Quotes of All Topics . Occasions . Authors
When I was younger, I wanted my hair to look like Molly Ringwald's.
All the training at MGM came to be a great help for me on 'Molly Brown.'
Molly Ringwald's characters always had a complex personal life, and I appreciated that.
Molly Ringwald, she's a natural talent. Every girl in this country related to that girl.
I am a big fan of the web comic 'Strong Female Protagonist,' illustrated by Molly Ostertag.
I play the unsinkable Molly Brown, which is where she got her name from, because she survived.
My twin in the show is Molly Stanton who is so sweet and great and she is totally different from me.
I started watching 'SNL' when I was thirteen or so; those were the Molly Shannon/Ana Gasteyer/Cheri Oteri years.
Congratulations to 'Countdown' - it was an evening I will never forget - and a special thank you to Molly Meldrum.
At every turn, Molly Antopol's gorgeous debut story collection, 'The UnAmericans,' is firing on multiple cylinders.
We're a weird bunch at 'Mike & Molly.' We go to work, and we're crazy about each other, and we love where we go to work.
There is an old show business saying which warns never to work with animals or children, but nobody prepared me for Molly Meldrum.
Molly Shannon, for example, is someone I've always really looked up to, because her comedy is so physical and wild and unembarrassed and brave.
In life, I'm like Molly Brown. I've had tough times along the way and gone through experiences that many women have gone through. But I ain't down yet.
I have a terrific editor in Molly Mahan - she's the best - and Red Sonja has become up there with Black Canary as my favorite character to write, ever.
I love nothing more than taking my dog, Molly, for a long walk on Sunday morning. Then I'll indulge in some Bikram yoga or something fun like reflexology.
'Mike & Molly' exists in a world where we don't just say a snarky line, make a crazy face, and walk out of the room. There's actually some tender moments here, too.
I had this job at Hollywood Video, and during my worst audition ever, I forgot all of my lines in front of Chuck Lorre at the callback for the 'Mike and Molly' pilot.
I haven't given any thought to collaborating with my sisters. It would be great fun. My daughter Molly is a wonderful writer - someday I'd love to collaborate with her.
Being away from home for six months of the year and seeing your kids grow up on Skype all that time - I think I saw Molly walk for the first time on Skype. That's not good.
'Molly's Game' was a true story about a remarkable young woman named Molly Bloom. She was this close to going to the Olympics; she was ranked third in North America in women's moguls.
Well, I am not really a conventional mom at all. Like, I had my kids really young. I had Danny when I was 18 or 19 and then Liam when I was 23 and Molly, I had when I was a little older.
I had known Colonel Charlie Flynn since he was a lieutenant 23 years earlier, and I remembered how his first child, Molly, had been born while Charlie was deployed to the first Gulf War.
I don't let Molly watch much television. The only stations I let her watch are PBS and the Disney Channel. The cartoons on the other stations are too violent and filled with obnoxious commercials.
I'm a huge John Hughes fan, and I grew up in the '80s, when his films came out. So, my introduction to what you'd call 'cinema love,' that illusion of love, was 'Sixteen Candles' and Molly Ringwald.
Molly Shannon and I used to always talk about that we really felt strongly that we were comedic actors, that we weren't comedians. You just played things real and the comedy came out of the context.
And what's great is, you know, while 'Mike and Molly' are working on their health, that's their flaw, the people that surround them are actually- that's the mess. Those two have it together the most.
I had never seen the classics with Molly Ringwald, like 'Pretty in Pink' or 'Sixteen Candles,' or '80s horror, like 'Poltergeist,' 'Close Encounters,' and 'Nightmare on Elm Street.' I went back and watched all of those.
Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.
I've written 26 books and novellas as Molly O'Keefe. I moved through three different Harlequin lines and into single-title romance with Bantam writing under that name. Fun fact: It's not my name, and it's not even one I picked.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
The more she rejected us the more convinced I was that she was another version of the real Molly, her disdain for authority, her scepticism that she had to do what the white man told her because it was good for her... She is Molly.
I've never gotten money from most of those records. And I made those records: In the studio, they'd just give me a bunch of words, I'd make up a song! The rhythm and everything. 'Good Golly Miss Molly'! And I didn't get a dime for it.
My mom grew up in Idaho, went to Brigham Young University: they're very Molly Mormon. And my father is, like, first generation Albanian, and his parents lived in Southey and grew up in downtown Boston. My parents are complete opposites.
I recently saw the movie about Ray Charles, and there's a scene where he falls down and the mother doesn't help him. She says, I don't want anyone to treat you like a cripple. I've fallen down before, and Molly will say, get up and just go.
On 'Insecure,' Molly works at a law firm, and there's scenes where her boss doesn't value her voice and doesn't value her efforts. And we had a lot of women tweeting 'Me too' in that situation. We're saying, 'Hey, no more. Not on our watch.'
Many of the writers who have inspired me most are outside the genre: Humorists like Robert Benchley and James Thurber, screenwriters like Ben Hecht and William Goldman, and journalists/columnists like H.L. Mencken, Mike Royko and Molly Ivins.
I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
I was a religious 'SNL' watcher all through middle school. I was obsessed with Molly Shannon, Ana Gasteyer, Cheri Oteri - they were on right when I found the show. Then I started watching the older episodes, and it just totally blew my mind that my dream show already existed.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
I think one of the most consistent answers for any of the girls when they're asked 'who do you want to wrestle' is Beth Phoenix - but that was never really the case for me, as far as an opponent or dream opponent. For me, that was always Molly Holly, Lita and Awesome Kong/Kharma.
My mother Molly had a nervous breakdown after my father Chic died, aged 50. He was a very generous man who ran a shop in Dundee giving a lot of people tick. When he died, a lot of people hadn't paid their bills, so he died with a lot of debt. After he died, my mother went doolally.
A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
When I was in high school I was a really huge 'SNL' fan. I remember the cast around the time I started watching it - Will Ferrell, Ana Gasteyer, Molly Shannon, Cheri O'Teri, Tracy Morgan. I did research to find out how people got on the show. Their bios always said they came from an improv team, so I started taking classes.