All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.
You do not seek to kill me, Dumbledore?" called Voldemort, his scarlet eyes narrowed. "Above such brutality, are you?" "We both know that there are other ways of destroying a man, Tom," Dumbledore said calmly. "Merely taking your life would not satisfy me, I admit - " "There is nothing worse than death, Dumbledore!" snarled Voldemort. "You are quite wrong," said Dumbledore, speaking as lightly as though they were discussing the matter over drinks. "Indeed, your failure to understand that there are things much worse than death has always been your greatest weakness.
Explore, and explore, and explore. Be neither chided nor flattered out of your position of perpetual inquiry. Neither dogmatise yourself, nor accept another's dogmatism. Why should you renounce your right to traverse the star-lit deserts of truth, for the premature comforts of an acre, house, and barn? Truth also has its roof, and bed, and board. Make yourself necessary to the world, and mankind will give you bread, and if not store of it, yet such as shall not take away your property in all men's possessions, in all men's affections, in art, in nature, and in hope.
But it seems to me that a man cannot and ought not to say that he loves, he said. Why not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves. Just as if, when he utters that word, something extraordinary is bound to happen, with signs and portents, and all the cannons firing at once. It seems to me, he went on, that people who solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse, deceive others.
I believe in the supreme excellence of righteousness; I believe that the law of righteousness will triumph in the universe over all evil; I believe that in the attempt to fulfil the law of righteousness, however imperfect it must remain, are to be found the inspiration, the consolation, and the sanctification of human existence. We live in order to finish an, as yet, unfinished universe, unfinished so far as the human, that is, the highest part of it, is concerned. We live in order to develop the superior qualities of man which are, as yet, for the most part latent.
Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.
Why, friends, you go to do you know not what: Wherein hath Caesar thus deserved your loves? Alas, you know not: I must tell you then: You have forgot the will I told you of. . . . . Here is the will, and under Caesar's seal. To every Roman citizen he gives, To every several man, seventy-five drachmas. . . . . Moreover, he hath left you all his walks, His private arbours and new-planted orchards, On this side Tiber; he hath left them you, And to your heirs for ever, common pleasures, To walk abroad, and recreate yourselves. Here was a Caesar! when comes such another?
People are more used to seeing men who are masters at an instrument than women. When people say, 'Oh, she plays like a dude,' it's usually dudes who are the ones saying it. They're saying, 'Oh, she's as good as us.' Of course, that's a stupid statement. It's totally stereotypical to say, 'We have an advantage on this, and if anyone else can do it well, it's only because they're like us.' I think more men are starting to learn that this attitude is totally hollow and based in imagination. As more women are involved in music, this kind of thing gets said less and less.
Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government--which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man.
It is common to assume that human progress affects everyone - that even the dullest man, in these bright days, knows more than any man of, say, the Eighteenth Century, and is far more civilized. This assumption is quite erroneous. . . . The great masses of men, even in this inspired republic, are precisely where the mob was at the dawn of history. They are ignorant, they are dishonest, they are cowardly, they are ignoble. They know little if anything that is worth knowing, and there is not the slightest sign of a natural desire among them to increase their knowledge.