Quotes of All Topics . Occasions . Authors
More than anything, people want the reality of the discussion at hand. If what is going on in that building is the real thing, if the transforming love and power of Jesus Christ is being experienced, you can sit on a metal folding chair or in a plush theater seat.
Anything that anybody wants to give me is great! I've had folk songs, heavy metal songs, jewellery... I would never call anything any fan gives me weird, as it's how people express what they like about the books, what it means to them, and that's a wonderful thing.
The first Maiden record I ever got was 'Piece of Mind,' and I only got it because I thought the artwork was cool, and everyone talked about Iron Maiden. But they weren't necessarily the most popular metal band in America for a 12-year-old kid when I discovered them.
Of course, as consumers, we want cheap and good products; however, if these production processes are exceeding wastewater discharge standards and even causing heavy metal pollution, they will cause long-lasting damage to the ecological environment and public health.
Given the weight of an Oscar statuette, one made out of solid gold would be worth $219,000. That twinkle in a winner's eye would be more than just a realization that he or she is a decent actor; it would be the joy of holding a chunk of metal worth a new Lamborghini.
Since graduation, I have measured time in 4-by-5-inch pieces of paper, four days on the left and three on the right. Every social engagement, interview, reading, flight, doctor's appointment, birthday and dry-cleaning reminder has been handwritten between metal loops.
Justin Broadrick's career isn't widely celebrated, but it's still shockingly uncompromising. From his place at the beginning of grindcore with Napalm Death to his role in Godflesh's expansion of industrial metal, the U.K. musician specializes in artistic hairpin turns.
Heavy metal to me implies a relentless, pounding, hitting-people-over-the-head music. Trend setters tend to dismiss it as basic and simple, but all the time that little trends keep coming and going, the Bob Segers, Bruce Springsteens and the Billy Squiers keep staying.
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me one way or another.
It was never so much the heavy metal thunder that got me. I was into players who played with taste and did these walking bass parts. If you can play like that, it really opens up the music. You can't just pound away. After a while it's like, 'So what? What else you got?'
When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.
I don't know what genre you would put us into, and I'm always telling people that. When I'm trying to explain In This Moment's sound to them, all I can say is that its diverse-sounding, with influences such as metalcore's breakdowns, metal in general and some melodic rock.
One thing people would be surprised about is that although hard rock and heavy metal are without question 90% of what I listen to and my passion, there are other things I enjoy. My first ever favorite band in my life before KISS was a power-pop band called The Raspberries.
When it comes to influences, we are influenced not just by Japanese and overseas metal acts, but J-pop acts too. One Japanese rock band we're particularly fond of is Seikima-II. We were attracted by their brand of devil imagery and of course, their high-quality musicianship.
When I was a very young kid, the first music that really turned me on was a new wave of British heavy metal - big, dumb rock music. There was a band called Diamond Head - they were basically the band that inspired Metallica. But I also liked bands like Saxon and Iron Maiden.
I like the light that comes off metal shutters at siesta time in the summer, having a break from driving in the shops at motorway services, the odour of petrol at petrol stations, rolling down little slopes. I hate it when you tread in a puddle and the water soaks your socks.
I can remember being in my pram: children stayed in their prams much longer then than they do now. A big bouncy pram with black covers and a hood with metal clips that could trap your fingers. I was looking up at my sister who was sitting on the pram seat, with her back to me.
Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk rock off in some kind of cult.
Everything I do is autobiographical in some way. 'Wayne's World' was me growing up in the suburbs of Toronto and listening to heavy metal, and 'Austin Powers' was every bit of British culture that my father, who passed away in 1991, had forced me to watch and taught me to love.
We are creatures of the earth and live on this planet through the powers of the sun and moon and through all facets of nature so I want our odyssey to the 'Metal Galaxy' to be one that we constantly appreciate how much we are able to travel the world through the power of music.
My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.
People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.
I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.
There's a lot of music out there that's like, 'I'm so mad! I'm sad! I'm into skulls and crossbones and the color black,' and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.
Receptor chemistry, the chemistry of artificial receptor molecules, may be considered a generalized coordination chemistry, not limited to transition metal ions but extending to all types of substrates: cationic, anionic or neutral species of organic, inorganic or biological nature.
