Quotes of All Topics . Occasions . Authors
I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Getting into Sundance is a certain sort of passport to a level of anxiety I've never experienced, even having had a baby in the NICU for a week. For about ten minutes, you're a world-class director. Then you become an entry-level, harried, low level concierge with absolutely no juice.
We operate in a world where you can have a package from Amazon arrive on your doorstep the same day; where Uber has a private driver at your front door within minutes; but when it comes to Congress, it takes three weeks for someone to get a form letter response to his or her questions.
Twitter could save a lot of money by writing its executives' names on their doors with pencil instead of fancy placards. Like an episode of 'Suits,' Twitter execs come, go, change jobs and disappear under black clouds every few minutes. Office administration costs must be astronomical!
Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
When I drove up on the set one day, and they'd put up a sign that says 'The Bill Engvall Show,' I stood there for 20 minutes just staring at it. The director, James Widdoes, came up and said, 'What are you doing?' And I said, 'Look at this! There's my name on a stage door in Hollywood!'
My downtime tends to resemble my uptime. Weekends are workdays, but toned down. Over the whole weekend, I may have five meetings, as opposed to six on a weekday. I used to play piano for 30 minutes at night, but I had to pull that out of my schedule. I don't have time for nonwork stuff.
I think the thing about cooking from tins for me that I really enjoyed was... the convenience of it, the slight entertainment side of it. Just the surprise of being able to crack open a couple of tins, pour them into a pan, and 15 minutes later you've got a fantastic dinner on the table.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
Every film is faced with the enemy of time. Only so much story can fit into the 90-150 minutes of time that moviegoers are willing to stay in their seats. Naturally, compression is necessary. So are the exclusion and amalgamation of characters so that the viewer does not become bewildered.
I remember not having a hot water tank, so we had to use a kettle for hot showers. So, you know, we would put the kettle on and go have a shower, and then my mum would come bring three or four kettles in, just to heat them up. And it would take five, 10 minutes for every kettle to heat up.
I think that no one, or very few, are born as good presenters. It's a skill that you learn. The key is the 10/20/30 rule: 10 slides given in 20 minutes using no font smaller than 30 points. If people just adhered to this rule, they would double or triple the quality of their presentations.
Work and play go hand in hand. A lot of people want to work, work, and work until 40, and then relax. Who says you'll get to 40? Or 50? Who knows what'll happen in the next five minutes? The only reality is the present. And if you can't learn to live in the moment, you'll never be content.
I am so picky about what films I get myself into because it's such an explosion of energy and commitment once you get in there, you destroy your life until you deliver these films. I never want to be in the position of making films that won't be a great use of 90 minutes of someone's life.
With all the negativity going on in the world right now, people need an escape. When you give them a hit record or a great record, it allows them to escape for at least three to four minutes. They're not thinking bills or economy or immigration or war when you create that kind of ambiance.
When I was on TV in the '80s, I wasn't thinking, 'There's a 10-year-old kid watching this and in 15 years, he's gonna be doing stuff that was influenced by me.' I was trying to get my five minutes together. So now that those people are comedians and they're influenced by me - it's bizarre.
My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just the way an actor does when playing a role.
When I did my first film, I was in college; I did it as a senior thesis. The original version was 60 minutes. But I developed it and made it almost 90 minutes. In 2007, it premiered in Venice, and I stopped in London to develop a script with my dad that fell apart, and we started 'Gravity.'
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: 'A funny little man asked me to marry him.'
I've been watching politics for 35 or 40 years and you just never know. You can have one person win the Iowa caucus and then the whole picture changes ten minutes later. The same thing can happen again after New Hampshire. I have no idea what's going to happen with our country in the future.
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme was difficult. Also the metric structure of the music was not easy. 'Kansas City' was maybe eight minutes, if that. Writing the early blues was spontaneous. You can hear the energy in the work.
Sydney in general is eclectic. You can be on that brilliant blue ocean walk in the morning and then within 20 minutes you can be in a completely vast suburban sprawl or an Italian or Asian suburb, and it's that mix of people, it's that melting pot of people that give it its vital personality.
Soup is really easy to make: you can take basil, celery, acorn squash and boil them and then put them in the blender with sea salt. It's delicious and only takes about 15 minutes. You can make it the night before. It's kind of like making baby puree, and there are a ton of super easy recipes.
When I was in meditation, God began to speak to me, and God said, 'Roland, I have enough preachers. I need people where you are in your positions. When you are on radio, when you are on television, you speak into more people in the five minutes than some preachers speak to in an entire year.'
There are truckloads of broccoli at this very minute descending on Washington. My family is divided. For the broccoli vote out there: Barbara loves broccoli. She has tried to make me eat it. She eats it all the time herself. So she can go out and meet the caravan of broccoli that's coming in.
