Quotes of All Topics . Occasions . Authors
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.
I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of black identity and the possibilities of R&B music in the '70s and '80s, will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.
I have voted against only one of President Obama's nominees: Michael Froman, a Citigroup alumnus who is currently storming the halls of Congress as U.S. Trade Representative pushing trade deals that threaten to undermine financial regulation, workers' rights, and environmental protections.
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
Michael Savage turns on a microphone and broadcasts his opinions to faithful followers who enjoy listening to his views on politics, social issues, and anything else that this colorful, provocative, entertaining guy comes up with. It doesn't matter which of his views I agree or disagree with.
When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'
The artist that had the biggest impact on me was Michael Jackson. He was my Elvis and Beatles. When I was 15, I listened to a lot of Sinatra, but my jean jacket didn't have, 'I love Frank' on it, it had, 'I love AC/DC', 'Guns N Roses', 'Pearl Jam'. I thought Eddie Vedder was the second coming.
In 1981, when I went down to visit Georgia Tech, I watched Michael Jordan play and literally get ridiculed for taking a jump shot in the championship game that went off the backboard, and they won. People are forgetting that Michael was just one of the players when they went to the Dream Team.
I'd asked for things like the 'Footloose' soundtrack and Michael Jackson's 'Thriller' for my birthdays, but I remember walking what felt like miles to this cassette shop called The Warehouse to buy Paul Simon's 'Graceland,' U2's 'Joshua Tree' and a Roberta Flack album. I had pretty good taste.
If people hate Michael Langdon, that's a good thing. I'm not going to debate that. I don't worry about making him likeable... My real focus in playing Langdon is making his intentions clear and how he operates and what his mission is and how he shapes the perception of who he is around people.
Michael Buble is seriously my favorite entertainer. Have you ever seen the guy in concert? He's hilarious. Women love him. Guys want to meet him. He has everything that I wish I could do onstage. And I'm guessin' he's a good-lookin' guy - although he's not one of 'People' magazine's sexiest men.
Being behind the camera is where I feel comfortable. I've found something that I feel I, as 'Michael,' can be as confident in as 'Johnny' was on the stage. It's great being part of the creative process. You're right at the start of an idea, and you get to see it all the way through till the end.
What I tell people all the time is that bodies are made in the kitchen, not in the gym. You cannot exercise a bad diet. It's just impossible. Unless you want to be the ultra-marathoner or someone like a Michael Phelps that's swimming 70 or 80,000 meters in a week, you cannot exercise a bad diet.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
I first wrote about Michael Jackson in the 1980s. His skin was growing paler, his features thinner, and his aura more feminine. Some called him a traitor to his race. Some fussed about his gender fluidity. I saw him as a post-modern shape-shifter. But the shifts grew more extreme and mysterious.
When I arrived in Champ Cars, which at the time used to be called Indy Cars and then got renamed CART and then renamed Champ Cars, I was racing against Jimmy Vasser, my team-mate, but more than him, I was racing against Michael Andretti, Emerson Fittapaldi, Al Unser Jr. - guys that had big names.
I explained to the president that I've been pleased with my conversations with the Attorney General and Civil Rights Division regarding their helpful understanding that they aren't taking over this investigation, but are conducting a parallel review of the events that led to Michael Brown's death.
At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls,' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'
In Formula One, the car can make a difference in a way that a driver cannot. Whereas Michael Schumacher and Ayrton Senna spent their early seasons in second-rate machinery, Hamilton walked into the equal best car on the grid. His first season none the less has, by any standards, been extraordinary.
When I was 17, my producer Rodney Jerkins was working with Michael Jackson at the time. He knew how much I wanted to meet Michael Jackson, so he says, 'Would you like to come and meet him?' I'm like, 'Are you serious? Of course I want to meet Michael Jackson! Where do I meet you? Where do we come?'
When Sir Michael Peat arrived from Buckingham Palace in 2002 to take up the job as Prince Charles's private secretary, he came with a clear agenda. His instructions from the Queen were to sever Charles's relationship with Camilla Parker Bowles because it was a mess and was detracting from his work.
I was 14-15 when I first saw Michael Jackson dance, and I thought, 'How can he move like that?' I started following him. We didn't have TV in those days, and could access videos on VCR. But who in Gujarat would keep a MJ tape? After a year or so, I knew somebody from Mumbai who got that tape for me.
Just like Michael Jackson in the Jackson 5 or Beyonce in Destiny's Child or Justin Timberlake in 'NSYNC. I just think there's something unique and special about the breakout stars in groups. I think you're able to kind of connect differently with the audience when you're used to having that support.
I've worked with all sorts of random people - everybody from Metallica to Britney Spears to Ozzy Osbourne to Michael Jackson to the Beastie Boys. I've got a really strange CV. It's interesting - I work with a lot of these disparate, different people to learn what it's like to work with random people.
I've been caught in parachute pants. And on my high school yearbook, they used the wrong picture. They were supposed to use the picture of me with a nice suit on. They used me with my collar flipped up, in a fuchsia and white striped shirt. I blame Prince and Michael Jackson in the Eighties for that.