When I was 14, I thought I looked terrible. I wore these typical Slavic shoes with metal bottoms so you could always hear me coming and this really ugly princess skirt and blouse with the top button closed. I had a boy haircut, a baby face covered with pimples, and a really big nose.
When I was 9, I was into T. Rex, Gary Glitter, and Alice Cooper. I knew The Beatles because my nan introduced me to them, but T. Rex was the first band I got into myself. I got 'Metal Guru' a few months after hearing 'Children of the Revolution' in Pwllheli in North Wales at a market.
When we talk about 'Firepower,' we're talking about the fire and power of heavy metal to prevail and endure difficulties. 'Children of the Sun,' is, to some extent, about climate change and the ecosystem... We want to deliver a message to the people without being too much of a teacher.
I've been picked up by Big Cass and thrown down the ramp onto metal. Have you ever seen that before in this business? No, no, that's a mighty big fall from the top of the ramp, straight down to the bottom onto concrete. He picked me up over his head and thrown me 14 feet to the ground.
Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.
I think one of the biggest sleepers that people are going to be able to dig into later is 'Fermi Paradox,' it's the song before 'Exist.' To me it's got the coolest, it's just so bizarre because it's got one of the most melodic vocal melodies, but we put it over a black metal blast beats.
Bullets are fast - even a 9-millimeter handgun launches lead at Mach 1. And the bigger the bullet gets, the more grains of gunpowder it carries, the faster it goes. Modern rifles can fling the small pieces of metal at half the velocity needed to escape the gravitational pull of the Moon.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
I'm not brassed off, it's just it's the association of the Dalek question, this mechanical mobile object, I'm beginning to find it distracting. And they were difficult to play to, because you're not looking into human eyes. You're looking at a metal object, moving about, with a voiceover.
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
I don't even think I was quite a year old. My mother was maybe seven months pregnant with my little brother. I was sucked out of her arms, and she landed 75 yards away from our trailer and had a ruptured disc. The tornado set me down on top of this pile of corrugated lumber and scrap metal.
Flying Colors is more alternative pop with a prog edge. Think the Beatles meets U2 meets Muse and Foo Fighters. It is the opposite of Adrenaline Mob, which has more classic metal influences like Black Sabbath, Van Halen, Pantera, or Disturbed. They are completely different ends of spectrum.
During our first year, we were playing Priest and Maiden cover tunes all the time while we figured out what we wanted to do as a band. At the time I was getting out of metal and into punk. That's how Slayer's sound came together - it's the speed of punk combined with the big riffs of metal.
I had a briefcase at one point, but it was a kind of 1980s New Wave briefcase. It was made of some kind of cardboard and it had metal hinges. It was kind of faux industrial looking, and I used to carry my books in it rather than a backpack. I didn't want to have normal student accoutrements.
More and more, I enjoy hearing people who are good at their instruments and who've found a distinctive voice. In death metal, a lot of guys are Eddie Van Halen disciples, but they take his style to really expressionistic places. It's a real pleasure for me to hear people pushing their craft.
I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn't make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.
I had some interesting costumes... the one that I remember right offhand is Zorro when I was a lot younger. I was a big time Zorro fan. My mom helped me make it, and I remember having a big issue with the fact that she wouldn't let me carry around a real metal sword; it just had to be plastic.
The first time I flew after September 11, I honestly was a little paranoid. As I was going to the metal detector, I was looking at my duffel bag, and I'm like, 'Do I have anything that's like a weapon?' I was really paranoid they were gonna find something sharp, and I was gonna get in trouble.
Arch Enemy is a female-fronted metal band, but so is Delain. They don't sound alike at all. The only thing they both are are metal bands, but the style within metal is so massively different that it doesn't really say much whether there's a girl singing or not. So it's really not so important.
All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the '70s sounds nothing like the stuff from the '80s, and that sounds nothing like the stuff from the '90s. Who's to say what is and isn't a certain type of music?
What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
Gentle reader, the Fountain of Youth is radioactive, and those who imbibe its poisonous heavy waters will suffer the hideous fate of decaying metal. Yet almost without exception, the wretched idiot inhabitants of our benighted planet would gulp down this radioactive excrement if it were offered.
I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.
It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.