Mine Quotes - Page 20

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Yet exactly what constitutes privilege and disadvantage can be counterintuitive: There is no metric to take into account the casual racism that I had to navigate in my neighborhood, a difficulty I was keenly aware friends of mine on the more socially cohesive and nurturing black side of town were often able to avoid.

I did have a nice career in print, but traditional publishers don't always have the resources to create individualized marketing for their authors. Mine never figured out how to package books as hot as mine so that they found their full audience. Finally, I got frustrated enough over my lack of traction to walk away.

That's what people want to watch - somebody telling a story. So if you go in and tell a story that makes sense to them, that touches them, then they're going to watch; then they'll tell a friend and that type of thing. In terms of how many people are watching in a given week, it's more the advertiser's job, not mine.

Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.

Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.

A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.

I had a certificate that said, 'Doctor of Mixology, Harvard University,' that I actually got from Harvard University. A friend of mine was a research assistant over there and it was one of those student or university perks and she brought me in on that. So I am a doctorate from Harvard and it only took me one afternoon.

My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.

Kindle Singles is publishing on skates. It prints like lightning; our book meets readers in hours. I've spent so many years waiting for publishers to consider whether they wanted to print a book of mine, making contracts, taking months to fit it into the Fall list or the Spring list, fitting it into an advertising plan.

I love tattoos. And mine symbolise who I really am. I have a Samurai on my left arm. At a subconscious level, I connect to this warrior and model myself on his discipline, skills and honour. There is also a tribal tattoo and a Chinese symbol of faith. I have seen a lot of people getting tattoos just because it's a trend.

I've been on investigations where a spirit is channeling through me, and I have extreme changes in my emotions - anger, sadness, confusion. Then I begin seeing visions that are not mine. They are theirs. There is no trace of time. My body goes stiff, numb, cold. Then, when the spirit leaves, I can barely stand and speak.

I would say that most of my books are contemporary realistic fiction... a couple, maybe three, fall into the 'historic fiction' category. Science fiction is not a favorite genre of mine, though I have greatly enjoyed some of the work of Ursula LeGuin. I haven't read much science fiction so I don't know other sci-fi authors.

When I was younger, I'd go to the Museum of Television and Radio in New York and watch this beautiful clip of Billie Holiday playing with a bassist, a pianist and Gerry Mulligan, who was a friend of mine, on baritone sax. At one point, she looks over at Gerry, and they just smile. When those moments happen, it's just lovely.

Climate change joined immigration, job creation, food safety, pilot training, veterans' care, campaign finance, transportation security, labor law, mine safety, wildfire management, and scores of executive and judicial appointments on the list of matters that the world's greatest deliberative body is incapable of addressing.

Justin Bieber is signed to Def Jam, and I don't believe in touching nothing that ain't mine. I want someone to give me the same respect - don't touch nothing that's mine. I still want what I want. But Justin Bieber is definitely a friend of a family. Me, Drake, Wayne. We rock with the little homie, so he a part of us in heart.

I know girlfriends of mine who, when they were approaching pregnancy and starting a family, consistently went through a period right beforehand that was a last gasp kind of thing where they just wreak havoc. They fall apart, in a profound way, because there's some awareness that that's the last time they can do that for awhile.

I'm a married gay man, so you might think that I appreciate the government forcing a Christian baker or photographer or florist to act against their religion in order to cater, photograph, or decorate my wedding. But you'd be wrong. A government that can force Christians to violate their conscience can force me to violate mine.

I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.

I went to school with Steven Wright, who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought, 'If these guys can do it, then so can I.'

Seven years ago, in my first semester at college, the professors handed out MacBook Pros. With mine, I filmed a seven-minute tutorial on 'natural makeup' - just me, my laptop, and a cup of coffee. When, a week later, it clocked 40,000 Web views, I knew people were connecting with it, so I kept going. That moment changed my life.

John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.

Yeah, I mean, climbing's always been a massive hobby of mine up until, kind of, recent times when I've had family, but no, it's been a driving passion in my life and, uh, I've always wanted to climb the Matterhorn. It was the mountain that, sort of, inspired me to climb, as a youngster. So, it was great to be able to get to do it.

During college, I didn't really have an interest in what I was studying. It was during college that I first stumbled into forming an underground band where I was the lead vocalist. I had always had an ear for music, but nothing more than that. And that good ear of mine led me to learn and play a lot of instruments while in college.

Already in 2007 I thought I would be able to break the World record in the near future. That time Sammy Tangui was the pacemaker in Lausanne. I liked the way he was running. He is tall, he has a strong body and his stride is similar to mine. I told him in one of the coming years I would need him when I try to break the World record.

