Moments Quotes - Page 83

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I'll always cringe remembering those little embarrassing moments when I said something dumb on a conference call, when my inexperience poked through, when I should have been more solicitous of the judgment of those around me. They're a reminder that it's not mutually exclusive to be confident and humble, to be skeptical and eager to learn.

'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.

I'm looking for a way out of here. I can't have it physically, so I'm going to have it intellectually. It was a beautiful thing to ride Seabiscuit in my imagination. And it's just fantastic to be there alongside Louie as he's breaking the NCAA mile record. People at these vigorous moments in their lives - it's my way of living vicariously.

People who supported Obama felt like they formed a relationship, that they were being spoken to. The way that campaign worked and the way he's worked during his first term is to make people feel like he's grasping their hand, whether it's by tweeting or email, moments after an event, sometimes during an event. It makes people relate to him.

Ireland and its people have much to be proud of. Yet every land and its people have moments of shame. Dealing with the failures of our past, as a country, as a Church, or as an individual is never easy. Our struggle to heal the wounds of decades of violence, injury and painful memory in Northern Ireland are more than ample evidence of this.

We have reached a moment in our history where we think that every problem in America has to have a federal government solution. Every problem in America does not have a federal government solution. In fact, most problems in America do not have a federal government solution and many of them are created by the federal government to begin with.

To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.

The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.

I had some highlight moments in the early '60s when I used to do a lot of rubbings. I used Afta; it's an amazing chemical. If you pour it on something and rub, you get amazing results. Before that, I used lighter fluid and, well, I've always liked blood. Everybody thinks I am very sick, but the thing is, blood is better than any ink or paint.

The things that I have said when I was young and curious about whatever the subject matter was, I respect those - those are growing pains. Even if you make mistakes, I go back to those things, my not-so-great moments because those are my truest moments; those are my human moments. I'm not even mad at the things I said that were a little dicey.

And I love that even in the toughest moments, when we're all sweating it - when we're worried that the bill won't pass, and it seems like all is lost - Barack never lets himself get distracted by the chatter and the noise. Just like his grandmother, he just keeps getting up and moving forward... with patience and wisdom, and courage and grace.

Navigating a nonsober world of restaurants and bars, dinner parties, and benefits is like anything that requires practice. Like tennis or a foreign language, it gets easier the more you do it. But like all beginnings, it can be awkward. You stumble, you worry, and then there are unexpected moments of grace that give you the courage to keep going.

One of the pivotal moments for me was realizing that our 'food with integrity' approach at Chipotle was satisfying my passion. That's about bringing the best quality, sustainably-raised ingredients to everyone: chicken without antibiotics; beef without hormones. These ingredients were only available in high-end restaurants, not mainstream places.

I have seen extreme lows because of factors that were not in my hands - be it not having money to buy my first bike, dropping out of a prestigious engineering college without having a single rupee in my bank account, living with seven boys in a single-room kitchen in Mumbai, or eating nothing but khichdi every day. But I cherish all those moments.

Shooting on the iPhone has become more of a directors' tool to lower inhibition of first-time actors and nonprofessionals. While it's helped me become more mobile, no pun intended - running around, finding tight areas and different ways of moving the camera - to me it's more about using this device to catch candid moments. That's the biggest thing.

What's odd about it is that I see it as these moments and then other people, I'll reply to someone, and they're like, "Follow me back, let's be friends!" and I'm like, "See, on the train you have a great conversation between stops and you don't necessarily exchange phone numbers. It's not that deep, actually. Why can't the moment just be what it is?"

First of all, I would tell any young woman who's interested in politics to get in touch with herself first and really, really determine if this is what she wants to do - and not do it just because it may be the thing at the moment. What do you care about? What is it that moves you? What would you like to change? What would you do if you were in this situation?

You need to begin where people are. You can't punt ideas or innovations in from the 40 yard line. And yes, the work should feel so collaborative that it should feel like the end result belongs to everyone. Your best moment as a consultant is when your client plays your idea back to you as their idea. Your job: to nod sagely and say, "that's an excellent idea.".

Turkey, as an ex-imperial power, is all in favor of empires guaranteeing law and order on its borders. Turkey's and America's basic interests with regard to Iraq are identical. They both want a stable and rational Iraq that would use its considerable oil wealth in order to improve its own lot. But there doesn't seem to be very much prospect of that at the moment.

