I think when people ask me, 'Who's your favourite player?' it's hard for me to answer.

After 'Mulk,' I figured it's your voice that people are connecting with. So then my voice became of prime importance to me for my films.

People discover you at festivals. They come to see Coldplay or whoever, and then wander over and catch your act. Festivals make a lot of sense to me.

One thing I like about historical fiction is that I'm not constantly focusing on me, or people like me; you're obliged to concentrate on lives that are completely other than your own.

There are just hundreds of people that have inspired and influenced me in a number of different ways. First of all, you can't forget your parents and all they've done to help you to get here.

I don't want to lecture anybody, I would only say this to my fellow people would be to give, however small. Give what your pocket permits. I don't think a person who is giving Rs 10, is giving less than me.

People always say 'Etta, you know what your problem is? You're neither fish nor fowl. There is no place to rack you.' When I would go in a record shop, you might find one or two records by me in different stacks.

Pretty much, I was a hometown fighter, and everyone was pulling for me. Now I'm a hometown fighter again. It's a lot of pressure because you don't want to let people down. They're yelling your name and chanting for you.

I was one of those people at one point who was scared to put my foot down and show where the boundaries were. For me, it's really important to stand your ground and know exactly what you are, where you wanna be, and what you're doing, or else people are gonna try you.

You can get on with your job. I'm going to get on with mine. And mine is to deliver for the people of Northern Ireland, that's what they expect from me and I'm not going to be deflected by interesting academic or media speculation or attempts to take the whole debate back.

I'd like to make mistakes on my own dime and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms than trying to satisfy a bunch of people that are paying for the movie.

I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles - normal people notice that kind of stuff, but a certain kind of person will do some calculations.

I think people don't really understand how much footballers are affected by the people in their lives. When we're interviewed, people always ask about managers and tactics and training, but they almost never ask about what's going on off the pitch, and to me, that's just as important to your career.

I'm sort of of the belief that people kill themselves from the inside out. When they're unhappy with what they're doing, or not achieving things - when your focus is off-kilter. The thing that keeps me ticking is my values. And I maintain them, because they're worthy. I like to wake up and feel I've done no wrong. I like that feeling.

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