Metal Quotes - Page 12

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In grade one and two, I was definitely into heavy metal and Satanic rock music, bands that had attributes that were quote-unquote 'Satanic,' even things like the Rolling Stones with 'Their Satanic Majesties Request' and 'Sympathy for the Devil,' but also like Motley Crue and Kiss and Alice Cooper.

I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.

Apart from its dangers, much of Iraq isn't very interesting to look at. The landscape is flat and dun colored. The dirt just beyond the highway is littered with hunks of twisted and mangled metal, some of it the detritus of wars, some of it just unclaimed junk. The countryside looks muddy and broken.

Never use an aluminum pot, pan, or utensil when cooking tomatoes - or any other soft metal items for that matter. The acidity in the tomato doesn't do well with them; they create a chemical reaction that can turn cooked tomatoes bitter and fade the color, and the food will absorb some of the aluminum!

If you get into Scientology, you will go to auditing. It's like therapy except that there is an E-meter between you and your auditor. That's a device that actually measures your galvanic skin responses. It's two metal cans that you hold. They used to be Campbell's Soup cans with the label scraped off.

I'm a standup comedian who can't drive. I have never learned. I don't trust my hand-eye coordination. You're looking at someone who once dropped a cricket ball on to his own head during a routine catching practice; I don't think it's a great idea to have me in control of a high-speed metal death robot.

Metal fans have a connection. There is something there; just like the wrestling world, they are die hard about wrestling, and it's that passion that makes you enjoy what you do. That is why I go to metal shows; you watch these dudes on stage just shredding and letting loose. You can't help but love it.

You can really have a no-holds-barred relationship to materials with mixed metals and colorful schemes or more controlled palettes that are more tonal or restricted to a single accent color or metal finish. There are really no rules, and that is what makes contemporary design so limitless and enjoyable.

We're teaming up with a major Hollywood studio, and we're making a movie called 'Copper.' It's set on Mars in the 24th century. By then we've got 27 billion people in the world, copper is the world's most valuable metal because everything runs on electricity, and there's no more burning of hydrocarbons.

A Republican philosophy goes something like this: If you take your car to the mechanic, and instead of fixing it, they take out the engine and charge you an arm and a leg, you should conclude that mechanics can't fix cars and you should probably just take yours to the junkyard and sell it for scrap metal.

However you feel about Dimebag, this is one of the most influential metal guitar players of the '90s. I was just talking to someone that I am hiring to bring on the tour who said that, when he was at the funeral, that Eddie Van Halen came and put his striped guitar in the coffin. That's a pretty big deal.

When I was a kid, I really wanted a metal detector for Christmas, convinced I was going to find buried treasure and could retire at 12. Santa Claus brought me one, but sadly, that treasure was never realized. It's amazing how many bottle caps you have to dig up. But to be honest, that dream is still alive.

I had my first band. it was kind of a progressive metal band kind of thing. I just started writing songs that required more and more challenging vocals, and I just did them. Necessity is the mother of invention, right? So I just sort of did what I had to do to make the songs sound the way I wanted them to.

I want to be a Bond girl. Think about it - I have metal components in my legs, so when I go through airport security, I set off the alarms. But when they realize why I'm beeping, they let me through. What if I had weapons in my legs? I could take one off and pull out an Uzi! Legs Galore - that would be me!

All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?

People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.

In almost every interview someone asks what does HIM stand for. I can't even remember our latest lie about that. When Hanson was hot, we said it means Hanson Is Murder. The name doesn't have a particular history. His Infernal Majesty was a totally different band. I think HIM derives from some death metal joke.

When I started, the music I would be drawn to would be heavy metal and new wave like Black Sabbath - things that seemed more shocking - and then, of course, eventually I would find bands and writers who were laying things out very clearly and whose words felt very sharp to the touch and sharp to your feelings.

We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'

At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

The bottom line is how do we best provide for the security of the traveling public in light of a determined enemy who is adept at constructing well-designed, well-concealed devices which would not show up in a walk-through metal detector? We're trying to employ the best technology to identify any possible threat.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.

It's a myth that I received any flak from the metal community over my decision to come out. I have, in fact, received numerous positive responses from fans, as well as e-mails from people who were going through much the same thing. It's horrible to keep something like that secret, and I felt I had to make it public.

Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.

One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.

