Quotes of All Topics . Occasions . Authors
We're all just bags of bones and muscle and hormones; I'll never understand what makes our minds do the things we do. It's like that statue of the monkey holding a skull. We're trying to use a thing we don't understand to understand ourselves.
You never know what to expect when you're in America, especially when I've been in L.A., where you walk out the door, and suddenly there's a monkey bicycling by in front of you. There are just so many weird things going on there, but it's fun.
My friend... used to tease me about a tattoo I had right here, but it was so big, and what he was teasing me about - he said it looked like a flying monkey. It's supposed to have been a grim reaper holding a ball. But it did look like a monkey.
With a progressive issue, it was always a monkey that was chasing me down. I had a great fear of losing my hearing. In my gut, I always knew that it was going to happen. I was just hoping that it would happen when I was 50 and not when I was 18.
I could hear from the crowd some monkey noises, and this went on for about 25 minutes. Every time I touched the ball, I could hear the crowd. I said to myself, 'In this kind of environment, in this situation, I don't want to play football anymore.'
If we could establish a deep abiding relationship with nature, we would never kill an animal for our appetite; we would never harm, vivisect, a monkey, a dog, a guinea pig for our benefit. We would find other ways to heal our wounds, heal our bodies.
When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.
I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
I get burned out on standup. But I like acting. I do like it. But sometimes you just feel like a monkey. You just feel like a complete tool. But I like it. I do like it. Stand-up is just more free. A lot more freedom because you just do what you want to do.
The character of the monkey just grew from something out of his face and my granddad's personality. They fused, and that's what I ended up with! The monkey belonged to a friend of mine, and I saw that it had such a little beguiling face and it grew from there.
If I'm on my own, I'll speak to 'Monkey' to generate new stuff for the act. I mean, I don't do it for moral support, although I wouldn't say that's out of the question. In fact, I could do it, I might do it... yes, I think I should actually start doing it more.
Postwar America was a very buttoned-up nation. Radio shows were run by censors, Presidents wore hats, ladies wore girdles. We came straight out of the blue - nobody was expecting anything like Martin and Lewis. A sexy guy and a monkey is how some people saw us.
A father and two sons run Adelphia. It's a cable company. And they took from that company a billion dollars. A billion. Three people - three people took a billion dollars. What were they gonna do, start their own space program? 'Let's send the monkey to Mars, Dad!'
The newly released movie 'Noah' features a retelling of the creation story that clearly depicts Darwinian evolution transforming a single-cell organism into a monkey. The movie also seems to show magic in scenes more reminiscent of the occult than of the Bible story.
In all honesty, if somebody asked me the secret of auditioning for Americans, I don't know. Often, I do what's called self-taping for America. I go over there quite a lot to sit in a room and do stuff in front of people. You feel like a performing monkey. It's bizarre.
For me, some things, like, I just don't want to know what they are before I eat them. Like, if you're going to start feeding me, like, sexual organs of animals, or, like, a monkey's brain or something - I'll eat it. Just don't tell me what it is until after I've finished it.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
I realised some Lazio fans were making monkey noises whenever I touched the ball. It is impossible to know what you are supposed to do in this moment. There were times when I wanted to walk off the pitch to make a point, but then I told myself that this is exactly what they want.
That's been the secret to 'Gas Monkey': Move fast. I opened the first restaurant within a year and a half. Most people wait five years. I always move quickly, and in today's market, no matter what you're in, you can recover from a mistake faster than you can recover from not doing.
When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.
I've performed in Japan before, as well as many other non-English speaking countries. I find you really just have to be a bit more animated than usual. Call-and-response routines work well, if they are simple. Otherwise, I just dance around like a circus monkey and hope the crowd feels it.
I started making monkey bridges, like kids do, and climbing and rappelling with ropes. Very naturally, I needed some knots. At the very beginning, I didn't care, I didn't know, and then slowly I started to know, and I started to care. I wanted to know more knots or the right knot for the special action.
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
If I scroll down my Instagram replies, the tenth one down features a racist emoji - which is not unusual. So I follow the protocol, which is to block the user and report the message under the category of 'hate speech and symbols.' Then I am told that an emoji with a monkey and a banana is not considered racist.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'
It's true that my research expertise is in biology: for example, the Ebola virus, the Marburg virus, and monkey pox, and not bacteriology as in the case of the anthrax organism. It's also true that I have never, ever worked with anthrax in my life. It's a separate field from the research I was performing at Fort Detrick.
I've been thinking recently about all the qualities you need in order to be an actor. First and foremost, you've got to have a thick skin and give out an 'I don't give a monkey's what you think' kind of vibe, while at the same time really caring what everyone thinks. You've got to be tough and sensitive at the same time.
I looked into studying psychoanalysis, wrote to the governing body and was about to start the year where they psychoanalyse you, four times a week, before you get to do it yourself. I just thought I'd taken the ventriloquism as far as I could. My act is so deconstructive, and I'd made all the monkey jokes anyone wanted to hear.
I had to deal with it so often, I found ways of making a point against racism. When I played against Real Zaragoza, they chanted like monkeys and threw peanuts on the pitch. So when I scored, I danced in front of them like a monkey. When the same thing happened against Real Madrid, I scored and held my fist in a Black Power salute.
What I've been doing with my misfit, so-called acting career in film from day one on my first film, 'Spanking The Monkey', is, I've kind of made a concerted effort to hijack my acting career to turn it into film school, because I've always had the blasphemous idea of becoming a reasonably competent filmmaker in my own right some day.
You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
