Quotes of All Topics . Occasions . Authors
I dress according to my mood. Some days I don't want to dress up, while some days I want to look great and so I make an extra effort to put on some Kajal and beautiful dresses, but it all depends on my mood.
In Russia, we eat a lot of heavy food like potatoes and lots of meat. I can't eat one apple or a salad a day. You wouldn't want to come talk to me if I don't eat. I have to eat, or I am in a really bad mood.
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
I am still every age that I have been. Because I was once a child, I am always a child. Because I was once a searching adolescent, given to moods and ecstasies, these are still part of me, and always will be.
I ate huge bowls of fresh papaya all day in Fiji when I was filming a movie, which was one of the most magical experiences in my entire life, so the fruit actually really changes my mood and how my body feels.
So if you want to have a great video game-based movie you have to keep the mood of the game, use the normal character setup - but you have to flesh out the story and provide more background for the characters.
I wouldn't say I eat fruit all the time. If I'm in the mood for fruit, I'll eat it. I try to get some kind of fruit throughout the day or every couple of days. I usually go for bananas to keep the cramps away.
For a coach to be able to help you, they need to get to know you well. They need to see what's happening - that you are not in the mood to talk, or something like this. It is very hard to find the right person.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
I'd love to have another film to go on to. I'm in the mood to work. But I have to be patient, you know, to find that particular kind of project. Occasionally I'll write one myself if I can summon up the energy.
I tend not to reread books, because there's always something new to discover, but Dorothy Sayers is a comfort grab for me - there's no mood so bleak or cold so bad that Lord Peter and Bunter can't make it right.
Divorced women, compared to married women, are less satisfied with their lives, which is not surprising. But they're actually more cheerful, when you look at the average mood they're in in the course of the day.
I think I'm in the same mood as ever, but in some ways more mature. I guess you could say that, at 65, when you've seen the world shape up as I have, there are only two things you can do: laugh or kill yourself.
'Paper Planes' by M.I.A. is very catchy. I like that, but I listen to everything from rap to Lenny Kravitz to Coldplay, depending on my mood. And my favorite song of all time is 'Always and Forever' by Heatwave.
If you make a strange, eccentric record - like the Velvet Underground's 'White Light/White Heat' - it takes on its own mood because it's less about a shrewd marketing plan; it's more about an individual emotion.
There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. 'In the Mood for Love,' though, reached all the way to my belly.
Most people think I am very nice; they think I'm their friend, which is lucky, but it means you're never allowed to be in a bad mood. They take it personally. The worst is when you're on holiday with your family.
Nowadays, my mood ungoverned, I'm free to think the most outrageous things, such as: might it not be a good idea to insist that drug companies give their preparations names that tell the user what they really do?
While watching him work on the set of the film based on my life - Patch Adams - I saw that whenever there was a stressful moment, Robin would tap into his improvisation style to lighten the mood of cast and crew.
Fashion is a huge part of music and of who you are. It really sets the mood for a show, and it's fun to play around with it. You can get really creative in photo shoots as well. You know, just having fun with it.
I've learned over the years that people are human and have mood swings, regardless of how talented they are. Today, I'm looking at life from a realistic point of view instead of the way I would want things to be.
I don't even remember why I called myself an idiot. I can be very harshly critical of myself. It depends on my mood, and obviously it depends on where I am in my life. Yes, embracing myself - I'm working on that.
High heels are like a beauty lift. In a flat, you can feel beautiful, but a stiletto changes your mood, how you move - like a wild, beautiful animal. The idea was always to follow a woman's wardrobe, her desires.
I try to, like, hang out with my family as much as possible. Hang out with the band, go hiking when I'm in the mood for that. Watch Netflix. It's really important for me; like, health comes before everything else.
Being a Scotsman, I wear a skirt quite a lot, but we're allowed. I have an incredibly loud Hawaiian shirt that's pink and a particularly disgusting turquoise, but I just wear it on days when I'm in a strange mood.
One of the things I had to really work on is, when you're the leader of an organization, people look at the expression on your face. Your mood has a lot to do with how people think the whole organization is doing.
I used to write when I was in the mood or felt inspired. Anymore, I write whether I feel inspired or not. It's a discipline. So that's definitely different. It's part of maturing as a person and as a professional.
My main exercise is cardio. The treadmill is fine, but running outdoors gives me the best results. I try to log 6 to 8 miles a week. I could be in the worst mood, but when I do my cardio, I feel much, much better.
I've worked on shows where it's fun; you want to hang out. If you're enjoying it, that's how you take ownership of it. You want to give to be a part of this thing. I feel that's the mood on the set of 'Detroiters.'
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
To achieve the mood of a warrior is not a simple matter. It is a revolution. To regard the lion and the water rats and our fellow men as equals is a magnificent act of a warrior's spirit. It takes power to do that.
My style is a little more thought out, in a way, but I guess it's eclectic at the same time. I wouldn't be able to describe my style, because it changes on a day-to-day basis, depending on what sort of mood I'm in.
One Long Year was just a song here and there, and it was meant to reflect the mood that I was in but unfortunately it also reflected too little of any particular thing rather than hanging together as a whole album.
After 9/11, most Americans were in no mood to talk with our enemies in the Middle East, whatever those enemies' ideology, and the Bush administration's policies of invasion and pre-emption reflected that sentiment.
As actors we are often seen well-dressed and well-behaved in the public eye but we are humans at the end of the day. Like anyone else we also get angry, upset, frustrated, get mood swings. We are loving, caring too.
Accents influence a performance. If you look at Stanislavski, he says work from the in to the out, and I probably overall work the other way. I find an accent and a mood, and that influences the character massively.
I can rock out anything. I mean, I can rock out a little 'Time After Time'. I can do a little 'Grease Lightning'. It depends on the mood, but we do go karaoke, my friends and I in Los Angeles, and it's a lot of fun.
Starving to be skinny isn't my thing. When I don't eat, it affects my mood! On-set, I fuel up with small meals and I'm always grabbing high-protein snacks, like almonds. Chai lattes with espresso also keep me going.
I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
How you use your voice is really important, and it's really driven by context more than anything else, and your tone of voice will immediately begin to impact somebody's mood and immediately how their brain functions.
I was in a lecture about concussions and of the 10 symptoms the guy mentioned, I had eight. The symptoms would be, for example, mood swings, getting angry very fast, forgetting some things, having difficulty sleeping.
I had to have 25 counts of radiation, and the radiation was an obstacle I had to get over, in and of itself. It took away my appetite completely, it changed my mood swings, it would make me feel nauseous all the time.
One of the biggest things I struggle with is people's opinions. As much as I would like to say that I don't care, I see those comments. And sometimes it affects you more than others, or may completely change your mood.
My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
I find that I do my best work at the beginning of the day, but I'm rarely in a writing mood when I sit down. I'm usually somewhat sleep-deprived, and I always have a long list of other responsibilities calling my name.
You don't think in depression that you've put on a gray veil and are seeing the world through the haze of a bad mood. You think that the veil has been taken away, the veil of happiness, and that now you're seeing truly.
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.