If you go to Japan, even at the pokiest little station, every single train is arrives and leaves on time - not to a couple of minutes, within 30 seconds. In Canada, they have constant problems with massive avalanches and bear attacks on the line, but all these problems are solved immediately.
I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling. Once in a while this person writes down seven lines, only to cross out one of them 15 minutes later, and then another hour passes, during which nothing happens. Who could stand to watch this kind of thing?
It was really beautiful. The mayors of Glovertown and Gambo introduced me, and then I talked to the crowd. In fifteen minutes, we raised more than $700 in a town with less than 3,000 people. It was a fantastic feeling and a day I will never forget because I hope it is a start of things to come.
When you limit the length of the video to something under two minutes, it gives everyday people an opportunity to make something entertaining. It's harder to tell a story or create an entertaining piece of content that is based around the time slot model, television shows being 22 minutes long.
With 'Puddle Cruiser,' the first 15 minutes are the weakest. When you're total unknowns and you have a weak opening, it's a real problem. At some screenings, we'd see the odd walkout before the movie even got going. But to counteract that, we'd do sketches before the show to introduce the film.
If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.
To me, the best part of coming up in that, kind of the last era before it went that way with the FCWs or NXTs, kind of the farm system, is that, you know, wrestling Jimmy Valiant in front of 10 people in Cleveland. We didn't touch. I think we did two things, but we were out there for 20 minutes.
Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.
When you are working with low budgets and you have a gunshot with a squib and it goes wrong - the gun flash does not synchronize with the squib or whatever - it takes half an hour or 40 minutes to clean it all up and reset it. It's much easier to use a computer to paint in the flash and splatter.
I don't pay attention to the number of birthdays. It's weird when I say I'm 53. It just is crazy that I'm 53. I think I'm very immature. I feel like a kid. That's why my back goes out all the time, because I completely forget I can't do certain things anymore - like doing the plank for 10 minutes.
It's like, the front door of the office is like a Cuisinart, and you walk in, and your day is shredded to bits because you have 15 minutes here, 30 minutes there, and something else happens, you're pulled off your work, then you have 20 minutes, then it's lunch, then you have something else to do.
The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
The Weezer 'Blue' Album is a classic. I think My Morning Jacket's 'Circuital' is a great album to have. Any Led Zeppelin album. Pink Floyd 'The Dark Side Of The Moon' or 'Animals.' I always catch myself at concerts being like, 'Oh, I just stared at the drummer for 15 straight minutes.' I study them.
There are mothers who sew for six months to make a fashion collection - someone's grandmother, someone's sister. We come in and get paid to walk for 10 minutes at the end. Whenever I think about that, I realise it's not about me. I was just the one chosen to represent those women and sell the clothes.
I know exactly what I want to buy and I spend very little time, maybe 15 hours a year, buying stuff. I'll go in and out of Dunhill in 45 minutes and pick out a few suits. Boom. And I'm gone. I get my shirts at Charvet. I go in there - woosh - and buy 12 shirts and some ties; once a year and that's it.
I train in the mornings, and I'll eat two breakfasts. I'll have waffles with flax seed and almond butter and one egg scrambled. Then I'll work out and have a second breakfast - another egg or a protein shake. Within a half-hour to 40 minutes after a workout, that's when you want to load up on protein.
The pop-music video is one of the most powerful communication tools we have. Most people have access to a phone, and you can click a video and absorb it in three minutes. If it's potent enough, you can take in the message or have some sort of experience in multiple dimensions, the music with the image.
I picked up an issue of Cosmopolitan the other day that had tips for job interviews, because I was like, 'I need to get better at interviews.' The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, 'I do that every day.'
I had someone call me this morning telling me they had somebody who would only work a certain number of hours a week because if they worked too many hours a week then they couldn't get their government assistance. And that person has multiple cell phones, and gets them new every month with new minutes.
I will remember the night I won the New Comedy Awards, as I was young and unformed, so that sticks in the mind. I've also done a fantastic gig at the Royal Albert Hall, which was amazing. Appearing in the Christopher Guest film was also a real highlight, even if I was only in it for a couple of minutes.
I think WCW will kill any kind of joy in your life. I think I started hating money. The money they paid me was insane, but I would be off and fly first-class airplane, luxury cars and hotels, and then arrive at the arena and have Eric Bischoff tell you 5-10 minutes after 6 P.M. that you are off tonight.
I was a terrible student. Still, I managed to get into college, but my daydreaming threatened to sabotage me. I used behavior modification to break the cycle. I started by setting an arbitrary time limit on studying: for every 15 minutes of study, I'd allow myself an hour of daydreaming. I set the alarm.
I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.