Quotes of All Topics . Occasions . Authors
I think it's impossible to maintain a good, strong, muscular physique without taking some supplements. Between the protein shakes and the multivitamins that I take, I use C4, the pre-workout mix. I try to keep it as basic as I can, but I think I would shrink and disappear if I stopped taking protein shakes.
A sponge is quite simple. You weigh ingredients, mix, and put it in the oven. With pastry, you manhandle it, shape it, fold it. You have to be involved with it; there is more jeopardy, more risk. But it's like making a casserole. There's a flurry of activity to begin with; then it's about leaving it to rest.
When someone has to go to the hospital because they don't have insurance - and by the way, I think the insurance companies should be out of the mix altogether - but when someone needs health care, and they don't have the ability to pay for it, in our communities, we end up paying for it one way or the other.
Growing up, everybody would cross the border, even to just do grocery shopping. A lot of traditional American foods stuck with my parents and became part of my upbringing. This all had to do with the proximity to the border. We were an absolute mix of classic Americana, traditional Mexican, and Baja cuisine.
Maybe this isn't a common thought that goes through one's mind when considering children, but I think about the ramifications of climate change and how the extreme weather conditions will only get worse as we keep drilling for oil and fracking for natural gas. Do I want to bring a little human into that mix?
I do have the most adorable little Chihuahua mix. I adopted him about 3 1/2 years ago from Much Love pet adoption, and he has been the love of my life ever since. His name is Beau, or as my sister and I like to call him ' mushy mush' because he truly is just a pile of loving mush that just melts in your arms.
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
Some of the best art in the world is collaborative, a mix of voices that are stronger together than separate. Take the Beatles, for example. Or every great movie ever made. We like to say they're the director's vision, but really, they're huge collaborations between directors, writers, actors, even producers.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
With 'Scratch,' our goal is to allow people to mix together all kinds of media, not just sounds, in creative ways. We want people to start from existing materials - grabbing an image, grabbing some sound, maybe even bits of someone else's program, and then extending them and mixing them to make them their own.
Later on, when I signed with Sony, we wanted to re-release 'Fade' as 'Faded' with a brand new mix and with vocals by Iselin Solheim. I think Iselin was the first person who sung demo vocals for 'Faded.' And it worked out great! The way I got in touch with Iselin was through a guy that I work with in the studio.
Well, I think one of the problems with 'Birds of Prey' was there were too many cooks in that kitchen. The studio, the producers, the network, all had very different visions of what that should be. They should have just let Laeta Kalogridis control that. Instead they decided to try to get their hands in the mix.
I was always growing, so it made no sense for my mom and dad to load me up with a bunch of clothes. But I hated coming to school and feeling like a girl could be like, 'Iman's probably gon' wear this today.' So I would always have to mix and match and find a way to look different. I took a lot of pride in that.
One of the interesting things about Twitter is looking how famous people choose to use it. Take someone like Steve Martin, who I follow: it's all sorts of comic gems, nothing private, nothing personal - all jokes. Other celebrities are overtly personal - like Charlie Sheen. I do a mix of observations and updates.
Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.
Formal is formal. I can't wear sneakers all the time. Sometimes, I wear other shoes. It's not my challenge designing formal - it's so boring - but it's still important. I sell a lot of classic black sneakers made from every material because everyone loves black, and if you mix and match material, you get an opera.
I've always had some level of having to be independent outside of music because the music wasn't a smooth ride. We lost a lot in the mix: Everybody that I came in the music game with - friends I brought in with me - are all doing 10-34 years in jail. That's why if you want to get the real, you gotta get it from me.
I remember debating the finer points of flaky pastry with my chicken-pot-pie-obsessed American dad. I remember the divine mix of Thai food, TV dinners, and hearty, homemade goodness that have shaped this palate of mine to this day. I remember all this, but I still Google my husband's birthday. Thank God he's famous.
Three things about water affect almost all of cooking. First are the hydrogen bonds, which is why it has an incredibly high boiling point. Another is that it's a polar molecule, so that it dissolves a lot of things, and there are things that won't mix with it. And then there's how much energy it takes to heat water.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
Today's energy mix is the result of yesterday's consumer habits, considerable investment, and various political decisions. The potential of renewable energies, now a well-established fact, is undeniable if given the time to arrive at the technical and economic maturity that will free them from subsidization policies.
I don't just want to be someone who hits the ball 100 per cent every time. You can play with freedom and still mix up the pace, mix up the spins and everything like that. That's what I want to be doing, because you get into that very one-dimensional kind of tennis if you don't work on slicing and coming into the net.
The first time I went to Chicago was on a family road trip. We had our dog with us, and when we hit Chicago, I couldn't believe how many people kept coming up to us, telling us how handsome our dog was! He's a Rottweiler-Australian Shepherd mix, and he is a good-looking dog, but obviously Chicago is very dog-friendly.
