Quotes of All Topics . Occasions . Authors
The rest of the world in which I lived was still stumbling about in search of a weapon with which to exterminate this monster [homosexuality] whose shape and size were not yet known or even guessed at. It was thought to be Greek in origin, smaller than socialism but more deadly, especially to children.
My career has been very strange. My career is like a heart monitor. I get involved in a good project now and then to keep things going. And then I make things that I work on that I hope are going to be good so I can make a living and keep a roof over the heads of those little monsters I have in my house.
I'm looking for things where, like with 'Ten,' I don't look like me, and I'm playing something a bit different. I'm just trying to flex a different muscle and see if it works. I've saved the world and killed monsters and done all that. Now I want to try something a bit different and a bit more challenging.
In a deeply tribal sense, we love our monsters, and I think that is the key to it right there. It is monsters; it is learning about them: it is both thrill and safety. You can think of them without being desperately afraid because they are not going to come into your living room and eat you. That is 'Jaws.'
'Zorn' goes to some pretty ridiculous places, but the real comedy is coming from these little observations about life that are not as outlandish as some of the bigger moves in the story. This is a guy who has magical relics and fights weird monsters and is also dealing with very basic work and family things.
I grew up in Chicago, so I've always been a Bears fan. Dad used to take me to Bears games and Cubs games. My brother used to ride me over to Lake Forest College on his Honda Supersport and we'd watch the Bears practice. I remember those guys out there as monsters - they were the biggest things I've ever seen!
When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.
One thing that's a lot harder to put into stories than you'd think is the idea of a traditional monster, because monsters with a capital 'M' don't inherently lend themselves to a story about your character. Unless one of your characters is themselves the monster, simply having a monster leads to a chase or a hunt.
It's so easy to say "evil Nazi monsters," but as soon as we do that, we take away the fact that it was individuals committing individual acts of murder. They had children, and what does that do? As soon as you generalize, they become monsters. It doesn't allow you to understand it in any kind of sophisticated way.
I love monsters, I love creatures, I love beings, I love aliens. That's more supernatural and more the stuff of fairy tales. Fairy tales are as ancient as we are. I love those stories. I think they're really interesting because they always have more than simply the fright aspect. There's something deeply psychological.
Comics have a problem, and that is continuity - the obsession with placing the characters in an existing world, where every event is marked in canon. You're supposed to believe that these weepy star boys of now are the same gung-ho super teens fighting space monsters in the '60s, and they've only aged perhaps five years.
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I've done, even the way scenes are shot in 'Kinsey and 'Gods and Monsters.'
March is a month without mercy for rabid basketball fans. There is no such thing as a 'gentleman gambler' when the Big Dance rolls around. All sheep will be fleeced, all fools will be punished severely... There are no Rules when the deal goes down in the final weeks of March. Even your good friends will turn into monsters.
How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
I don't know; I guess they'll never make another 'Nemo.' I see they're making another 'Monsters, Inc.' I had a wonderful idea for them. I swear to God, I think there could be a great sequel to 'Nemo' where the fish never will leave home. He just won't leave. 'Getting Rid of Nemo.' Right, 'You're 30 years old! Get out of here!'
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
Movies like 'Chef' are not really box-office monsters in the summertime and don't really fit into Hollywood's business model any longer. Even if 'Chef' is successful, it will be successful in the context of what it is. There's a limited upside to a film that's so small, but there's also limited exposure for the people who backed me.
What's lovely about 'Eureka' is that it's a sci-fi show, but it's not monsters from outer space; it's not craziness from outer space. It's just about this community of people and what they do. These geniuses have sometimes done wonderful things and sometimes created global warming. It has this wonderful left-of-center sense of humor.
Society's only real 'progressives' are the deviants and mutants. Look at evolution - fish who didn't deviate never became amphibians; frogs who didn't mutate never became reptiles; conformist snakes never became mammals , etc. Normal Humans will remain humans, and they'll be subjugated by the digital monsters of the next few millenia.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. Although I do like 'The Last House on the Left,' and things like that, I do like these ridiculous monster movies.
I put my fingers around the unmarked ring of the spyglass and twisted. The scene became clear. Oh no! A hairy brown spider clung to a vine! I couldn't go there! I'd go to the desert to find a dragon. I began to reset the spyglass, but then I stopped myself. A spider was worse than a dragon? No. My first monsters would be spiders, then.
Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
Every teenager deals in his or her own sexuality and has to face it and figure out how it can coincide with the rest of their lives in a healthy manner. And try to navigate it in our modern society, which is wrought with stigma and taboo and repression, and sort of as a result, these inner monsters that some teenagers really struggle with.
