The music that I listen to on set really varies. When I need lots of energy and I'm dying down towards the day, I need to play hip hop or rap or else my energy just crashes after a long day. When I'm shooting something moody or where I have to play it down a bit, I'll play Lana Del Rey or something more mellow.

Miami is nothing like me, and that's why I need to be here - it's the opposite. I'm practical, where this place is moody, I'm stolid in my interior, where this place has a certain flair, and I'm materialistic in a sense that this place is fundamentally spiritual - there's a quicksilver quality about this place.

In early 2005, I really studied the prospectuses of these mortgage pools that were tranched out into different-rated slices rated by agencies like S&P and Moody's. They had names like Park Place and People's Choice. It was clear to me that many of the buyers of these repackaged subprime mortgages were doing little analysis.

I was very aware of office politics because I was so baffled by them. So much so goes unsaid. No one says 'you're a cheeky so-and-so,' no one says 'you're so moody,' nobody ever confronts anyone else about anything. But I'm very crass, and I'm very confrontational, and I have a temper. I had to be hyper-vigilant in every office I worked in.

I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.

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