Quotes of All Topics . Occasions . Authors
The most important thing people did for me was to expose me to new things.
I know a lot of people say New York is the basketball mecca, but to me, it's Seattle.
People get surprised by my choices. But that comes from me looking for something new.
People were referring to me as the new Anita Bryant. Anita would get a little jealous.
When a producer like Prasad, who knows people's pulse, is ready to try something new, why not me?
People tell me that Hollywood loves new faces, but I don't know. They're probably just being nice.
People would say, 'Can I hug you?' And I would say, 'Yes, you can hug me! We're fellow New Yorkers!'
I don't like new environments. I don't like being around a lot of new people. It makes me uncomfortable.
After Zorro, people spoke Spanish to me for ages. I'm Welsh but that movie instantly gave me a new ethnicity.
I'm quietly becoming New York's premiere actor. People don't understand. They have me pigeon-holed as a comedian.
It bring a tear to my eye to see native New York people give me my props because New York is stubborn and arrogant.
People in the Hall of Fame tend to clap their hands and say, 'OK, I've done it all,' but for me, it was a new beginning.
Whenever I'm at a party, people are always telling me either to get a new quarterback or make the Taurus back seat bigger.
They call it The New Avengers but it's really the old Avengers with new people except for me, looking rather fat and rather old.
I'll be honest, I like shooting 'New Girl.' I like the people. The show is still new to me. I've never done TV like this before.
I let the streets talk to me. The streets speak to you - how you find out what's new, what people are wearing, what people aren't wearing.
'House' has opened a lot of doors for me. I've met a whole bunch of people and got a whole new bunch of contacts. I've got the golden ticket.
It's a new endeavour for me. I've never run a territory. I've never talked publicly to people. I've got to try it just to see whether I like it.
This is all new to me, these re-releases. I don't know how these things do. I don't know if it will be people who saw it originally or young people.
I'm very bubbly, so when people meet me, they sometimes think I'm fake. I'm excited to meet new people, but I guess I sound like I'm being sarcastic.
There were so many wonderful opportunities for me growing up in Cleveland. And whatever I'm doing in New York or Hollywood, I meet people from Cleveland.
There's been talk of YES possibly doing something on Broadway in New York. People have approached me with that idea, and there are discussions about that.
At least for the people who send me mail about a new language that they're designing, the general advice is: do it to learn about how to write a compiler.
I'm like a twenty-two-year-old kid in a new band trying to get noticed and break through, because the vast majority of people have never seen me play live.
That was the big effect Lord of the Rings had on me. It was discovering New Zealand. And even more precious were the people- not at all like the Australians.
As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
I always wanted to be a part of a New York-based label, so I've worked really hard to try and network with people that I felt would put me in the right place.
People were nicer to me when I was in the arts. I experienced extreme racism in small-town New Zealand. Racism which really went away when I got into the arts.
I was a server for a while, and I was a very bad one. So when people tipped me well, I felt like it was like, 'Let's get her out of here so she can get a new job.'
When I was 3, I recited a poem at a festival in Passaic, New Jersey. The applause was tremendous, and it hit me that I could affect people positively by performing.
I use a professional researcher in New York who does all the legwork, all that stuff which would take me days and weeks of calling, waiting for people to call back.
An individual developer like me cares about writing the new code and making it as interesting and efficient as possible. But very few people want to do the testing.
As I grew up and really - 22, 23, 24 - I was faced with new problems that were bigger. A lot of them were issues that pertained to people that were super close to me.
New York was very congenial to me when I was young, like most people. I met my comrades in arms and partied hard. It's the way it should be, and then you get sick of it.
Things that came before, people and things and experiences - that does mean something to me. It doesn't mean I don't embrace the new, but I don't forget the past, either.
Contrary to public opinion and the image people have of me, I grew up in a very lower-middle-class, blue-collar environment 40 minutes outside of New York until I was 11.
People just don't like me, and it's unfortunate, because I'm trying to get people to come down and visit New Zealand. I'm an ambassador for New Zealand... it's kind of sad.
I came from a prep school in New Jersey, so I get that when I got to FSU, some people weren't sure about me - I didn't play in Florida or Texas or at a powerhouse high school.
I moved to Queens from New Jersey in 2004 and have continued to stick with New York to such a degree that when people ask me to explain it, I'm sometimes unable to provide an answer.
As soon as I came to L.A., things immediately shifted for me. I was now actually here with the people who were making the decisions; I wasn't out in New York sending in tapes to L.A.
I always imagine, and try to be on the lookout, for new things, for references that can inspire me creatively so I can showcase things that people haven't done before or that are new.
Everyone in New York wants to move to London, and everyone in London wants to live in New York. A few people want to live in L.A., but I'll never understand that. It's too much for me.
For many years I had heard about an underworld consisting of people who act out a vampire fantasy while I was living in New York. Fortunately for me there are also several books on the phenomena.
For me, photography is not just about exposing film, it's about exposing the viewer to something new, a place they haven't gone before, but most importantly, to people that they might be afraid of.
There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.
I read a lot for me. But I'm not one of those people who gets 'The New York Times' book review and runs out and buys 10 books and is done with them and passing them out to friends, you know, two weeks later.
I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
I want everyone in the Republican party who opposed me to know this: you are welcome to join this people's crusade. Come aboard. You are both welcome and needed. If we unite, we'll win - and we'll rebuild New York.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
For me, the biggest thing was writing memorable themes for the new characters so that ultimately people would have the same identification with 'Fantastic Beasts and Where to Find Them' as they do with the Harry Potter films.