Quotes of All Topics . Occasions . Authors
I did a movie a few years back, 'Medicine for Melancholy.' People will come up to me after a set and say, 'I really love that movie. When are you going to do another one?' Or 'I loved you on 'The Daily Show.' Why did you leave?' It's kind of the same as saying, 'I loved you in high school. You should have never left.'
No one can actually define love, but you attempt to, and the closest you can get is longing. And that itself has a melancholy to it. You can say dread, or doom - it's that feeling we all feel when we fall in love with someone: we have this horrible, fearful feeling that maybe we will never have that person in our life.
You can achieve one thing, but because of that, you have to adapt or lose something else. If you end up in a relationship, you sometimes have to lose the closeness of your friendships, for example, or you have to move away somewhere... For me, that creates the sense of melancholy which I think exists in most people's lives.
It is odd what notions men seem to have of the scantiness of a woman's resources. They do not find it anything out of nature that they should be able to exist by themselves; but a woman must always be borne about on somebody's shoulders, and dandled or chirped to, or it is supposed she will fall into the blackest melancholy!
I realized over the years if I'm writing about humor, irony, satire, I much prefer to do that in English. And if there is sorrow, melancholy, longing, I much prefer to do that in Turkish. Each language has its own strength to me, and I feel connected and attached to both Turkish and English. I dream in more than one language.
When I make music I try to be as honest as I can to how I experience the world. Like how you arrange a piece of music formally. I tend to observe a lot of chaos or whatever, the fragmentation and melancholy. That's the filter I synthesize my world view with. If I didn't formally have that chaos and it was really linear, it would make my skin crawl.