Quotes of All Topics . Occasions . Authors
I would have been happy to have waited till I was in my mid- to late-30s before I got married, but you don't choose when these things happen, and when they do, there's no doubt in your mind.
Every running back has their own strengths and weaknesses. There are some that are better as pass receivers. There are some that are better inside, tight zones and mid zones and outside zones.
By the mid 1970s, the great downtown bookstores had begun to disappear as their customers migrated from city to suburb where population density was too thin to support major backlist retailers.
I pitched my last children's show presentation in the mid 1980's. The era of locally produced children's shows was over and the networks were not and are not interested in children's television.
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
I started out in journalism in the mid '90s working for the sister wire service of the 'Wall Street Journal,' which is called Dow Jones Newswires. Then I joined the 'Journal' in its Brussels bureau back in 1999.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
No, I always felt that amongst my core fans- because there was a level of popularity that I had in the mid '80s that was sort of a bump on the scale- they fundamentally understood the values that are at work in my work.
In its first 30 years of existence, up to the mid 1970s, the practical applications of game theory were very limited, probably as a result of excessive preoccupation by game theorists with cooperative solution concepts.
Keep to the middle if you wish to keep moderation. The mid way is the safe way. Moderation abides in the mean, and moderation is virtue. Every abiding place outside the bounds of moderation is only exile to the wise man.
When I first started doing these roasts in the mid '90s, they were a lost art, like jousting or calligraphy. But I feel like roasts help tame the room and let off steam... It's like it's all being handled by professionals.
Internally, when we manage portfolios, we figure out what works in large cap, what works in mid cap, what works in small cap. Generally speaking, large cap stocks want earning stability, strong cash flow, margin expansion.
Businesses which were slow to recognize the power of the Internet in the mid '90s were quickly left behind. For example, Blockbuster failed to innovate with streaming technology and filed for Chapter 11 bankruptcy in 2010.
People forget how dominant Public Enemy became in the mid '80s. No one talks about how transformative they were. And then that led to the '90s and the sort of East Coast v. West Coast stuff, which is kinda when I came of age.
There are instances where, in my mid to late 20s, I very often found myself going for roles that they didn't want to cast me in, because I'd done good work, but in a producer's eyes, I wasn't high enough status. So I lost out.
In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
My father is Italian, and I never met my paternal grandparents. The family name was 'Caroselli' and it was changed in the mid '50s. I think they wanted to assimilate, which was pretty common, although I love the name 'Caroselli.'
I have problems with YouTube and things like that, when you catch it mid production. If I'm doing a show and I'm working on a bit and someone's there with a phone, they record it and put it online - it's not the finished product.
The players can associate playing for England with enjoyment, fun, and not being under siege and feeling everything is against them. There's an energy and a connection back. That's important in the short, mid, and long term as well.
I'd like to think I could have and should have won more, but that's not the point. And I was at the point where I was playing great tennis in the mid 80s - the type of tennis people hadn't seen before - and I was very proud of that.
When it broke out in the mid 1990s, the web was society's first at-scale digital artifact. It spread in orders of ten, first thousands, then millions, then hundreds of millions of pages - and on it went, to the billions it now encompasses.
I became politicised in my mid teens, at the time of ska and 2 Tone and the Anti-Nazi League, when I'd get dressed up for a night out in my white socks and loafers, and the last thing I'd hear is, 'Have a good night - be careful of the police.'
Being a winger or a wide mid, I have to run continuously for 90 minutes, which not only takes endurance but also strength in my legs to be able to be explosive for 90 minutes. I think weight training has really allowed me to sustain for those 90 minutes.
'Power' usually starts principal photography around mid September, and the first table read is always like one big family reunion. The most common comment we hear is how 'well rested' everyone looks... something that can't be said by the end of the season.
Anyway, in the mid 80's I was spending a fortune buying old Golden Age books from the late 30's and 40's and I was making personal appearances at a lot of sci fi and comic book conventions all around the country here so that I could find books for my collection.
I rented a house in Favignana, off the coast of Sicily, in the mid or late '90s. There was a revolving door of visiting friends and family - we played games, painted our faces, went swimming naked, cooked big meals, rode around on motorini, and had great cappuccinos.
In the early and mid 1990s, every musician I knew was obsessed with Helium. The 'Pirate Prude' EP and 'Pat's Trick' played on repeat at nearly every gathering I attended. And we didn't just listen to these records - we discussed them, the worlds they opened, novelistic and strange.
Go out there and try on everything - short skirts, long skirts, mid length, little jackets, men's clothing - and really look at yourself; really walk around in the clothes. Don't just take someone else's advice. You must feel you in these clothes and feel what it's like to live in them.
Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
I had originally wanted to be a lawyer. Even when I went to college and majored in engineering, I still thought I'd get a law degree. Then I started taking electrical engineering classes where I saw some of the innovation happening around computers and solid-state technology in the mid '80s.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I quit it because at the end of seven years in an ensemble show with one leader, I thought: 'I will be known as 'Dallas' starring Larry Hagman and the cast.' And at this point in my career - I was in my mid to late 30s - I thought, 'Now is the time when it's hottest for me to go out and establish my thing.'
I suppose the more established one gets, you have what's called a reputation, and so you want to protect that and preserve that. And I think the bravery really comes in one's mid career where you then are constantly trying to move beyond that and move past that, because those so-called successors can become shackles.
The thing I'm particularly interested in is natural history. In its heyday, the mid- and late-nineteenth century, when people were going out and gathering the first huge caches of data and trying to understand what was living and growing everywhere, there was such a sense of freshness to that pursuit. It's very exciting.
When you look at what we can call the golden era of concept albums, which starts in the mid or late '60s and ends maybe in the early '80s, it's an interesting time for music. You see all these very established and popular acts and bands and artists that were somehow on the top of their game but really trying to experiment.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
