Quotes of All Topics . Occasions . Authors
I do think - the metaphor I always use - it's the role of intelligence community to stay down in the engine room and shovel that intelligence coal, and people on the bridge get to decide where to drive the ship and how fast and how to arrange all the deckchairs.
Quest stories are about the oldest form of narrative there is, and they're also the perfect metaphor for life because we're all on a journey trying to figure out where we're going and who we are. 'Solomon Creed' is just doing it with more danger and guns involved.
When a crime is committed, only the victim and the victim's close circle experience the event as pain, terror, death. To people hearing or reading about it, crime is a metaphor, a symbol of the ancient battles fought every day: evil versus good, chaos versus order.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Running is a great metaphor for life. You set a goal, and then you get to work. How well you do is a direct reflection of how hard you work. It's a mental game, too. There are setbacks along the way, but the true test of a runner is how you overcome and push past them.
Images are not quite ideas, they are stiller than that, with less implication outside themselves. And they are not myth, they do not have the explanatory power; they are nearer to pure story. Nor are they always metaphors; they do not say this is that, they say this is.
When you start a novel, it is always like pushing a boulder uphill. Then, after a while, to mangle the metaphor, the boulder fills with helium and becomes a balloon that carries you the rest of the way to the top. You just have to hold your nerve and trust to narrative.
When you're a black superhero, you can't erase the notion that you're black. If you're black, living in the community, and you want to change things, there are going to be things that happen. That's true of anybody. I mean, you could use celebrity as a similar metaphor.
As adults, when we attend to something in the world we are vividly conscious of that particular thing, and we shut out the surrounding world. The classic metaphor is that attention is like a spotlight, illuminating one part of the world and leaving the rest in darkness.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.
The metaphor of the king as the shepherd of his people goes back to ancient Egypt. Perhaps the use of this particular convention is due to the fact that, being stupid, affectionate, gregarious, and easily stampeded, the societies formed by sheep are most like human ones.
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry; I think I uncover the problems.
The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
The desktop metaphor was invented because one, you were a stand-alone device, and two, you had to manage your own storage. That's a very big thing in a desktop world. And that may go away. You may not have to manage your own storage. You may not store much before too long.
You write three pages over six hours, and you don't feel like you've gotten anywhere, but if you've done a beautiful metaphor or a lovely sentence, or you finally got to some moment you wanted, then that's worth it. Then you can close your computer and get a little relief.
Whether it's New York or somewhere else, the metaphor of 'Avenue Q,' which is the place you live when you can't afford to live anywhere else - and we've all been through that in our journey. As I always say, at any moment I could be back on Avenue Q if I pick the wrong show.
I like zombie movies. I like 'The Walking Dead;' I like the metaphor of it, simply because when we go with the zombie concept - if you're bitten by a zombie, you don't transform into something else like a vampire or a werewolf or whatever. You become something that's not you.
I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.
Burnout is grist to the mill. I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words.
The metaphor I've used is... somebody's going to push my family off a cliff pretty soon, and I won't be there to catch them. And that breaks my heart. But I have some time to sew some nets to cushion the fall. So, I can curl up in a ball and cry, or I can get to work on the nets.
Science fiction, in its purest form, for me, it works the best when it's being used as metaphor to look at something from a one-step-removed process, to give a little objectivity and insight into something that, if you were applying it on the face of it, we'd all be too close to.
Contrary to the negative stereotype that folks who swear have poor vocabularies, a fluency in taboo language correlates with overall verbal fluency. The more words you know, the more you know... and the more colorfully you can express yourself, with nuance, metaphor, and emotion.
Generally, people's fear and hesitancy regarding greater computerization comes from a George Orwell/'1984'-based metaphor of a single computer or data base where all your information is stored, knows everything about you, and can use this information at will and for evil purposes.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
It's like how science fiction in the '50s was a way of talking about war without actually having to risk any political capital. The obvious metaphor is power and powerlessness, but I also think it's a way of experimenting with dangerous feelings in a safe arena and trying things out.
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.
Bill Clinton sitting on Air Force One getting his hair cut while people around the country cooled their heels and waited for him, became a metaphor for a populist president who had gotten drunk with the perks of his own power and was sort of, you know, not sensitive to what people wanted.
In Judaism, the temple was the most holy site in the world. But if you extend that argument as a metaphor, and you say 'The world is a holy place,' and you're treating this holy place like a money-lending psycho, then Jesus says, 'This is hypocrisy!' and he'd point it out and flip it over.
For many years, when people described how the Internet worked - whether they were talking about shopping, communicating, or starting a business there - they inevitably invoked a single metaphor. The Internet, said just about everybody, was a contemporary incarnation of the wild, wild West.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
I think our path to the Olympics is a good metaphor for how you build a company. Our skill and commitment grew over time, day by day, stroke by stroke. So, sports are tied well with our entrepreneurial pursuits because you train for a few years, but there is no guarantee that you will succeed.
I do genuinely believe that young people who play sport at a competitive level, sensibly controlled, sensibly organised, that has to be a good thing. It will teach them to win, it will teach them to lose with dignity and magnanimity - all the things you want. It's a pretty good metaphor for life.
As a story writer, you have work with sharp but relatively small tools, the picks of metaphor, the shovel blade of images, the trowel of point of view, and then you delicately lift and brush in the revision with love and care knowing that one slip, and you might damage an extremely delicate thing.
In the 1960s, reaching for the moon meant just that. It was a metaphor for attempting the impossible, and we attempted it, and we did it. And it inspired millions of people in every way. The number of science graduates in this country doubled in the 1960s at every level - high school, college, Ph.D.
I don't eschew autobiographical writing, but I'm not interested in mine to be so straightforward. The things that tend to move me the most are often those that I have to figure out its meaning for myself. The human being's ability to make a metaphor to describe a human experience is just really cool.
Most songwriters who have been lucky enough to have their song on the radio or be heard widely don't know anything about science. The best songs have a strong dose of metaphor. Most songs about science don't have that. Like 'She Blinded Me With Science.' It's a stupid song, no offense to Thomas Dolby.
In theory, at least, all presidents are servants of the people who elected them. In the case of Barack Obama, it has seemed from the start that the idea as applied to him was more than mere metaphor. He is the first president in my lifetime whom the country felt obligated to remind that he know his place.
We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?
I know that I'm going to die and that you're going to die. I can't do anything about that. But I can explore it through a metaphor and make a kind of funny, dark story about it, and in doing so, really exhaust and research as many aspects of it as I can imagine. And in a way, that does give me some closure.
In the original introduction to the word meme in the last chapter of 'The Selfish Gene,' I did actually use the metaphor of a 'virus.' So when anybody talks about something going viral on the Internet, that is exactly what a meme is, and it looks as though the word has been appropriated for a subset of that.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things are only successful when there are people and money around.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.
I have always considered it a beautiful metaphor that Cervantes had no fixed address in Spain. He is thus everywhere and nowhere. There are a number of sites connected with his life, but none attract hordes of travellers the way Stratford-upon-Avon and the Globe Theatre in London draw Shakespeare aficionados.
As a young physician in the mid-'80s, caring for people who had contracted H.I.V., I lost two of my patients to suicide at a time when the virus was doing very little harm to them. I have always thought of them as having been killed by a metaphor, by the burden of secrecy and shame associated with the disease.
It is one thing, then, to say, "The Bible contains the religion revealed by God ," and quite another to say, "Whatever is contained in the Bible is religion, and was revealed by God." If the latter be accepted, metaphor and allegory become literal statements and the errors and absurdities of bibliolatry follow.