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My friend Chloe Bartoli is a really cool stylist. I've talked about fashion with her a lot over the years. And I love Rihanna - she's rad. Through modeling, I've gotten to know a lot of designers that are really cool. Stefano and Domenico of Dolce & Gabbana have been really sweet.
Like virtually all of the women I know, I spent my teenage years battling with my body and feeling I wasn't good enough. A lot of that negativity is because I was pursuing a career in modeling and was told countless times that my body was too big. My hips and thighs were too wide.
There was a modeling agency in my little town where I got my start, but the opportunity came to work in Japan when I was fourteen. My mom went with me until I was seventeen. Her only stipulation was that I had to keep my schoolwork up. My mom was great. She is still my best friend.
Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.
There is a degree of role-playing in modeling, for sure, and you're also in a high-profile job - there are lots of similarities for sure. But when I'm acting, I've got to try and be present, and I've got to be emotionally committed to a character, both physically and intellectually.
Even when I first started modeling, my loyalty to those girls like Molly Goddard, Ashley Williams, and Dilara Findikoglu was important. I like to support them as much as I can. For me, it's as important to walk in their show or wearing their clothes as it is doing a Marc Jacobs show.
I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.
When I started modeling at 15, there were no provisions for on-set tutors, and so I dropped out of school. Although I was one of the lucky ones who went on to a successful career as a model, as a child I should never have been forced to make that choice - between modeling and education.
I'm doing modeling to stay alive. I don't enjoy my work. I don't find it creative. You don't need brains, and there are no heavy qualifications. All it takes is not to be shy and to dare to make a fool of yourself. But I shouldn't complain, because I am privileged enough to be overpaid.
I remember the senior class play I was in. I was also in the musical, although I can't sing at all, but I wanted to be a part of it. Then I was modeling in Pittsburgh, so being in front of the camera was something I enjoyed and benefited from. I made money growing up by modeling locally.
One of my modeling bookers told me that the most important thing is to try to be vigilant about taking care of yourself. Get sleep, don't be afraid to trim your hair even if you're trying to grow it out, don't bite your fingernails, and stay in shape. A lot of it is in the little things.
Starting at age four, my mom decided that she was not going to have an idle child in the house. So I started taking dance lessons on Tuesdays and Thursdays, and then I was in acting classes on Mondays, Wednesdays and Fridays, and I was also modeling on Saturdays. And that was my childhood.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
When I was modeling in Japan, I could blend in a little because of my hair, but my roommates with blonde hair got harassed. People would touch their hair and grope them in the subway. Actually, a lot of groping happens in the subway in Japan, but that's probably true of subways everywhere.
When I first started modeling, I had the chance to walk the runway with Naomi passing by me, but I didn't know anything about supermodels. But when I saw her backstage, she complimented me on my walk, and I thought she was so nice - everyone was freaking out that I didn't know who she was.
Modeling isn't really a tough job. Acting is much harder: so much prep and changing your look and mannerisms. It's a more difficult lifestyle being a model. I traveled all the time. Although, now I wonder, because I travel all the time for acting, too. So they both have their difficulties.
People are building apps that are doing super-crazy things, and there's a lot of talk about modeling and microtargeting. Facebook can predict when people are going to break up, and Target is able to predict if a woman is pregnant before she knows just based on the type of lotion she bought.
I was told I was fat in the modeling world, and a director on a shoot told me I needed to lose weight. The J-Lo booty wasn't popular then, and I wanted to be the perfect Hollywood girl - tall, blonde and skinny. I couldn't do the 'tall' because I was 5'2, and I couldn't do the skinny, either.
I got scouted for modeling, and it was really scary - I was walking my dog wearing heels for the first time ever because I had a party to go to the day after, and I wanted to practice, and this black car kind of started following me, so I, being dramatic, picked up the dog and started to run.
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
I did a shoot with massive iguanas in Costa Rica when I was modeling back then. They were like little dinosaurs, and they sat right across my arms and by my face. The guy told me not to make any sudden movements because they had enormous claws. The guy said he would rip my skin if he attacked.
I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
I had never thought that I would be involved in narrative structures. As a young guy, I was more interested in abstract modeling. But as I got older, I began to see that there was no reason to limit myself to any intellectual or conceptual postulate, when in fact I'm a professional student of music.
Back when I was modeling, the first time I went to Italy, I was having cappuccinos every day, and I gained 15 pounds. And I felt gorgeous! I would take my clothes off in front of the mirror and be like, 'Oh, I look like a woman.' And I felt beautiful, and I never tried to lose it, 'cause I loved it.
I definitely devote so much more time to acting, but since it only takes a day or two to shoot and get pictures out - whereas for acting, you do an audition, or loads, and you might not get any of them - so I did the modeling stuff because, obviously, if I have the opportunity, I'm going to take it.
I always knew I wanted to be in films but didn't want anyone to taunt my parents. So I excelled in studies. I was a topper in school and college, so when I decided to become a model, people said, 'Oh your daughter is modeling,' so at least my parents could say, 'Yeah but she also came first in class.'