'Scandal' has always lived in this dark place with this idea that Washington is filled with this underbelly of monsters, that if the real world understood how dark, twisted and corrupt it really was, they would never agree with our government or want to be part of it. It's been kind of fun to live in that world. It felt like a fictional world.
I knew when the ball was going out (over the Green Monster). It was something I worked into the decoy, but it used to tick the pitchers off. Bill Monbouquette used to say, 'Can't you at least make it look like you can catch it?' Meanwhile, the ball would be on its way over the fence to a spot three-quarters of the way out to the railroad tracks.
It is part of the pholosophic dullness of our time that there are millions of rational monsters walking about on their hind legs, observing the world through pairs of flexible little lenses, periodically supplying themselves with energy by pushing organic substances through holes in their faces, who see nothing fabulous whatever about themselves.
We want to believe that the world is understandable and controllable and unthreatening, that if we follow the rules, we'll be okay. So, when this kind of thing happens to other people, we need to put them in a different category from us. We don't want to resemble them, and the fact that we might is too terrifying to deal with. So, they have to be monsters.
Apologists for activist government never tire of telling us that the benevolent state is our protector and that without it wed be at the mercy of monsters. It is about time that we understood that the U.S. government does more to endanger the American people than any imagined monsters around the world…by pursuing its Grand Foreign Policy of meddling anywhere and everywhere.
Oh God almighty, another Detroit monster is Chad Smith of the Chili Peppers. Their music is intoxicating between Flea and Chad Smith. They're contemporary because they're still making good records, but I don't think there's anything new that has a groove and soulfulness. The Chili Peppers just stink of soul-and that's the ultimate compliment. They continue what James Brown created.
His specialty was interrogation. Imagine it, gentlemen. Being strapped to a table so that you are entirely at the mercy of a monster such as this. A person who delights in your pain. A person to whom your screams are more delicious than a lover's whisper. A creature who knows how to keep you alive while he skillfully and meticulously deconstructs those things that define you as human?
Huh," Leo said. "Well, if you ever get off this island and want a job, let me know. You're not a total klutz." She smirked. "A job, eh?" Making things in your forge?" "Nah, we could start our own shop," Leo said, surprising himself. Starting a machine shop had always been one of his dreams, but he'd never told anyone about it. "Leo and Calypso's Garage: Auto Repair and Mechanical Monsters.
There comes a time when the blankness of the future is just so extreme, it's like such a black wall of nothingness. Not of bad things like a cave full of monsters and so, you're afraid of entering it. It's just nothingness, the void, emptiness and it is just horrible. It's like contemplating a future-less future and so you just want to step out of it. The monstrosity of being alive overwhelms you.
I have travelled a good deal in Concord; and everywhere, in shops, and offices, and fields, the inhabitants have appeared to me tobe doing penance in a thousand remarkable ways.... The twelve labors of Hercules were trifling in comparison with those which my neighbors have undertaken; for they were only twelve, and had an end; but I could never see that these men slew or captured any monster or finished any labor.
A woman is sometimes fugitive, irrational, indeterminable, illogical and contradictory. A great deal of forbearance ought to be shown her, and a good deal of prudence exercised with regard to her, for she may bring about innumerable evils without knowing it. Capable of all kinds of devotion, and of all kinds of treason, monster incomprehensible, raised to the second power, she is at once the delight and the terror of man.
In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through." I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry." "Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes." "What, fell upon them in a squashed-them kind of way?" "More the leaped-out-and-slew-them kind. (...)
Look at me!" I roar. "Do you think you'll be the first I've killed today? I wasn't a murderer, but you changed me. I'm a monster now. And I'm hungry." "Meera!" Anotoine whines. "Prae! Please, I beg you. You're civilised people. Help me!" "We can't," Prae says coldly. "Even if we wanted to - and personally I have no problem with him gutting you - we couldn't. He's not ours to control. He's one of your specimens. You helped create him - now you have to deal with him
The ocean, whose tides respond, like women's menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins, the ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves... it is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
It occurred to Dr. Lecter in the moment that with all his knowledge and intrusion, he could never entirely predict her, or own her at all. He could feed the caterpillar, he could whisper through the chrysalis; what hatched out followed its own nature and was beyond him. He wondered if she had the .45 on her leg beneath the gown. Clarice Starling smiled at him then, the cabochons caught the firelight and the monster was lost in self-congratulation at his own exquisite taste and cunning.
Chronic sexual predators [to Vachss, pedophiles] have crossed an osmotic membrane. They can’t step back to the other side - our side. And they don't want to. If we don't kill them or release them, we have but one choice. Call them monsters and isolate them.... I’ve spoken to many predators over the years. They always exhibit amazement that we do not hunt them. And that when we capture them, we eventually let them go. Our attitude is a deliberate interference with Darwinism - an endangerment of our species.