedding of popularity as a central concern.

Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't up to scratch.

Film is mostly a visual medium, and so the director has much more control in terms of painting pictures and painting a performance. For theater, the director does everything he can and then says, 'Out you go,' and the actors are in charge of that stage every night.

There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!

I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.

I didn't do any football stuff when I was a kid... Mostly baseball and basketball the whole time. That's all I did. I played football starting in seventh grade. As I got older, I started playing a little bit more. Then in high school, I really fell in love with it.

I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.

Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.

My inspiration was my mom. She's a great cook, and she still cooks, and we still banter back and forth about cooking. Growing up in a mostly Portuguese community, food was important and the family table was extremely important. At a very young age I understood that.

I think if you take 'Get Ready,' 'Waiting For The Siren's Call,' 'Lost Sirens' - those three New Order albums were mostly guitar-based. There were a couple of dance tunes in there, but they were mainly guitar-oriented. They came about through jamming, a lot of them.

The value of Eric Foner's 'The Fiery Trial' lies in its comprehensive review of mostly familiar material; in its sensible evaluation of the full range of information already available about Abraham Lincoln and slavery; and in the deft thoroughness of its scholarship.

Yes, the hunky barista looks even more terrifically masculine with three days' growth on his chin. Guys under 50 mostly do. But when your beard is partly or largely grey, that stubble can just look a little unwashed. Sadly, when you're over 50, different rules apply.

And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.

I work on words, mostly, toward them being poetry or short stories, and then some of those become songs. They all find their place in the world, but they all start off in the same place. I'm always painting and drawing as well, and it's an ongoing creative assignment.

Acting was always something fun to do on the side growing up, but I never really took it seriously. I would do a commercial every few months, and that paid my school tuition. But in high school, I was mostly into sports and didn't go out for stuff during those seasons.

For years I had lived in my body half-consciously, ignoring it mostly, dismissing its agendas wherever I could, and forever pressing it into the service of mental conceptions that resulted, almost as a by-product, sometimes in its pleasuring and sometimes in its abuse.

Jewelry and pins have been worn throughout history as symbols of power, sending messages. Interestingly enough, it was mostly men who wore the jewelry in various times, and obviously crowns were part of signals that were being sent throughout history by people of rank.

I grew up on Chicago's South Side in a working-poor family, so I watched everything on television. It was like my window on the world. But we also went to the movies pretty regularly - mostly on Tuesdays, because that was Ladies Night, and my mom could get in for free.

A typical week of training leading up to a major championship is like the sprinkling of parsley at the end of a dish. It's just the final little touches, that last little bit of strength or fitness, but mostly you are ready and are just maintaining and staying healthy.

At the very end of a book I can manage to work for longer stretches, but mostly, making stuff up for three hours, that's enough. I can't do any more. At the end of the day I might tinker with my morning's work and maybe write some again. But I think three hours is fine.

You can graph human evolution, which is mostly a straight line, but we do get better and change over time, and you can graph technological evolution, which is a line that's going straight up. They are going to intersect each other at some point, and that's happening now.

We're interested in things that have big teeth, and you can see the evolutionary value of that, and you can also see the practical consequences by watching 'Animal Planet.' You notice they make very few programs about gerbils. It's mostly about things that have big teeth.

I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.

Before my grandpa built his own church, we went to the neighboring town, and it was a white community. You know, up north, mostly middle European people and Indians, Chippewa Indians. We were welcome to that church, but once we got in, they didn't know what to do with us.

In 1957, 'West Side Story' had introduced the musical to the reckless dark side of teen-age life; 'Bye Bye Birdie,' set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.

Listen carefully to the global warming alarmists, and the main theme that emerges is that what the developed world needs is a large dose of penance. What's remarkable is the extent to which penance sells among a mostly secular audience. What is there to be penitent about?

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