A friend of mine, a Hispanic entrepreneur asked me a question sometime ago, he said, 'When is the last time you saw a Hispanic panhandler?' I think it's a great question. I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging.

Living in Manhattan opened me to whole new sets of things to envy, study, gather and imagine stealing. A full-size 1809 German harp, beautifully painted with three goddesses, covered in a pea-green coat of great silvery refinement: mine for $180. Though all its strings were broken, its beauty let it claim a quarter of my one - bedroom.

Burroughs called his greatest novel 'Naked Lunch,' by which he meant it's what you see on the end of a fork. Telling the truth. It's very difficult to do that in fiction because the whole process of writing fiction is a process of sidestepping the truth. I think he got very close to it, in his way, and I hope I've done the same in mine.

I love Forever 21. A friend of mine introduced it to me when I was in New York. I was borrowing a dress and said, 'Where's that from?' and she said, 'Oh, it's Forever 21,' and I said, 'What, I've never heard of that!' and she said, 'Oh it's this American brand,' and I thought, 'Why doesn't England have that; why doesn't Europe have one?'

I realized that I get pleasure when I'm told, 'Don't listen to the haters; they're losers in their moms' basements.' I imagine these 'losers' and feel better about myself. Their insults hurt less if I label them 'pathetic.' I diminish their value in order to protect mine. I noticed that I'm quick to make a joke at someone else's expense.

Mostly, my flying has been solo, but the preparation for it wasn't. Without my husband's help and encouragement, I could not have attempted what I have. Ours has been a contented and reasonable partnership, he with his solo jobs and I with mine. But always with work and play together, conducted under a satisfactory system of dual control.

I never had to look for confidence because I just wore what I wanted to wear. I would never wear anything to offend my husband or my mother, but outside of that, I always figured, I hope I'm not a rebel, and I hope everybody liked it. And if they didn't like it, it really was not going to disturb me because it was their problem, not mine.

What I'm not saying is that all government spending is bad. It's not - far, far from it, but there is no free lunch, as a former colleague of mine used to say. There is no public tooth fairy. Father Christmas does not work on the Treasury staff this year. You can never bail someone out of trouble without putting someone else into trouble.

As the director, it's just a constant stream of meetings where you meet with all of the creatives who make all of the decisions for every part of the episodes. You're also scouting for locations, deciding on the locations, meeting with your first associate director; mine was Jennifer Truelove. She's one of my favorite people on the planet.

Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'

People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.

Because of my intense hopes for the youth of China, I feel very keenly my responsibility for their future success or failure. The fate of China lies in their hands. The responsibility for organizing and training them to become worthy citizens of China, able to undertake the tasks of Resistance and Reconstruction, is mine; I cannot evade it.

I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.

I know when I used to chemically straighten mine, I did it because I wasn't comfortable with my natural hair. I thought it was too poofy, too kinky. So for me, personally, when I started wearing it natural, it felt like I was blossoming because I was letting go of all the dead hair and all the parts of me that had rejected my natural state.

I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.

Belly buttons were a big battle of mine. Down at the syndicate, they would clip them out with a razor blade. I began putting so many of them in, in the margins and everywhere, that they had a little box down there called 'Beetle Bailey''s Belly-Button Box. The editors finally gave up after I did one strip showing a delivery of navel oranges.

Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away anything that hasn't been given away in first half, in TV commercials, or that isn't obvious from the set-up of the movie. My editors are aware of this tendency of mine and read carefully for spoilers.

On 'Curb Your Enthusiasm,' I remember that sometime in Season 3, there was a Yiddish phrase, 'Kinahura,' and a friend of mine who was Jewish said that the closed captioning said 'Can of Hurrah.' And I thought 'Oh, God.' I never had bothered to see the transcripts but from that point on all the transcripts had to come to me and I checked them.

Us three brothers - me, Janis, and Martins - we made a bet. We all sat down and said we were going to grow our hair out. But after a month or two, they cut their hair. But I was too young to make the decision about whether I would get a haircut, so mine just kept growing. And it was so long that I decided I should start rocking those cornrows.

When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship - 'Ode to Friendship.' Then my class wanted to make a film, and one little boy suggested that I write the script.

I'm never gonna owe money because every time I get a dollar, I put it into another business, whether it's to buy goods or develop other companies. You don't have money; you have companies. That's one business model. That's mine. And I only associate with other people that are putting up their own money, 'cause they're the only ones that can relate.

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