Every day of your life, you have information that enters your head, and that information informs your understanding of things, or shifts it, or changes it, or deepens it, or confuses you. Every day, every moment of every day - it's like this thing that happens.

And he knew that at that moment, they understood each other perfectly, and when he told her what he was going to do now, she would not say ‘be careful’ or ‘don’t do it’, but she would accept his decision because she would not have expected anything less of him.

If I go on summer vacation, I'd make a funny video about it for YouTube. For Instagram I'd show the gorgeous pictures. Snapchat is for the little side moments, like the hotel room, the food. Twitter is for whatever thoughts that come to mind about the vacation.

As much as I love creating entertaining visuals, I love toying with the pace of a movie and trying to perfect that. It's imperative to the impact: faster cuts, cuts at the right moments that meld with the tenor of a scene. Creating and maintaining that feeling.

To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.

If you don't have the right culture, in the difficult moments, the tree is going to shake, so my job is to convince everybody that this is how we are going to live, and if you are going to be part of this organisation it has to be in these terms and in this way.

. . . maybe that's what life's all about: there's a lof of despair, but also the odd moments of beauty, where time is no longer the same . . . [like] something suspended . . . an elsewhere . . . an always within a never. Yes, that's is, an always within a never.

You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.

We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.

You live for those pressure moments. Through an international career, you have ups and downs, but you always feel you are going to be tested in moments like that. It has taken me years to feel comfortable and to feel like I have good composure in those situations.

But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.

At the outset, my notion of being a writer was that you would have moments of inspiration and moments of frustration, when you'd crumple up your pages and toss them away. On one side, the dustbin would fill up, and on the other side, pages would rise into a novel.

There are such wonderful blessings in my life - I have this amazing baby, an amazing family, and I loved X Factor - all these moments of joy, and then these sharp drop-offs. I'd be awake, lying in bed, crying. There's these weird moments of misplaced anger I have.

Nothing has to happen immediately, this minute, or right now. It's okay to pause for just a moment. Just take a breath. Then go quietly inside. Ask life itself to lead you to your best outcome. There's nothing you have to do, really, except get out of your own way.

Violence can be very grotesque and also intensely attractive. What interests me is how the two - beauty and violence - live side by side, and how moments can be created and erased almost simultaneously. Destruction is painful, but at times it can be very cathartic.

It's about quieting your mind and getting into certain states where everything outside of you doesn't matter in that moment. There are so many things telling you that you can't do something, but you take those thoughts captive, take power over them and change them.

I think the currency of leadership is transparency. You've got to be truthful. I don't think you should be vulnerable every day, but there are moments where you've got to share your soul and conscience with people and show them who you are, and not be afraid of it.

I have a four year old and I'm telling you we did Nickelodeon last night and he embarrassed me. It was like one of those moments when I couldn't believe my kid is acting like this. I just had to just like walk away from him because he was really pushing my buttons.

Nobody was listening when I learned how to play music. But there's something about being on stage, talking to the audience, looking at them and smiling, that's always been difficult for me. I'm a lot more comfortable now, but there are still moments of awkwardness.

He was worried she would not let him love her with the stain. He had already decided long ago, twenty or thirty minutes ago, that the stain was fine. He had only seen it for a moment, but he was already used to it. It was good. It somehow allowed them to have more.

At certain historic moments, grandparents took on childrearing responsibilities. In many cultures, they still do. Chinese grandparents who are able to retire at 55 are seen all over Beijing bouncing grandbabies. In the United States, we can't afford to retire at 55.

I am convinced that there is no sort of boundary between the living and the mental or between the biological and the psychological. From the moment an organism takes account of a previous experience and adapts to a new situation, that very much resembles psychology.

Why be in music, why write songs, if you can't use them to explore life or an idealized vision of life? I believe a lot of our lives are spent asleep, and what I've been trying to do is hold on to those moments when a little spark cuts through the fog and nudges you.

In aesthetic consciousness we enter that painless state, prized by Epicurus as the state of the gods; for a moment we are delivered from the miserable pressure of the will. We celebrate the Sabbath from the penal servitude of willing; the wheel of Ixion stands still.

