Quotes of All Topics . Occasions . Authors
My hope is that 'The New World Haggadah' will open a new world for readers who will see our heritage through a multilingual prism. I wanted to feature medieval and renaissance authors, resistance in World War II, crypto-Jews and activists during the Dirty War in Latin America, songs of protest, and songs of hope.
I was born in England and went to school there. That's when I discovered my undying passion for history - not just for the Middle Ages, but all periods of history. My favorites are medieval, Elizabethan, and Georgian; however, I've written stories set in periods as early as ancient Rome, right up to the Victorian era.
The worst thing that happens to you at college if you fail to get out of bed in time is that you will miss two hours of someone reading scintillating anecdotes about Medieval Ireland. The worst thing that happens to you in life if you fail to get out of bed in time is that you might lose your job as a first responder.
We live in this era that has benefited from the Industrial Revolution, and we live with a kind of luxury and plenty that even all but the poorest of Americans live with a kind of sensuousness that was unimagined by medieval kings. But in order to get to this point, a lot of people had to suffer in really terrible ways.
I was born and spent my first five years in Chester, an ancient city that retains some of its Roman walls and fortifications and contains a great medieval cathedral, as well as Tudor, Stuart and early 19th century architecture. Visiting these things was free, and my parents - who had little money - made the most of this.
According to my mother, there pretty much wasn't anything I wouldn't eat as a child. Not just try, but eat. I was even inclined to dig into stuff about which she expressed open disgust - lobster and other shellfish, and cheap Chinese food with pepper so hot it made your gums feel like a medieval dentist had been at them.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
The medieval Islamic world, from Central Asia to the shores of the Atlantic, was a world where scholars and men of learning flourished. But because we have tended to see Islam as the enemy of the West, as an alien culture, society, and system of belief, we have tended to ignore or erase its great relevance to our own history.
We have seen many other not just writers and intellectuals, but including writers and intellectuals in the Muslim world being attacked and murdered by Islamic fanatics, accused of exactly the same things that I was, these medieval crimes of apostasy And heresy, but then broadening from that into a broader attack on all of us.
Sarajevo was this beautiful city, very cosmopolitan, multiethnic, full of wonderful people, artists and writers and poets and Serbs and Muslims and Croats, and living side by side. And then this medieval siege, and it was a medieval siege, came, and the Bosnian Serbs were on the hills lobbing in rockets and grenades and mortars.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
I went and looked at one of these great cathedrals one day, and I was blown away by it. From there I became interested in how cathedrals were built, and from there I became interested in the society that built the medieval cathedral. It occurred to me at some point that the story of the building of a cathedral could be a great popular novel.