We have been shaken by the deaths of Eric Garner, Michael Brown, Trayvon Martin, and Tamir Rice - shaken, but not sufficiently unsettled. We must contextualize those losses, force our neighbors to become so deeply disturbed by what has occurred that they, too, are inspired to act to change the system.
Michael Vick may enjoy watching dogs fight. Someone else may find that repulsive but see nothing wrong with eating an animal who has had a life as full of pain and suffering as the lives of the fighting dogs. It's strange that we regard the latter as morally different from, and superior to, the former.
Several years ago, I was asked by a songwriter's association to go to Nashville - I think it involved some kind of award - and be part of the showcase. It was myself and Stevie Winwood and Michael McDonald and then some country people that I didn't know. The whole community was just so welcoming to me.
Michael Bradley has the stuff of leadership; he works hard and can break up the opponent's play. However, that's not enough to justify his philanthropic attitude towards possession, the generous portion of balls that he contributes to his foes. His sloppiness constantly culminates in unnecessary goals.
I've been performing since I was very little, about three years old. I was inspired at first by the MTV artists of the '80s and started putting on 'shows' in the apartment, most of them set to Michael Jackson's 'Bad' album. In my mind, there was a full lighting rig behind me... but it was just a couch.
Interviewing Michael Jordan is like playing him one on one. If he respects you and especially your media platform and he's amused by your college try, he'll let you get off a shot or two. Then he'll go behind his back, give you a head fake and leave you wondering exactly what he meant by this and that.
For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
It's an issue that we need to have a national discussion about, the militarization of local police forces, and then when they are used to quell peaceful demonstration. Then we have a problem, and especially around this entire case of the murder of Michael Brown at the hands of a Ferguson police officer.
There is no question that Darren Wilson caused the death of Michael Brown by shooting him, but the inquiry does not end there. The law authorizes a law enforcement officer to use deadly force in certain situations. The law allows all people to use deadly force to defend themselves in certain situations.
Most people, they're dug in. 'Michael Jordan is the best player, and there's nothing LeBron can do.' A lot of people dug in that LeBron is whiny and he complains, he jumped teams, he wants all the best players. And once you have your mind made up on a particular topic, there's no moving you off of that.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
'Bosch' itself - it has a huge fanbase already from the Michael Connelly books, so it was definitely intriguing because you know going in that there's all those people who will want to watch it, and I knew it was going to be a down-and-dirty, gritty, no-make-up part, so that was scary and yet so exciting.
When I first started doing comedy years ago, I used to be the biggest Michael Richards fan. I used to love this dude. He was on a TV show called 'Fridays,' and man, he was tall and lanky - and I was tall and lanky. I love physical comedy, and he was a physical comedian, and I said, 'Man, I love this guy.'
Being on a Michael Bay set is... well, it's the only set I've ever been on. But I would imagine there's no set that's run quite like it. It's big, it's loud, it's powerful, it's intense, it's dirty, it's hot, it's sweaty - and it's really exciting. There's never a dull moment; there's never a quiet moment.
I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
To see him there lifeless and breathless was very emotional for me. But I held myself together because I knew he's very much alive in his spirit, and that was just a shell. But I kissed him on his forehead, and I hugged him, and I touched him and I said, 'Michael, I'll never leave you. You'll never leave me.'
Michael Jackson, he used to chase relevancy all the time. He always wanted to go a little bigger and better and keep that audience. There was never a point where Michael was going to feel like, 'I've got to play the Nokia, and that's all I'm going to pull in is the Nokia.' That would not have been acceptable.
I had actually finished the manuscript of 'The Wild Trees' and turned it in to Random House when all of a sudden word came. Michael Taylor and his colleague, Chris Atkins, another explorer, have just knocked one out of the park. They found the world's tallest tree. The tree is named Hyperion, 379.1 feet tall.
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
Justin Vernon is one of the collaborators Kanye will always go to. He doesn't fit in with any genres - you never know if he's gonna sing, like, the Bee Gees or some crazy, distorted thing. And you don't know what he's saying half the time. He's kind of like Michael McDonald, like he's got marbles in his mouth.
The biggest thing I'm seeing - and I have to be careful what I say here - is that people are tired of the old guard and the familiar brands. They're looking for more individuality and creativity, and that's coming out of this whole new wave of younger brands: Thom Browne, Michael Bastian, Robert Geller, myself.
Both Springsteen and Michael Jackson, who had these huge productions, could always scale them back down to just a song and a melody. All of that influences me. I also try to be a fictional writer, and sometimes I get close, but the things that resonate the most with me - and with everyone else - is what's real.
I had talked for years about doing a restaurant with Rocky Dudum, who's been my friend since I first came to San Francisco. Then Rocky's son, Jeff, said he wanted to design it, so he traveled around the country to sports restaurants like Mickey Mantle's and Michael Jordan's, and he came up with a great concept.