The key moments in your life are when you realize how exciting music can be, like when you hear Nevermind for the first time. I grew up in the '70s and '80s. I was introduced to hip-hop when it first came out. Hip-hop music will always be my first love. That's why I love playing the drums. Any day of the week, I would rather listen to a hip-hop album than a rock album.

The essence of the modern state is that the universal be bound up with the complete freedom of its particular members and with private well-being, that thus the interests of family and civil society must concentrate themselves on the state. It is only when both these moments subsist in their strength that the state can be regarded as articulated and genuinely organized.

Without memories, without hope, they lived for the moment only. indeed, the here and now had come to mean everything to them. For there is no denying that the plague had gradually killed off in all of us the faculty not of love only but even of friendship. Naturally enough, since love asks something of the future, and nothing was left us but a series of present moments.

As the antagonism between those who possess, and those who do not, is becoming more acute day after day, we can already foresee a moment when it will bring about ("entraînera", Fr.) severe (big, high, intense, - "grands", Fr.) disasters, if we do turn (direct, aim, - "dirige", Fr.) life in time the social life in new directions (or ways, - "dans des voies nouvelles", Fr.)

Another big moment in terms of that feeling was David Petraeus: if the director of the CIA can't get away with having a secret relationship, then what hope do you have? It's not really an original idea, but there's something that goes along with power and celebrity that starts to make you feel like you're impervious to certain forces that the rest of us have to live with.

He was making her feel small and absurdly petulant and, worse yet, she suspected he was right. She always suspected he was right. For a brief irrational moment, she wished she could walk away from him. Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying; need was the choicelessness she often felt around him.

The Arab leadership, after so many years of Obama, they're positively giddy about the arrival of Donald Trump. And when they are giddy, like any other leaders, they might over step. And the danger, of course, is initiating a confrontation with Iran that the U.S. really doesn't want to be involved with at any given moment. They have enough to worry about on the North Korea file.

If there's anything I could undo - usually when I want to undo things its like right on the moment because I look to the stuff that I go through in my life and something always comes out for a reason so I'm doing that. But, its always that when you say something that's just so asinine and so stupid, you're like, ahh, if I could just, please, have an undo button just to not say that.

That's how people make sense of a meeting: they eat something. If they were in a sad moment it would be the same thing, they'd be eating something. It's what makes life fun. We don't need it to be delicious or great or all these things if we're just to survive. But it's one of those things that makes life fun, livable. And the more I submerge myself in it, the more fun I seem to have.

I've had my own moments in front of designers when I've actually said, 'You know, there's a market here for expanding your work, and here it is. And frankly, there are two markets: The women who are larger than the 12, and then there are women who are petite. And most designers that I talk to have absolutely no interest in addressing either of those populations, which I find repugnant.

I've always been really selective. I just didn't have the right to be as selective in other years, I guess. It's very difficult to commit so much of your life to go shoot something that you think sucks, so I'd rather do nothing than go work on something that I really hate. Obviously, there are moments where you have to take jobs for money, everybody needs to pay their rent or whatever.

Another point is that ultimately, as far as the budget is concerned, of major importance is who offers more money during the bidding that must be organized as a part of the privatization process. In this sense, we cannot discriminate against any market participants, not one of them, but this is not relevant at the moment, as the Government has decided to postpone the privatization of Bashneft.

There'll come a time when airplanes are much more efficient when it comes to producing lower levels of greenhouse gas emissions, there'll come a time when we'll be able to offset those emissions much more effectively than we do now. But alas at the moment, flying airplanes is really one of the least defensible things that we do and it's one of the things that I indulge in quite frequently, alas.

Perhaps the bands emerging nowadays don't have the right context around them to help them grow. We were born at the right moment where everything was happening. There was a great interest for rock en español and it was everywhere. The audience, labels and the media were all interested; everything was there. We wanted to present music that was very personal to us, and it continues being that way.

A sannyasin is one who has no prejudices, who has not chosen any ideology to be his own, who is choicelessly aware of all that is. In this choicelessness you will be in the middle. The moment you choose, you choose some extreme. The moment you choose, you choose against something; otherwise there is no question of choice. Being in a choiceless awareness is another meaning of being in the middle.

I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.

