When I started, black people were either victims or they were the perpetrators; they were the boogie men who jumped out of the bushes and did terrible things to you.

There's sort of a persistent misperception that talking about race is black folk's burden. Ultimately, only men can end sexism, and only white people can end racism.

Black people can be the most conservative, the most discriminating. Especially among ourselves. It wasn't white people who said all black men have to wear baggy jeans.

It's almost like a lot of black people in America, a lot of young black men, are born with this cloud over their heads. It's their penitentiary cloud, this philosophy we all have, that it's harder for us.

When black men become millionaires and can buy expensive homes for their families, it infuriates people who cherish the social construct where white people are at the top and people of other ethnic backgrounds are below.

I don't think that everything on Broadway relates to us, and I think that's why we as black people don't always go to Broadway shows, but shows like 'What's on the Hearts of Men' has a lot of issues that can relate to black families, and that's why I enjoy it.

There are so many people that don't come in contact with black men. Whether they live in a homogeneous area that's mostly white or whether they live in places where they don't have to come in contact with them. So what kind of contact do they have with African-American males? They have the media, and that's it.

Black English is something which - it's a natural system in itself. And even though it is a dialect of English, it can be very difficult for people who don't speak it, or who haven't been raised in it, to understand when it's running by quickly, spoken in particular by young men colloquially to each other. So that really is an issue.

Share This Page