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People are calling on me to put corrupt people into prison. Where do you start?
Scheduling me is not easy, as most people know, because once I start, I don't stop.
I feel like I want to crawl out of my skin, especially when people start questioning me.
If you're the Rolling Stones, you can sing 'Start Me Up' for 35 years, and people still cheer.
At times, I pity my comedian image. People start laughing seeing me even in funeral processions.
June. June Mathis. No, no one else, ever. She gave me my start. She first, of all people, believed in me.
Right before I left New York, I had my manager tell me, 'You need to get a girl on your arm, or people will start talking.'
I'd fully taken the road many people start on, but most abandon: common sense had given me a miss, and I'd become an artist.
There is one nickname that my mate wants me to have... it's The Ace. I'm happy for a campaign for people to start calling me that!
People always go to the ground with me trying to just hold me. They stall and wait for the referee to stand them back up so they can start it all over.
For me, governing starts with people. It doesn't start with bureaucracy. It doesn't start with policy. It starts with people and what people need to thrive.
It's always odd to me when people say, 'Where does Heloise finish and Chris start?' It's the same thing. I'm just putting a theatrical form to my expression.
All successful people these days seem to be neurotic. Perhaps we should stop being sorry for them and start being sorry for me - for being so confounded normal.
I have to tip my hat to those who have worked closely with me from the start. All these people have backed me up when it was more difficult, urging me on, so thanks to them.
Although when I start a novel I know how it will begin and end, I like to let the people within the story take me on a journey between those points without having a fixed plan.
My instincts tell me that you will spiral into a very unhealthy place if you start pondering about how other people think about you and, quite frankly, I don't want to go there.
If you throw the pebble in the pond and the rings start circulating that much wider, you've done things and created things for people that they didn't think they'd ever be able to do. That excites me.
'One Part Lullaby.' It was our big major-label record. People reference it quite a bit, but it did absolutely nothing. It's like the 'Kids' soundtrack. It did nothing. It didn't start anything for me.
When I signed up for Google Plus, it recommended 500 people for me to invite. You know, and once I invited those 500 people I got another 500 people. So it has a huge install base that it can start from.
I went from following people to being on my own. Once I was on my own, I watched people start liking me, and I watched people stop liking me. Everything was supposed happen. It was all supposed to reveal itself.
It shocks me, the rumors people start: that I have the title because of my boyfriend. If that was the case, I would have gotten the title when I came back years ago and still had the title. He has nothing to do with it.
I started calling anti-child labor organizations, asking how I could help. They told me a kid couldn't make any difference, so I decided to start a movement for young people to fight child labor, and to prove them wrong.
But the atmosphere of being part of the Indian team is totally different from any other team. People start looking at you in a different way. But the senior players and support staff really helped me in ease into the team.
I mean, I wasn't fortunate enough to have ever experienced starting out with a band and sticking with them, so that would be interesting to me. People whose bands start out like that, when they break up it's always terrible.
Well, there are some things that I just can't get out of my head, and they start to annoy me after a while. Sometimes they're of my own creation, as well - and they're just as annoying. It's not only other people's ear worms that bug me, it's my own, as well.
When people see me on TV, they become very happy because they don't have to interact with me. When they start interacting with me, they ask me questions like I'm a baby or treat me like I'm a baby and hold me like I'm a baby, and that's what they do wrong, really.
I'm never so into the three-act movie thing. I know that's the form that people talk about, but it seems to me, in the movie, you just have to keep charging forward. You couldn't start over again like you do after an intermission. You just had to keep the plot moving forward.
When the first big paycheque with 'Dumb And Dumber' hit, I went: 'Gosh, I wonder if this will affect my performance. Will I do a take and think, was that worth $7 million?' But that never happened. If anything, it made me rebel against that thing when people who get rich start playing it safe.
Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.