Mitchell Quotes - Page 2

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I think George Mitchell is a consummate professional. He is the ideal selection to handle the job of special envoy if you choose to have a special envoy.

Adele's voice is incredible. Chet Baker also has one of my favorite voices of all time, and so does Joni Mitchell. And Frank Black. Oh, and Stevie Nicks.

As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.

The fact is that a car used by Gerry Adams and myself during the course of the Mitchell review was bugged by elements within British military intelligence.

I didn't look up to only pop stars, but I did look up to Adele, Amy Winehouse, Grimes, Robyn, Joni Mitchell, Norah Jones, M.I.A., Coldplay, Keane, and more.

I am multiracial, and I went through different phases - at one point, I listened to Wu-Tang and hip-hop, and then the next year I listened to Joni Mitchell.

I listened to a lot of Joni Mitchell in high school. She was sort of an inspiration to me. I think she's a great lyricist, and she makes interesting choices.

Joni Mitchell seems destined to remain in a state of permanent dissatisfaction - always knowing what she would like to do, always more depressed when it's done.

I'm guilty of being perceived as having narrow taste. I went after the artists that I thought were important - Dylan, Joni Mitchell, Bruce Springsteen and stuff.

There is genuine healing in a beautifully crafted musical theatre song, like Stephen Sondheim's 'Losing My Mind,' or a pop music gem like Joni Mitchell's 'Help Me.'

In high school, I would secretly play Joni Mitchell songs all the time. That's when I started singing and playing at the same time, and I got really into doing that.

I'm an old-school, embarrassing Joni Mitchell fan. Her music made a hook in my soul and hasn't let go for all these years. I even sing her songs as lullabies to my kids.

My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.

'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable.

My parents are music fans, even though neither of them play an instrument. I was exposed to their record collection, so I love everything from Joni Mitchell to Bruce Springsteen.

I started out as Keith Mitchell. I had done probably about ten years of television work under that name. Then my grandfather passed away in 1984. I wanted to honor him and his name.

I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.

I was raised in Topanga Canyon. It's an eclectic community up in the Santa Monica mountains. A lot of musicians lived there - Joni Mitchell, Neil Young - as well as artists and craftspeople.

On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.

I grew up in the '70s, and I hear in my own stuff a lot of what I grew up listening to, which is to say I hear a lot of Billy Joel, Paul McCartney, Carole King, Joni Mitchell and Stevie Wonder.

I was really lost for a while in my teens. I was angry. But when I found music - Bob Dylan, Neil Young, Joni Mitchell - it was a new discovery. It was a door to this other world where I wanted to be.

I don't generally like things that are too pedestrian. But at the same time, and if I'm in the right mood, hey - I ain't gonna lie - I listen to Joni Mitchell. I listen to 'Blue,' I listen to Miles Davis.

So my father grew up in an orphanage in Boston. He was then adopted by an elderly childless couple from Maine, who gave him the name of Mitchell. He moved to Maine, and there he met my mother and was married.

I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.

I don't think words always lead to meaning, but the things you can create with them are still pretty amazing. I've been really into Joni Mitchell, for example, but I've also been into some studio stuff, like Bjork.

It was at the graduate school at Columbia University that I first met Wesley C. Mitchell, with whom I was associated for many years at the National Bureau of Economic Research and to whom I owe a great intellectual debt.

When the Eagles were starting out in the early '70s, it would have been hard to imagine anyone in the fledgling, country-accented rock group someday seriously challenging the artistic punch of Neil Young or Joni Mitchell.

My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.

There were bars that began to have acoustic musicians play, it was 1970: Joni Mitchell, Jackson Browne, America, The Eagles, all that kind of stuff was popular. It was very easy for me to just kind of move in and be noticed.

People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'

You wouldn't find a Joni Mitchell on 'X Factor;' that's not the place. 'X Factor' is a specific thing for people that want to go through that process - it's a factory, you know, and it's owned and stitched-up by puppet masters.

There have never been a lot of female guitarists out there, so most of my influences were male. Acoustically, I followed Joni Mitchell and Paul Simon. Also, John Lennon and Paul McCartney - both incredible acoustic guitar players.

It would be unthinkable to have a top-ten list of multiple narrative novels that doesn't include David Mitchell. 'Cloud Atlas' is the most obvious choice, but I have opted for Mitchell's slightly lesser known debut, 'Ghostwritten.'

For one year, I was Keith Mitchell Coogan on my headshots. The next year, I was just Keith Coogan. And I have gone by that ever since, maybe 1984 or 1985. That is my mother's maiden name, and it was out of reverence for my grandfather.

Judy Garland, Doris Day, and Gene Kelly were all big influences growing up from all of the films. I'm also a huge folk music fan - Joni Mitchell, Joan Baez, and Bob Dylan have influenced a lot of how music can inspire change in our world.

And for some reason, when I'm sad, I do listen to Leonard Cohen, I do listen to Joni Mitchell. I do find myself going to the music that's actually reflecting my mood, as opposed to sticking on Motown, which might actually bring my mood up.

I love James Taylor and Carole King, Joni Mitchell - this is, like, early '70s stuff. I love the stuff from the '40s. I love that tight harmony that the studio singers in the '50s would sing. I love Patsy Cline. Yeah, I'm all over the place.

Although, I am proud of all my Symphonies as they all have something special to say, my particular favourite is the Fifth. As the great Mahler expert Donald Mitchell said that if Mahler had written another Symphony, it would have been my Fifth!

I love Radiohead, which most people don't expect, and I listen to everything from Stevie Wonder to Steely Dan, Carole King, The Beach Boys, The Kinks, Beyonce Knowles, Vampire Weekend, The Beatles, Joni Mitchell, Burt Bacharach, and Paul Simon.

When the suggestion was made that I might consider doing music of Joni Mitchell, I thought it was a fantastic idea. Joni, I admire not only for her music but for her person, because she's a person that really stands out for what she believes in.

I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.

Peace in the Middle East has been on the Obama administration's mind from the beginning. Two days after his inauguration, the president traveled to the State Department to announce the appointment of George Mitchell as his Middle East peace negotiator.

Not only did I get to play with these great international musicians, but I also had the opportunity to jam with the local celebrities in Toronto, people like the Walsh Brothers, David Wilcox, Kim Mitchell and the like. It was a great learning experience.

One of the best features of my career is that I have gotten to meet and work with some of the most stellar people in the business. From Tim Russert and Jim Lehrer to Bryant Gumbel, Andrea Mitchell and Judy Woodruff, I have learned from the leading lights.

When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.

I only get compared to women, which is crazy because often the women they compare me to... we just have a similar hairstyle. Whether it's Joni Mitchell or Florence and the Machine - our music doesn't always sound anything alike. But we just all have long hair.

I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.

It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.

I'm expecting big things from our bowlers, from Peter Siddle, who plays the enforcer role, Stuart Clark, Mitchell Johnson and Brett Lee when he gets fit again. In batting, there's Phil Hughes, whose already done well for Australia and scored hundreds for Middlesex.

I was worrying about how Mitchell Starc, Mitchell Johnson or Josh Hazlewood would get me out and how I would counter it, but in doing that forgot how I was going to score runs and put pressure on them, which is what I'm good at. I have to be more focussed on myself.

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