I have been insane on the subject of moneymaking all my life.

The conservative media movement exists primarily as a moneymaking venture.

I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.

One of my gripes about movies is that people take them so seriously, and the moneymaking aspects are so brutal.

It really is a biological bummer that a woman's chief moneymaking years align with her most fertile. It sucks. I wish that there was some way you could invert it.

Nobody wants you to stop, obviously because you're a moneymaking machine. But you have to make the decision and you have to move forward. So I took time off to have babies and do all that.

Poetry, being supremely useless, by its very existence represents a protest against the so-called 'real world' of busy-ness and moneymaking, so we must embrace, salute and support our poets.

I got my degree in theatre at a little school in Pennsylvania, Bloomsburg University. It was one of those situations where I went into the major because I loved it, but didn't really expect to see it as a moneymaking situation or career.

Moneymaking was never anything to me. I was happy never making money; I just was happy doing things I liked. But I fell into the money thing. I now don't feel guilty about it, but I am determined to give away the bulk of it and enjoy doing it.

While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.

I hate to say it, but Christmas as a kid was always a moneymaking venture for me. I played trumpet, and a friend of mine who played trombone and a guy who played tuba, every Christmas we'd go out for three or four days beforehand and play Christmas carols on our horns.

If all you're doing is playing it safe - trying to make the same movie over and over again - that's when the audiences say, 'Oh, this is just a moneymaking machine.' But if it's genuinely in service to the art form, then the franchise concept is being used in a way that's exciting.

UFC is a moneymaking machine. The most important thing for this organization is a brand and its marketing. They have a couple of good fighters, and there are also some very good champions, but they are trying to keep everyone at the same level. The most important thing for them is the promotion, not the fighters.

My mother had a master's degree and had been a schoolteacher before she started having kids at 30. But my father's family were landowners, farmer-merchants. Moneymaking was extremely important, like one of those semi-rapacious families in Lillian Hellman, where they know the price of everything and the value of nothing.

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