Quotes of All Topics . Occasions . Authors
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
I went to The Miller School of Albemarle, just outside of Charlottesville, Virginia. As a kid, I really loved the movie 'Toy Soldiers' starring Sean Astin and Lou Gossett Jr., and when I found out they filmed that movie at the Miller School, I was excited to go there.
I feel like it's big now with the passing of Mac Miller. Rest in peace, Mac Miller, who was a good friend of mine. That just showed people, like, it could happen to anybody. Just because you have fame or money, you're not immune to negativity and depression and stress.
Everyone has a different interpretation of characters we know and love from Shakespeare, from 'Miller'. There's specific things about them that are written that are kind of the fingerprints of the first person who played that role, and so I like to think of it as a road map.
Tim Miller's idea of Colossus was to be bigger and stronger than everyone else, so for the motion capture, they needed an extremely tall man. I'm 6-foot-4, but he wanted Colossus to be over 7 feet, so they used a stunt double to recreate his height, and he did very good job there.
On a professional side, you've got a tough problem to fix, Geoff Miller's going to do it, and he's always going to do it to very high standards, and he's always going to be on the side of right. He's always talking about 'what right looks like' - just a phrase he would always use.
I cannot sit here and say I was beaten by Carol Miller. Because Carol Miller did not show up. She did not debate me. She basically avoided everything and just said, 'I'm with Trump, I'm with Trump.' And sadly, that's apparently a victory here in a place like southern West Virginia.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.
I think the only thing that happened when I fought Jim Miller is that I was a just kid, he had way more experience. I was winning the fight, landing punches and trying to get 10 submissions at the same time, and Jim Miller went for one attack only, a kneebar, and got it. His experience made the difference.
I'm not a natural writer like, let's say - I'm not talking about Arthur Miller; that's a whole other thing - but let's say Woody Allen. But the more I've written, the more I've found that there is a deep well in me somewhere that wants to express things that I'm not going to find unless I write them myself.
'Copper' is my first period piece. It's funny because I've been doing a lot of episodes of 'Elementary' with Johnny Lee Miller and Lucy Liu; they keep bringing me back on the show, and so I go from being an outstanding black doctor to being a kind of hood, ex-car thief who went through rehab in 'Elementary.'
While writing 'Bhavesh,' I pretty much chewed up every single graphic novel I could get my hands on, so all the way from the entire 'Batman' series, Frank Miller's 'Batman,' Ed Brubaker's 'Batman,' Scott Snyder's 'Batman,' all the way through 'Daredevil' to '100 Bullets,' through so many other graphic novels.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
In 1986, I was asked by the then-Dean of Science at the University of British Columbia, Dr. R.C. Miller, Jr., to establish a new interdisciplinary institute, the Biotechnology Laboratory. I decided that it was time for me to start paying back for the thirty years of fun that I had been able to have in research.
During my senior year, I was supposed to spend a semester student teaching, but decided I couldn't be a teacher. My aunt Beth's friend was Jackie Gleason's daughter, Linda Miller. She encouraged me to talk to her. After doing that, she recommended Catholic University's M.F.A. acting program. So that's what I did.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
When I joined the Supreme Court in 1975, both state and federal judges accepted the Court's unanimous decision in United States v. Miller as having established that the Second Amendment's protection of the right to bear arms was possessed only by members of the militia and applied only to weapons used by the militia.
When I was an adolescent in England, at school we had to read 'Death of a Salesman.' I remember feeling incredibly moved by the portrayal of these people and the idea with which Miller broached the whole subject of failure or failed systems, or the way that people are crushed by a system in which they find themselves.
'What doesn't kill you makes you stronger' not only applies to the deeply personal subject matter of 'To the Bone' but to simply getting a film about people with eating disorders made. Without the brilliant Julie Lynn, Bonnie Curtis, and Karina Miller producing, there's no way this project would be coming to fruition.
I love 'The Walking Dead,' 'Shameless,' and - this is going to sound really dorky - I'm obsessed with 'Dance Moms.' I love Abby Lee Miller. Honestly, if there's such a thing as past lives, I was definitely a dancer. Maybe if I ever get a big enough name, I can call Abby Lee Miller myself and ask her to be my private coach.
I've actually traveled quite a bit with various authors. Judith Miller and I toured the highlands in Scotland with Liz Curtis Higgs, and that was incredible fun. However, I love going with my husband, who - although he is not a writer per se, he is a historian and can give me a lot of insight on various historical locations.
It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.
I would have to say 'The Crucible' stands out because it was one of the best experiences I've ever had, but, you know, Arthur Miller being present on the set - which was wonderful and incredible - but, to have him in your eye line is quite intimidating. It's such a beautiful language he created, so that was challenging but exciting.
For each project I do, I try to surprise myself, do the unexpected, and change my own status quo. From the One Laptop Per Child, the Herman Miller Sayl, or the latest Movado watch collection, there is always an insecurity about being able to do something important. I think each of those projects makes me feel like we have progressed.
Who would have thought that a tap-dancing penguin would outpoint James Bond at the box office? And deserve to? Not that there's anything wrong with 'Casino Royale.' But 'Happy Feet' - written and directed by George Miller - is a complete charmer, even if, in the way of most family fare, it can't resist straying into the Inspirational.
In questioning initially whether I am a great investor, I open the door to question whether other similarly esteemed public icons like Bill Miller are as well. It seems, perhaps, that the longer and longer you keep at it in this business the more and more time you have to expose your Achilles heel - wherever and whatever that might be.
I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
Acting is rare. You can be rehearsing Ibsen with Sir Richard Eyre and suddenly he has to take a call on his mobile telling him his friend Arthur Miller has died. Or you can come back from a job on the Isle of Man to be told by your agent you're going straight out to South Africa on another shoot. There's not even any time to wash your pants.
The Batman that I loved growing up, the thing that Frank Miller did in 'The Dark Knight Returns,' is that he's so vulnerable and mortal in his 50s. That book was the first time I saw Batman as being really layered, human, and suffering, and worried that he wouldn't achieve what he wanted to achieve. Seeing him being obsessed and pathological.
