Quotes of All Topics . Occasions . Authors
In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.
In my family we got up in the mornings around three o'clock and went out to the barns to bring the cows in and milk. In high school I milked about twenty cows every morning and about twenty in the afternoon when I got home. I have wonderful memories from those early days when my parent's influence was so strong.
All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.
Sad will be the day when the American people forget their traditions and their history, and so longer remember that the country they love, the institutions they cherish, and the freedom they hope to preserve, were born from the throes of armed resistance to tyranny, and nursed in the rugged arms of fearless men.
One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.
This great Mughal Emperor [Akbar] was illiterate; he could neither read nor write. However, that had not stopped Akbar from cultivating the acquaintance of the most learned and cultured poets, authors, musicians, and architects of the time - relying solely on his remarkable memory during conversations with them.
The soul is not a physical entity, but instead refers to everything about us that is not physical - our values, memories, identity, sense of humor. Since the soul represents the parts of the human being that are not physical, it cannot get sick, it cannot die, it cannot disappear. In short, the soul is immortal.
It is useful to remember that history is to the nation as memory is to the individual. As a person deprived of memory becomes disorientated and lost, not knowing where they have been or where they are going , so a nation denied a conception of the past will be disabled in dealing with its present and its future.
Karma is experience, and experience creates memory, and memory creates imagination and desire, and desire creates karma again. If I buy a cup of coffee, that's karma. I now have that memory that might give me the potential desire for having cappuccino, and I walk into Starbucks, and there's karma all over again.
There is a wilful lemming-like persistance in remaking past successes time after time. They can't make them as good as they are in our memories, but they go on doing them and each time it's a disaster. Why don't we remake some of our bad pictures - I'd love another shot at 'Roots of Heaven' - and make them good?
There are some who question the scale of our ambitions, who suggest that our system cannot tolerate too many big plans. Their memories are short, for they have forgotten what this country has already done, what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.
As an observer, I react to the realities of Israeli life with both envy and relief. Nobody wants to live under the threat of constant attack from enemies right next door, under ceaseless and often unfair international scrutiny, defending his homeland by day and living with the memories of mass genocide at night.
Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
Fiction cannot recite the numbing numbers, but it can be that witness, that memory. A storyteller can attempt to tell the human tale, can make a galaxy out of the chaos, can point to the fact that some people survived even as most people died. And can remind us that the swallows still sing around the smokestacks.
A Shadowhunter I believe you know send for me—Tatiana Blackthorn? The lady used to be a Lightwood, did she not?" Magnus turned to Will. "And your sister Cecily married her brother. Gilbert. Gaston. I have a shocking memory for Lightwoods." "I begged Cecily not to throw herself away on a Lightworm," Will muttered.
My childhood closet was ornamented with U.S. jerseys of World Cups spanning the nineties and two-thousands - some of my favorite memories are from summers when, with a ball under my foot and a jersey on my back, I watched the U.S. team go up against the world's best players in the largest sporting event on Earth.
If what that man did in his life, makes the blood pulse through the body of others, and makes them believe deeper in something larger than life, then his essence, his spirit, will be immortalized by the storytellers, by the loyalty, by the memory, of those who honor him and make whatever the man did live forever.
The forties are the time when you begin to take notice of certain aches and pains. Your body and brain behave in inexplicable ways: Less hair on your head, more in your ears and nostrils. More memories in the bank, less synaptic firepower with which to access them. Gravity has started to show its inexorable pull.
My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
The sound of the sea, the curve of a horizon, wind in leaves, the cry of a bird leave manifold impression in us. And suddenly, without our wishing it at all, one of these memories spills from us and finds expression in musical language...I want to sing my interior landscape with the simple artlessness of a child.
That is the saddest part when you lose someone you love - that person keeps changing. And later you wonder, Is this the same person I lost? Maybe you lost more maybe less, then thousand different things that come from your memory or imagination - and you do not know which is which, which was true, which is false.
He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.
I think there's a real problem if you're making a film - some people have done whether it be about Jackson Pollock or about Picasso - it's difficult for actors, because they have to impersonate a person whose image is very strong in our memories or in our consciousness. It's something that's very tricky, I think.
Yom HaShoah is a vital day in the Jewish calendar, providing us with a focal point for our remembrance. We cannot bring the dead back to life, but we can bring their memory back to life and ensure they are not forgotten. We can undertake in our lives to do what they were so cruelly prevented from doing in theirs.
These short stories establish Sontag's originality . . . her unique vision, her success with experiments in the form . . . Sontag makes a wonderful stew of the past, the life caught in memory and imagination, serves it all up lavishly laced with silences, and provides us with a gourmand's series of short courses.
Living in the present moment requires discretion toward memory. Without memory we'd have amnesia. What good would there be in that? Offer discretion and discernment for our past with a broad spectrum of forgiveness. As for our present moment, delight. And dedication to remain fully present to all the possibility.
