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Hiring new people, opening up in new markets, all of that takes money.
You can spend the money on new housing for poor people and the homeless, or you can spend it on a football stadium or a golf course.
I think, often, people who do something new creatively don't benefit financially from it - it's the people who come after and make them palatable that make money.
I make the most money, I think, in Russia and Paris, for the people of those countries are so willing to be amused, so eager to see something new and out of the ordinary.
'Blood Money' was a stand-alone film, but we worked double for it. We realised how difficult it is to sensitise people to anything new, especially when you don't have a star.
Mafia guys are all just insecure people who want their money. They're like little seven-year old kids when they don't get their way. I knew guys like that growing up in New Jersey.
I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
At NIH, what tends to happen is that the proven researchers tend to get the money. New researchers, younger researchers, or people on the cutting edge don't get the money until they have gray beards.
In a Ponzi scheme, a promoter pays back his initial investors with money he has raised from new investors. Eventually, the promoter can no longer find enough new investors to pay off the people who have already put up money, and the scheme collapses.
I know how to create and make people feel something. Honestly, if I didn't do this, I would just have some minimum-wage job in New Mexico, and I would go out on the weekends and make just enough money to pay my insurance and pay for a couple beers, and that would be it.