Like so many other grammar schools that flourished in Britain before they were abolished through a mix of ideology and political folly, Harrow County was a fiercely competitive institution, where all boys were taught to strive for excellence. It was precisely because of this demanding regime that results were so good.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
I am an Air Force brat who grew up at various Air Force bases. I changed six schools in about five years and got stability for the first time when I was sent to a boarding school, Rishi Valley. I lived outside of a cantonment-style living and was among an eclectic mix of kids and got exposed to books and other things.
'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
The only formula we have when we work together is that we both have to have a product we can endorse when we finish. Something we both like. It's a matter of compromise. In the end what you get is what both of us can agree on. In that comes Tears for Fears. I don't know what the mix or magic is, that's just what it is.
If I eat something a little crazy or if I feel sluggish, I know I have to eat better the next day and work out. I work out, I do circuit training so I try to keep my heart rate up whether I'm doing cardio, lifting weights or jumping rope. I like to mix it up. I also take Zumba classes - I love those, those are a blast.
I think all races are represented in America much more than in many other places, but it's also nice to remind people about that ethnic mix. I would like to see more black models and women from different ethnic backgrounds, but I also think that when you are casting, you just choose the most beautiful girl you can find.
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
'New' movies are almost always hipper, faster, they mix genres aggressively, they smother their genre origins in new form, there are fewer of them, and they tend to cost a lot more money because you usually make more money on the megahit than you do on the steady progression of break-eveners. Except for the horror movie.
I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.
I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.
You know, public service is serious enough on its own, and what I've found is if you take yourself take yourself too seriously in this business, you'll lose sight of what it is that you're trying to get done. So I mean I've tried to have the proper mix of being a serious public servant, but also still being a regular guy.
My identity has always been confused. Born in Edinburgh of a Scottish/Russian/Jewish mother and an English/Irish/Catholic father, there is no form of guilt to which I was not subjected in my childhood. Members of my immediate family live all over the world - a diaspora of cousins, aunts, uncles and more in a dizzying mix.
I was just lucky to be there ahead of the curve to be the driving force behind bringing this amazing style of wrestling from Japan that combined Lucha Libre, American professional wrestling, Canadian professional wrestling and Japanese wrestling all into one beautiful mix that fans worldwide absolutely can't get enough of.
America gave the world the notion of the melting pot - an alchemical cooking device wherein diverse ethnic and religious groups voluntarily mix together, producing a new, American identity. And while critics may argue that the melting pot is a national myth, it has tenaciously informed the America's collective imagination.
I saw someone the other day with yellow on their eyelids, and it looked so fresh. But I thought if I did that I'd look like a clown. So I went and I bought some yellow eye shadow from M.A.C. and I noticed that when you mix it with water it works better. So I tried it, and I looked like Big Bird. I will never do that again.
Insurgencies are easy to make and hard to stop. Only a few ingredients need to combine to create an insurgency; like oxygen and fire, they're very common and mix all too often. The recipe is, simply, a legitimate grievance against a state, a state that refuses to compromise, a quorum of angry people, and access to weapons.
I love spin classes. I'm also very big on music, so I make a mix on my iPod that's 45 minutes to an hour long of music that pumps me up so I know how much time I've been at the gym without looking at the clock. Put your favorite songs towards the end of the mix, so this way you keep going until you hear your favorite song.
I felt lost in endless spools of social media. All the while, emails by the thousands were piling up, phone calls were getting lost in the mix, and messages from the most important people in my life were getting drowned out in the din. I was more responsive to comments on Instagram than to my own closest friends and family.
I don't like to work for politicians because I hate to work on anything that you can't give back if it doesn't work. I sell products. I do a commercial for, say, Meow Mix, and you don't like it, you get your money back. You can return it. Politicians, you can't return. You're with them for four more years. And that's scary.
In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.
There's a plethora of genres that I've been introduced to, but that's only because of the foundation that was laid growing up in New Orleans. I know it's a cliche thing to say, but it's very gumbo-like. You get that here. You can mix well with all different walks of life. That's what New Orleans is. It's like no other place.
I have my own cosmology that's kind of like an esoteric mix of a lot of different things that work for me and that to me, are worth exploring. There is a little bit of the archetypal Christianity that I've kind of reconciled because when you're raised that way, inevitably that infrastructure will persist into your adulthood.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
The process of working with the second unit director and basically sharing your workload with another director is such an interesting, delicate thing - and entrusting that person with your vision and making sure that you are not adding a completely different aesthetic to the mix that you don't have to contend with in editing.
I'm a Conservative, but I talk for the ordinary working classes. I get on with the boys at the pub, but I can also mix with Prince Andrew. I understand both levels. The toffs haven't lived in council estates; they've just known big mansions. How can they understand how the postman feels? I would never say no to becoming an MP.
Kristen Welker and Kelly O'Donnell, and producers Alicia Jennings and Stacey Klein, are all veterans of presidential foreign trips. Ali Vitali, who covered the Trump campaign, brings a different perspective: She flew nearly every leg of the president's 2016 campaign. It's a great mix of experiences and one hell of a fun group.