Milan Kundera was my literature professor. He's a Francophile, so he made us read French novels like 'Les Liaisons Dangereuses,' which I made a version of many years later as 'Valmont.'

Argentina is a marvelous place. Argentines are great bankers of information. They import information; if someone sneezes in Milan or in New York, they clean their faces very fast there.

When I was in Enschende, beside my apartment there was a field with cows grazing in it. Then, I'm in Milan and discover Fashion Week, the restaurants, the clubs and only beautiful women.

I would love to jet set all around and take all the fashion weeks if I really could. I would love to go from London to Paris to Milan and just do them all. I think that would be amazing.

When I joined AC Milan I didn't play for six months. But I was training under a great coach in Carlo Ancelotti. I can't stress how important those six months were - they changed my life.

I'd never stop traveling, and I love bringing my family along with me. My children have points of reference everywhere, friends from Milan to Los Angeles. I think it's really fun for them.

The players who played for Milan when I was a child are legends for what they've won and given to football. Then, when I got bigger, Nesta became my idol and I went on to become a defender.

Milan, Inter, Roma, Juventus, Lazio - all of the big Italian clubs would be nice, but my son has a lot of work to do to show himself off and demonstrate his talent. Let's take things slowly.

I am always in love with Milan. The relationship with the team, with the club, and with these fans is beautiful. It's weird for a Brazilian to have a relationship like that with an Italian club.

When I was younger I was told to lose some weight because I was a little bit chubbier, but I didn't dream of modelling in Milan or anywhere like that because I don't find toilet paper too tasty.

I'd have signed for Real in a heartbeat. They're a club with more glamour than Milan; more prospects, more appeal, more everything. They strike fear in their opponents, whoever they happen to be.

If Ryan Giggs was plying his trade and been the player he had been here in a foreign league, he would go straight from playing to an AC Milan or Inter Milan or any top European club out of the mix.

All the games we play are worth the same because we can aim to get points in the league. Milan wants to fight until the end in the league and wants to compete with everyone until the last match day.

The thing about all my food is that everything is a remembered flavor. Maybe it's something I had as a child or maybe it's something I had in Milan, but I want it to taste better than you ever thought.

I was in Paris, Milan and London from '89 until '91, and I did mostly runway modeling. I know there's so many people out there looking for pictures, but this was way before the age of the Internet, sorry!

I was in Milan, and somebody gave me a Trussardi diary, and I thought 'Genius.' Inside I put the Polaroids, how much film I shot, who I shot with. This way, for billing later on, I had all the information.

When I chose to come to Milan, I knew there would be another side to the medal from the one I saw the day I was presented here. The message the club were giving out was clear: this year is no joking matter.

I love Milan because it's my home town. But Paris is the dream city: even when you're stressed out in shows, you look around, and everything is so beautiful. Then, in New York, I love the energy of the city.

Milan, for me, is a city of discovery. You can find some amazing gardens behind some great houses; I also love finding beautiful galleries and incredible shops, but you have to explore. And the food is amazing.

I was married to an Italian, and my son was born there. I've got lots of connections there, and I lived in the north, in the country about an hour outside of Milan, for quite a few years. I speak fluent Italian.

In my time at Milan, the club played with a 4-3-1-2 formation, and I was the player behind the two strikers. At Real, I play behind three. There is a greater defensive obligation, but I try to work around the area.

I was in the fashion shows in Milan; I was seventeen, I was doing like 100 shows. People were asking, 'How does it feel to be the model of the moment?' It was hard for me to answer as myself. I barely spoke English.

I spent seven years with Jose and we were part of a very good technical staff. We went to top class clubs at Porto, Chelsea and Inter Milan and worked with top players who gave us such a tremendous volume of success.

I drive around on my scooter in Milan alone - we don't have bodyguards or anything like that. I am a fashion designer, not a celebrity, and although I get stopped for autographs and the like, I don't think I am famous.

London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.

I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.

I played for Sampdoria and stayed there 15 years. Of course, I could have gone to Juventus, to AC Milan, to Inter Milan many times, but I preferred to remain because Sampdoria were my family, from the owners to the players.

I guess you can be a supermodel today just by building followers. You don't necessarily have to do the work of going to Milan and then to Paris or New York, trying to find the right photographer, artist, or designer to see you.