Christmas is the perfect time to celebrate the love of God and family and to create memories that will last forever. Jesus is God's perfect, indescribable gift. The amazing thing is that not only are we able to receive this gift, but we are able to share it with others on Christmas and every other day of the year.
Every time the diaphragm winks, the camera repeats the question that now travels through cyberspace and invades, as a modern virus, the memories of machines, men and women. The question that history sets forth. The question which forces us to define ourselves and whose answer makes us human: On which side are you?
When we have the same thought again, the line of the original thought is deepened, causing what's called a memory trace. With each repetition the trace goes deeper and deeper, forming and embedding a pattern of thought. When an emotion is tied to this thought pattern, the memory trace grows exponentially stronger.
My week at school would be good or bad depending on whether Balmain won. I have such fond memories of those suburban grounds, and everything was so undiluted. The players weren't censored, and for me it was a wonderful period of my life when everything was simple and pure. For me, that resonated with rugby league.
Some of what these pamphlets [of astrological forecasts] say will turn out to be true, but most of it time and experience will expose as empty and worthless. The latter part will be forgotten literally: written on the winds while the former will be carefully entered in people's memories, as is usual with the crowd.
A great scholar, in the highest sense of the term, is not one who depends simply on an infinite memory, but also on an infinite and electrical power of combination; bringing together from the four winds, like the Angel of the Resurrection, what else were dust from dead men's bones, into the unity of breathing life.
When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.
We Irish prefer embroideries to plain cloth. To us Irish, memory is a canvas--stretched, primed, and ready for painting on. We love the "story" part of the word "history," and we love it trimmed out with color and drama, ribbons and bows. Listen to our tunes, observe a Celtic scroll: we always decorate our essence.
Memorial Day will be celebrated ... by the usual betrayal of the dead, by the hypocritical patriotism of the politicians and contractors preparing for more wars, more graves to receive more flowers on future Memorial Days. The memory of the dead deserves a different dedication. To peace, to defiance of governments.
That whole day [ of the space flight] is very vividly impressed on my memory because it was such a new experience. We hadn't done that before. And then I've recalled it so often since then I think that it's a - it's remained very vivid over the past 50 years, seems to me like about a week or two instead of 50 years.
The thought of being a creator, of engendering, of shaping is nothing without the continuous great confirmation and embodiment in the world, nothing without the thousandfold assent from Things and animals... beautiful and rich only because it is full of inherited memories of the engendering and birthing of millions.
This was a memory I wanted to keep, whole, and recall again and again. When I was fifty years old I wanted to remember this moment on the porch, holding hands with Cameron while he shared himself with me. I didn’t want it to be something on the fringes of my memory like so many other things about Cameron and myself.
You can’t bring an unwritten place to life without losing something substantial. Manila is the cradle, the graveyard, the memory. The Mecca, the Cathedral, the bordello. The shopping mall, the urinal, the discotheque. I’m hardly speaking in metaphor. It’s the most impermeable of cities. How does one convey all that?
I don't think I have ever done anything for this age of children before, a pre-school audience. Generally speaking, we don't have vivid memories of that age and what influenced us, yet clearly they are hugely formative years and it's really important that we can create television of a high quality for that audience.
We’ve all heard of Dr. Elisabeth Kubler-Ross’ five stages of grief: denial, anger, bargaining, depression, and acceptance. In contrast, I realized, happiness has four stages. To eke out the most happiness from an experience we must: anticipate it, savor it as it unfolds, express happiness, and recall a happy memory.
It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.
I used to love hospitals. That's another weird thing about me. I remember when my grandmother -- so sweet, God rest her soul -- was in the hospital, I always loved visiting her there. Very morbid memory! Most people hate hospitals. And I'm not a big fan of them now, but there was something about it for me back then.
My favorite thing is drums. I have a very, very big memory - and I don't have many big memories - of going to see the movie Tap, with Gregory Hines. During one scene, he's in jail, and there's some water dripping down, and he starts tap dancing. I just like that feeling of: "I'm in charge, I can do whatever I want."
...memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously.
A good stylist should have narcissistic enjoyment as he works. He must be able to objectivize his work to such an extent that he catches himself feeling envious and has to jog his memory to find that he is himself the creator. In short, he must display that highest degree of objectivity which the world calls vanity.
What you see is from outside yourself, and may come, or not, but is beyond your control. But your fear is yours, and yours alone, like your voice, or your fingers, or your memory, and therefore yours to control. If you feel powerless over your fear, you have not yet admitted that it is yours, to do with as you will.
I raced because I was paid to do a job and I felt like I had to do the job. Number two: I raced because I loved the process, I loved training, getting ready for the race, I loved all of that. And number three I raced for my memories. Regardless of what somebody wants to give or take away, you can't take my memories.
My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?
What a wonderful faculty is memory! -- the most mysterious and inexplicable in the great riddle of life; that plastic tablet on which the Almighty registers with unerring fidelity the records of being, making it the depository of all our words, thoughts and deeds -- this faithful witness against us for good or evil.