I'm not sure whether I've been happy. After my last book tour, I sat on my balcony with a cup of tea. I thought: 'You can't rewind the movie. I've spent more than half my life in the Middle East. There have been great moments of horror and depression and loneliness.'

Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones?'

It wasn't the kind of touch that said, Hey, I've got a plan, so hang in there because we're going to get out of this. It was more like the kind of touch that simply said, You aren't alone. It was really the only thing he could offer. And in that moment, it was enough.

You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you've had, the more beneficial it is, period.

Life is filled with tragedy, with long patches of struggle and with, I think, beautiful bursts of joy and accomplishment. Blessed with those moments, you just try to relax as much as possible and focus on the little things, like the joy of changing your baby's diaper.

There is nothing wrong with thought and it can be used whenever necessary. But in every moment you can choose to follow your thoughts or you can recognize that which is not thinking. Don’t try to stop thinking, let it happen. Just recognize that which is not thinking.

I think being a writer is being heavily attuned to the absolute absurdity of things you take for granted, and I think that having actual parents who lived through the Cultural Revolution who are also interested in literature, they're also very attuned to those moments.

My thought is me: that's why I can't stop. I exist because I think… and I can't stop myself from thinking. At this very moment - it's frightful - if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire.

Literal cleanliness and orderliness can release us from abstract cognitive and affective distress - just consider how, during moments where life seems to be spiraling out of control, it can be calming to organize your clothes, clean the living room, get the car washed.

There are things that I would say that you could call an instant of time; or better, a now. As we live we seem to move through a succession of instants of time, nows, and the question is, what are they? There are where everything in the universe is at this moment, now.

It finally happened, he thought as he burrowed under his shirt and took hold of his heavy cross. All his life he’d wondered why he’d never fallen in love, and now he knew: He’d been waiting for this moment, this woman, this time. The female is mine, he thought. - Manny

If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.

I learned from my dad's mistakes. I think that's why I'm so into my son. I bring him lunch every day: McDonald's, Taco Bell, whatever junk food a kid likes, I will bring it for him. I've canceled gigs so I could be at moments for him. That wasn't a big thing for my dad.

What I am telling you is that you do not need to know to love, and it is right that you feel it all in any moment. And it is right that you see it through--that you are amazed, then curious, then belligerent, then heartbroken, then numb. You have the right to all of it.

What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.

I had one of those light bulb 'a ha' moments while screening 'Good Will Hunting' in Camp David in 1998 - Madeleine Albright and the Clintons were there, and I just became really inspired by all of these amazing people. I left the screening asking myself what I could do.

One of the things that Jon Kabat-Zinnn talks about is that everyone wants to figure out how to live longer. But this actually is a very easy way for you to live longer, maybe you're not extending your life, but you are present and living more of the moments of your life.

One of my most memorable moments serving the community was after I built the Live Civil Playground in Haiti, and I visited an orphanage and gave away shoes to all the kids. I also sat with them and helped them design their shoes. The smiles on their faces were priceless.

I can sit back in 10, 15, 20 years, when I'm sitting with my kids, I'll be able to say that I'm sitting in Ravens Stadium during a game, and I'm watching one of the best swimmers ever win a Gold for the U.S. You know, as you get older, you cherish those kinds of moments.

Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.

I will say that rowing in the first Olympics was probably one of the most proud moments in my life. What I enjoy about the sport is that it's definitive. Nobody can take away from the fact that you're an Olympian. It's indisputable. You get there on merit and merit alone.

It was such an amazing feeling to be on that movie set. And for the first scene I ever did in any movie, I improvised for about 10 minutes, and then there's applause by the crew, you know what I mean? I haven't had that before or since. It was just such an amazing moment.

I am closest to my mother, as she is my rock, my pillar of strength, and my world. Not only has she stood by me through all times - happy, sad, and otherwise - but there have even been moments when I had completely lost hope, and her immense belief in me had lifted me up.

It's just never the same. At least for me.It's probably because it's just who I am, I never know what that [truth] is. It's so momentary to go, "Oh, yeah, that's true." That's a fundamental starting point for me - to figure out what's true from moment to moment to moment.

Most of the moments of our life - and I calculated, you know, the psychological present is said to be about three seconds long; that means that, you know, in a life there are about 600 million of them; in a month, there are about 600,000 - most of them don't leave a trace.

You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.

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