The general assumption, which I think is a valid one, is that a lot of the major media were on their heels a little bit and prone to share the grief of the nation and to give Bush all the support it could.

Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.

Of course the media loves stuff like that so they find this one Rockette. It's like you can have 10,000 people at a rally for [Donald] Trump and 200 people outside, and the 200 people outside make the news.

The Democratic Media Complex, in its pursuit of Orwellian hate-crime legislation, reparations, and sundry non-ameliorative resolutions to America's troubled racial past, pursues its victims with blood lust.

Women don't make the decisions in the media. Even if you see women on camera, they have to answer to the person upstairs, which is mostly men. Women only hold 3% of the decision-making offices in the media.

The Red Sox are a curious thing because so much here is media driven. You can't go fire half your scouts here because they are all friends with the local reporters. Your life is going to hell in the papers.

Anti-Christian ideology has permeated much of the secular news media, and so often Biblical Christians are mocked, misrepresented or attacked for what they believe by anti-Christian agenda driven reporters.

The responsibility for good government lies not just with governments themselves but also with every other part of the system they operate in, including media, non-governmental organisations and the public.

My particular thing is discovering what can be done with media and how it can be used. You can't draw people together like one big huge family, people don't want that. They want isolation or a tribal thing.

'The Week' is my favourite magazine. Everyone from presidents to CEOs of companies love it, politicians, people in the massive charity business in America, in the arts and even more especially in the media.

My point is that there are a lot of forces, like the media and the general political rhetoric tells us we should have more. That we should do better than our parents and have a bigger house or a better car.

If the sexual revolution has been a medical disaster, socially it has been a catastrophe. Why do the media not report and explore the tragic results of the sexual revolution? Because many are collaborators.

The media no longer ask those who know something to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.

The entertainment world, television, movies, social media, YouTube stuff, we're so bombarded with so much imagery and such a great sense of inhumanity, and there is a coarseness, a coarsening of interaction.

The media needs to tell a story. And whenever there's a new generation, you know, with a new conversation, it's handy to say well, these are the angry young men, these are the hippies, these are the boomers.

In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'

One of the problems that we face through the media attention that these artists receive is that there has been an awful lot of talk about opera and classical music being elite and being for an elitist group.

We have seen a growing mismatch between the command of media communication shown by the most talented politicians, and the halting, uneven progress which they can deliver through the machinery of government.

There are few talents so richly rewarded - especially in politics and the media - as the ability to portray parasites as victims, and portray demands for preferential treatment as struggles for equal rights.

And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush.

Before you can pick a social-media strategy, you have to think of your customer and what the value proposition is for them. Social media is a way to engage customers, not to give your business a 'shout out.'

'The Crumbling of America' should be required viewing for local and national government, not to mention the local and national media who should be keeping their feet to the fire on guarding against disaster.

We live in this world of tweeting, and social media, and anti-social media, and all the rest, so no matter what you say, there is going to be what people say is a firestorm. I don't know what a firestorm is.

If you had to point to one thing that made it less likely that the Red Sox would win the World Series, I would say it was those people that go to Fenway Park to watch the games. And then the media around it.

I respect very much the role of the media in our society; I think they can be very, very helpful. They serve as a very useful check, sort of a watchdog over the actions of the government, and I respect that.

One trend that bothers me is the glorification of stupidity, that the media is reassuring people it's alright not to know anything. That to me is far more dangerous than a little pornography on the Internet.

Scientific fraud, plagiarism, and ghost writing are increasingly being reported in the news media, creating the impression that misconduct has become a widespread and omnipresent evil in scientific research.

[The media's] fantasy of an America bristling with racists allows them to portray any criticism of our massively incompetent and dangerous president as just another sad episode of oh-so-typical white racism.

Cultural change is always incremental, so the most important thing for any right-leaning artist, writer, or media mogul is to focus less on making political statements and more on producing high-quality work.

If you dare go out and criticize Hillary Clinton, they'll call you "attacking the girl," "unfairly the attacking the girl" or "unfairly attacking her husband" and it becomes a whole different media narrative.

The media have just buried the last yuppie, a pathetic creature who had not heard the news that the great pendulum of public consciousness has just swung from Greed to Compassion and from Tex-Mex to meatballs

I heard some famous people had an anniversary, five long years together, it was Hollywood history. Now my grandma and grandpa never made no printed page, but they took the love of 57 years right to the grave.

I'm telling you, the disconnect is big, and the gap of understanding between the people in Washington, in news media, the New York/Boston/Washington corridor and the rest of the country, that gap is widening.

It's dope to be an artist and to have that wall of separation, but also I feel like social media is there for what it's there for. I have a group chat with about 40 fans who I communicate with on the regular.

History is so fleeting and we are so busy consuming media and the contemporary culture, voraciously gobbling it up, that we have no room to look back ever, and our young people have a tough time looking back.

Because of a mass media more interested in gossip and sensationalism than real issues, I would say a vast majority of the American public doesn't have a clue about how the Congress functions and what goes on.

Black and awkward is the worst, because black people are stereotyped as being anything but awkward in mainstream media... Black people are always portrayed to be cool or overly dramatic, anything but awkward.

"Be Right Back," in which Hayley Atwell brings Domhnall Gleeson back from the dead using his social-media profile, sprang out of an unrelated conversation. Other stories you thrash away at for weeks and weeks.

So at a time in which the media give the public everything it wants and desires, maybe art should adopt a much more aggressive attitude towards the public. I myself am very much inclined to take this position.

I never take ideas from the headlines. I feel that if a story is good enough, a real story that is, then it's already been covered by the media, and if it's not good enough, why would I want to bother with it?

I just think women should love themselves more than they do. Because I think - with all the social media stuff - we look at ourselves too much, and we just destroy ourselves when we're way cooler than we know.

I don't want ISIS using our Internet to take our young, impressionable youth and watching the media talking about how they're masterminds - these are masterminds. They shouldn't be using the word "mastermind."

Not only has [Donlald] Trump adopted that tactic attacking usual suspects like The New York Times and The Washington Post, but he`s turning it back on the conservative media who invented it in the first place.

The establishment and their media enablers will control over America through means that are very well known. Anyone who challenges their control is deemed a sexist, a racist, a xenophobe, and morally deformed.

The world is changing. Social media is a way to sell movies and to build a fan base. The truth is that you have followers because they know you are into it and you're funny and you like it. I think it's great.

So for me, you can't control the media, you have to work with media to get your message out there and you just hope that there's enough good honest reporting and people in the media that can get that job done.

New York City is just one node on the global cultural scene. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist feels local and small. Social media feels now.

The problem with representation in the media has very much to do with the conflicts between groups in the world. If you talk about Iraq, al Qaeda, Darfur, even Taiwan, representation is a part of that problem.

[While] physically traveling someplace or experiencing someplace firsthand, physically versus - which is what a lot of young people do - the experience is mitigated through technology and through social media.

I have never joined the Facebook world because, to be truthful, social media scares me to death. It is kind of crazy how huge that world is, so I have never joined Facebook, but I do have Instagram and Twitter.

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