At the moment we are hard-wired into the European markets - 50% of our exports go to Europe - and that has not been good for the UK. So I'm not saying "make Britain entirely dependent on China". I'm saying "let's diversify a bit". When I became chancellor, China was our ninth largest trading partner. This is the world's second biggest economy. China was doing more business with Belgium than it was with Britain.

The biggest challenge of my career has been wanting to do EVERYTHING! I always say I wish I could clone myself so that I could do everything for work and be a full-time mommy at the same time, and I know that so many women feel the same way. It has been a challenge for me to step back, take a moment to breathe, and to accept the fact that I logistically just cannot do everything and be everywhere at the same time.

Each one of us in Café Tacvba is a composer and we come to the group with songs written out, musically and lyrically. Occasionally, there's a collaboration between us. But each song is almost always written by one of us, and then we all figure out the arrangements. Up until now there hasn't been a moment where the composer explains the song and says, "I want to say this or that." It's always open for interpretation.

What an incredibly proud moment as a Canadian to have the Canadian flag on the left shoulder of your space suit, looking at the Canadian logos on the robotic arm in the payload bay of the space shuttle, and there's the Orbiter Boom Sensor System, which was an extension of the Canadarm to inspect the tiles underneath the orbiter. It struck me that there were more Canadian logos in space than any other country's I saw.

Sophia shrieked and fainted on the ground – I screamed and instantly ran mad. We remained thus mutually deprived of our senses, some minutes, and on regaining them were deprived of them again. For an Hour and a Quarter did we continue in this unfortunate situation – Sophia fainting every moment and I running mad as often. At length a groan from the hapless Edward (who alone retained any share of life) restored us to ourselves.

The work of cultivating experiences called "peak experiences" or "mystic moments" or "breakthroughs" until they become more accessible is part of the essential nature of genuine spiritual discipline. These are moments, at the very least, of approaching the experiential verification that there does exist something Higher within and perhaps also outside of ourselves. Moments at the very least of approaching what the religions call God.

I used to always throw in random questions. I'd have to ask about artist's single and their writing process, which I know is every artist's most-hated question, like, "Well what was ,your process?" And it's. like, "Well, I wrote this album." And then at the end I would throw in, like, "So, Seinfeld or Simpsons?" and they'd be so thrown, because everything else could be autopilot. All my greatest moments were from the most sporadic questions.

I can start with the idea of taking until you can take off, through the idea that all of my writing foregrounds the idea of how I'm taking from my own life. I'm stealing from my own life in a way, and from the people around me, but in service of getting somewhere else. I'm starting with an autobiographical impulse, to get a better vantage on the circumstances of the life that I happen to be in at the moment and how that life connects to others.

If you want to remain totally free, then don't choose. That's where the teaching of choiceless awareness comes in. Why the insistence of the great masters just to be aware and not to choose? Because the moment you choose, you have lost your total freedom, you are left with only a part. But if you remain choiceless, your freedom remains total. So there is only one thing which is totally free and that is choiceless awareness. Everything else is limited.

At first I was very anxious about starting Twitter, because I didn't really know what was expected of me. I now feel fairly relaxed, in that's it a way of telling people things that you are doing, without any attempt to be entertaining. To me, even funny people who are tweeting, it just gives a glib impression. You know that it's been constructed, that it's not a thing that's just happened in that moment. So whatever you read, the best you get is, "Eh."

Bibi Netanyahu, froze the settlements and offered to go toward a two-state solution. The Palestinians didn't take him up on it. Historically, we have had a series of these offers. And the settlements themselves are not the keystone here. It seems to me myopic and bizarre that at the last moment, the Barack Obama administration would surrender the whole balanced array of policies that are obstacles to peace and focus on the one that is most detrimental to Israel.

If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.

I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.

One of the paradoxes that makes the internet such a suggestive place is that, on the one hand, we perceive it as perpetually in motion and changing, and, on the other hand, it has this god-like immortality to it: It seems like it won't die and is not subject to decay, and that everything can be unwound, unlike present-tense experience, where you can't archive the present moment, you can't go back and read it over again. That's the fundamental hallmark of the internet.

I do think the smaller-scale studio works have that incredible love of data crunching, whereas I would say the large-scale earthworks tend to be much more stripped-down. With the mappings, as connected as they are to a much more analytical idea, what's a map? And can I make a map about time? I think the first time was Hurricane Sandy, the flood plane; a moment in time, but indelibly marked on any of us who were in the city. Mapping time is something that I'm really interested in.

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