You go to Madrid, you have four or five teams at the maximum level. You go to Milan, and it's the same. Napoli is similar to Newcastle in terms of everyone supporting one club in the city. It's positive and unique when you have that.

It's not so easy for us when we play teams who have a different mindset, like Chelsea or Inter Milan, because they have the intention of trying to stop us rather than playing a game that is more attractive for the spectators to enjoy.

London has a very specific kind of style; it's very different to Milan, Paris, and New York. It's nice having that personality that we haven't lost. It's the English quirky style that people like to see when they come to Fashion Week.

In the 1990s, we had seven great teams - Milan, Inter, Juventus, Parma, Lazio, Roma, Fiorentina. If you look at the players, they were great players, but there was some crazy investment, and some teams went bankrupt, like Parma and Lazio.

Having the chance to walk at New York Fashion Week for Yeezy and Milan Fashion Week for Alberta Ferretti and Max Mara in a hijab is so significant. It sends a message to young women everywhere that you can be beautiful for just being you.

When I first went to Milan, my agent said you have to give off a strong, masculine energy. They don't like campiness. They like boys to appear straight and to appear masculine. I quickly learned the game of it and how to navigate around it.

When United play at home, they get some advantage that other teams don't get. I think when you go to United, Madrid, Barcelona, or Milan, when the referees referee these kind of games, it's always difficult to go against these kind of teams.

Beauty and fashion are not really local anymore. You really have to be a global citizen to know what trends are. Now, it's pretty much the same designers and the same kind of trends, whether I am in New York, Milan, or Mumbai - it's the same.

I had my father on the Under-21 team and during the World Cup in France in 1998 - and also in AC Milan for four months. So it was a weird experience, because having your father as a coach is pretty weird, and I was the captain. But he was great.

The first time was in Brazil, and the second time was when I was playing for Shakhtar against Inter in Milan. Fans were banned from the stadium on both occasions, and it is different. You have to keep your concentration on the pitch and try to win the game.

Usually, a Brazilian doesn't like to work hard in training, doesn't like to stay focused. I trained a lot of Brazilian players. I had a problem with Ronaldo at Milan. It was not easy to get him fit! Ronaldo was 100kg but was the quickest in the 10 metre test!

After living and working in Milan and Paris, I arrived in New York City 20 years ago, and I saw both the joys and the hardships of daily life. On July 28, 2006, I was very proud to become a citizen of the United States - the greatest privilege on planet Earth.

I'm happy living in the countryside. We are 30 minutes away from Milan, so I can drive in for dinner and drive out. It's not a question of living in the country or in the city, it's really a question of living in a tight, close-knit clan that makes the difference.

I have a restaurant in Milan, and Paper Moon is five minutes away from my hotel, so I always go there for lunch. It's a casual place that serves good salad, pizza and pasta; the space is tight with tables close together, and it feels buzzy. Food comes out fast, too.

I oftentimes say that I design my collections off my phone. I'm in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don't really have an assistant. It's a modern way of working. I don't know if it's sustainable, but it's how I do it.

A few eyebrows have been raised at Adel Taarabt joining Milan. Having worked with Adel for two years, I am not as surprised as most people seem to be. He is a player of immense ability and, if he is handled right, and motivated himself, he can win games at any level.

I have never seen a talent like Ronaldo. He always scores, scores, scores. The first game he played for Milan, Sienna away, I said to him, 'I can't put you on the pitch. You are 100kg.' 'Mister,' he said, 'don't worry, I will score.' I put him in, and he scored twice.

When I was talking with Shanghai, I was talking to big clubs from Europe, as well. There was Atletico Madrid, who I almost joined. I liked them very much and what they were offering me at the time. There was also Juventus, Inter Milan, and AC Milan. I had some options.

I spend a lot of time in Paris, in Milan, and in New York, and Rome is a little bit different. There is something in Rome, incredible, like in a Fellini movie. Everybody's screaming and laughing very loud. It's something that can give me more energy in terms of freedom.

For seven years, I had a business relationship in Milan, Milano. Dealing with Italians, just, let me tell you... Are we the same? Good lord, no! That's why Europe's fun - it's fun because it's different. A political project that seeks to make it all the same - it's ghastly.

I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.

Together with Milan and our media team, we released a statement clearly stating it was a hoax and there was no truth in the rumour that I had Ebola. And that's when the whole thing started to die down. Still, it took about two days or so for people to actually stop talking about it.

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