I've always hated modeling. It's superficial and fake, and I hate to have to care about what I look like. I get a pimple and freak. The whole business is all about selling beautiful girls' faces and bodies, so how can there be anything intelligent or nice about that except for the girl who makes money?
I did a bit of modeling before I took up acting, and I was up for this big campaign - I can't remember which designer - and all these execs were looking at my portfolio. Then one said: 'We'd like to use you, but can you come back next year when you've lost this.' And he tapped the underside of his chin.
I've had self-esteem issues for a really, really long time. Plenty of people think I'm ugly, and plenty of people don't. But there's a moment when I'm modeling where I forget about my self-esteem issues and focus on what the photographer's telling me - and I feel pretty. And in that sense, it's selfish.
I've always had it inside - this ability to read people, how to get into someone else's head and help them with their problems. And I love when people trust me with their feelings and I can get into any kind of dialogue with them about their inner stuff. I think it's the thing I enjoy most besides modeling.
GIS, in its digital manifestation of geography, goes beyond just the science. It provides us a framework and a process for applying geography. It brings together observational science and measurement and integrates it with modeling and prediction, analysis, and interpretation so that we can understand things.
The older supermodels sometimes don't agree with the fact there is a new generation of models. We're not saying we're supermodels. I'd rather people look at us as businesspeople, and, yes, modeling is our business right now, but we're not trying to take anybody's spot, and we're not trying to discredit the past.
The weirdest I've felt was my first job ever. It was an editorial in London. They made me take my underwear off and cover myself with a shower curtain. It was almost see-through, so I was like, 'What's this all about?' I used to be quite shy, but modeling has made me more comfortable in those types of situations.
As a person, I am someone who wants to give my the best in every take. I wouldn't say it was easy for me to get into the industry because I come from a background where no one has been in films. But I do believe if you work hard, you will get noticed. Modeling gave me that courage to stand in front of the camera.
I think the only reason I wanted to do modeling, really, was because I knew I wasn't ready to act; I knew I didn't have enough life experience, and I knew that doing photo shoots was a way of acting. Playing a character each shoot and being able to just emerge yourself in these awkward experiences - it was amazing.
I like owning my own narrative. It depends: I either give it all up, or I don't have any control. It's really hard to go halfway. Like with modeling, for example, I kind of give up all creative control, and that's just that. But when it comes to my own personal art, I'm very O.C.D. I see something a very certain way.
All the time, you're going into your modeling agency and they're taking Polaroids of you in a bathing suit. It was not something that was wonderful for me. It offered a lot of really great opportunities for me. But ultimately, it's a hard job because it's based solely on what your body looks like, what you look like.
I was four when I started modeling. My mom was very much an off-the-stage mom who knew nothing about the business. She married my stepdad when I was about four, and he had been an actor. Because I was a really smiley kid and could read, which is something they're always looking for, she just decided to give it a shot.
Modern women are just bombarded. There's nothing but media telling us we're all supposed to be great cooks, have great style, be great in bed, be the best mothers, speak seven languages, and be able to understand derivatives. And we don't really have women we're modeling after, so we're all looking for how to do this.
I was discovered by Paul Marciano of Guess when I was actually, like, two years old. And so I started with Baby Guess; I did Guess Kids, and then I stopped because I was a really competitive horseback rider and a club volleyball player. I went to Junior Olympic qualifiers for volleyball. So, I kind of stopped modeling.
Tax rates aren't everything with regard to incentives to work. I would probably work at a 100% tax rate next to a nude modeling studio. I'm joking, but you know what I'm saying. There's a lot more to it than just tax rates. It's economics that I do; I don't do nude modeling studio economics. People do respond to taxes.
I was successful and I enjoyed modeling, but it got to a point where I felt like I had 'been there, done that.' I wanted something that would inspire me and challenge me. I needed something that required more creativity. I started writing and I started auditioning. Simply posing in front of the camera was no longer enough.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.
I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.
With acting, I've got a character to inhabit. You've got to think about your intentions and your directions. In modeling, even though there's an act to it, a good model is a good model. For me it's uncomfortable territory. You start to feel quite insecure about yourself. There's nothing between you and the camera, and it's just you.
I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.
Well I was eight years old, and I have an older cousin who is three years older than me and she was doing acting, commercials, and modeling at the time and... to see my cousin doing that was really inspiring and I wanted to do it. So I went to my mom and I asked her if I could do it, and for the acting part of it, she made me study for a year.
There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, 'Okay, I'm ten years old, and I've spent the past six hours outside in the rain.' It taught me how to be specific about what kinds of projects I wanted to do and what kind of work I wanted to do.
I recently signed on with Lancome, and I guess it's any girl's modeling dream come true. Especially being in a beauty ad, more so because I'm French. There are so many girls out there, and I'm just so flattered they picked me. The Tom Ford fragrance ad was the first thing I did. Black Orchid is my winter scent and of course it has a nostalgic feel.