When the glam metal thing of the late '80s became too glammy, then instead of having two bottles of hairspray in your hair, it became better not to wash your hair at all. To me it's all trend stuff. I don't follow that stuff. I just do what I feel is the right thing. I don't know what the reason is for that. It's not fashion.

I found that so many people in the music business started out as metalheads in the Eighties - whether they're songwriters, producers, engineers or executives, and no matter what they look like, with short hair, suits or whatever. I feel like my generation of metal kids really tends to populate the music world to a large extent.

It was awesome growing up in New Orleans because there were great metal bands, there were great hardcore bands, there were great thrash metal bands in the middle '80s and what-not. But then, take me out of New Orleans, and I moved to Fort Worth in 1987, and there's a scene there, too. And Texas absolutely has a different sound.

I really don't want to be associated with the low-brow Black Metal genre. If you want to know what I mean when I say that, just have a look at an Immortal video on YouTube or something. It's so dumb I don't know what to say, really, and it's so ridiculous, we can barely tell the difference between the real stuff and the parodies.

The great thing about Priest, in all the years that we've been making heavy metal music, is that we've always kind of carried this metal flag, if you will - this beacon of hope that, no matter what you may be going through in life, there's always a sense of overcoming difficulties, a sense of winning, a sense of coming out on top.

I came up with the idea of a daredevil who's going to go upside down, in a metal car, at 90 mph, and it's never been done before. I get into this metal car, I'm strapped in. You pull back, and it's a roller coaster at Magic Mountain, with kids and nuns and everything else! I pass out while everybody else is having a wonderful time.

When I was a kid, I loved a heavy metal band called Motley Crue. I was thirteen when they came to my city, and I called every hotel in the Yellow Pages asking for a room by the name of their manager in hopes of meeting the band. After two or three hours of calling hotels, I got through, and the manager's brother answered the phone.

To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.

I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.

I grew up in a suburb of Columbus, Ohio, in the early '90s, and hospitals and doctor's offices offered to x-ray candy. I was 7 or 8. The day after Halloween, my brother and I were sorting all of our candy, and my mom asked if she could have a piece of my gum. She put the gum in her mouth, bit down, and there was a shard of metal in it!

It was a free-for-all with music when I was growing up. My mother was a huge music fanatic so I was listening to everything from country to heavy metal to Indigo Girls to Elton John. I guess when I was really young I didn't like Willie Nelson, and she obviously loved him. Now I do too, I'm so thankful to her for playing his music nonstop.

Think of a world where there is no ride-sharing; people are driving themselves to work. You now have 30 people being served by 30 cars. Those 30 cars are only served 4% of the day; 96% of the day, they're stored somewhere. Around 20% to 30% of our land is taken up just storing these hunks of metal that we drive around in for 4% of the day.

At every election, my vote goes to the candidate less likely to declare war. You're dropping hugely expensive pieces of exploding metal on a population. America deserves the president it gets, whether the country votes for them or allows their vote to be stolen, and the least we can do is to elect someone who won't do that to other people.

After every massacre in a school, Americans grasp at quick cures. 'Let's install metal detectors and give guns to teachers' Let's crack down on troublemakers, weeding out kids who fit the profile of a gunman. Let's buy bulletproof whiteboards for the students to scurry behind, or train kids to throw erasers or cans of soup at an attacker.'

The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.

I dressed as the Riddler once, when I was little too heavy to do. I would wear tights. My brother was in a hair metal band, and he had Riddler tights made. My brother's a geek, but he was in a heavy metal band, so I'm a chubby fifteen-year-old, and I borrow his Riddler tights and wear them to school with the package. That wasn't a good idea.

Whenever you're fighting with weapons, there's a level of reality because people don't understand that these are still metal or hard rubber with sharp points - that if the timing's wrong, you could definitely get hurt. There's nothing like working with an actor who doesn't know what they're doing, because you're always in fear of losing an eye.

Comedy is like music - there are genres and styles for every taste. Katy Perry is there for people who like frothy pop music. Metallica is there for people who like head-banging metal. And Susan Boyle is there for... well, I don't who the hell is listening to that freak of nature, but that's not the point. In art, there's something for everybody.

I was part of a metal and rock band, and I performed in front of 3000 to 4000 people for many years. I was the loudest mouth up there on stage. We would be screaming, head-banging and mass venting. We would all vent our feelings together, which is ideal as compared to participating in political and social forums, and I never felt any restrictions.

Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else.

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