Quotes of All Topics . Occasions . Authors
Some athletes take what we have for granted. They kind of feel, 'I'm here, and I earned this, so people who are not on this level should just give me what I want and move out the way.'
I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it's the ideological framing of the debate that scares me.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I feel very fortunate to have made my debut with Sunny Deol. I'm aware of his stardom, his popularity, and his reach. I'm sure that teaming up with him has made people sit back and notice me.
I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.
I have no way of knowing how people really feel, but the vast majority of those I meet couldn't be nicer. Every once in a while someone barks at me. My New Year's resolution is not to bark back.
Any description of a person that comes from the outside is very hard to deal with. People don't like being summarised. It's nice to receive a compliment, but it makes me feel a bit uncomfortable.
People get excited around me and behave differently than they would normally. I don't feel different from anyone else, except that I drive a racing car round in circles faster than somebody else.
It bothers me when people say, 'Oh, you're so down to earth - for an actor.' Even when they don't say 'for an actor,' I feel like that's the implication. Why are the standards so low for performers?
A teenager usually wants to try to get people to notice him in some way, to feel like someone gives a damn. Me, all that attention, I just wanted to fade into the background. Be invisible. Disappear.
I've noticed people in India have developed a habit of hugging around people. I don't understand it now. I wanted to be hugged when I was young. Now, if someone wants to hug me, I feel only claustrophobic.
People still call me the eternal amateur. After all, professionals are supposed to be able to conduct everything. But I can't unless I feel some connection inside. Conducting is not an end in itself for me.
I often feel I'm a disappointment to people because they expect me to be the guy in the books. When I sit next to someone at a dinner party I can see they expect me to be quick and witty, and I'm not at all.
A lot of people are comfortable labelling you because it's easy. Like, 'He's a rapper. He can only do this. He can only do these types of shows.' I want to do everything. I want to feel comfortable being me.
I was so shy, it almost paralyzed me in social settings. And as shy people know, that can become a vicious cycle: The more uncomfortable you feel around people, the more you retreat, and the more shy you get.
I don't feel like a wealthy person. Other people think of me as a wealthy person, but I don't. I feel the same as when I was a fifth-year associate trying to make partner at Lehman Brothers. I haven't changed.
Whenever people ask me what the story is for my next film, I won't tell and people feel it's because I'm being secretive or something, but it's actually because I'm ashamed to sum up a film in three sentences.
It might take me an hour to get to feel at ease with somebody. I don't find it easy to go into a room full of 10 people and give it all away. In the pilot season in Los Angeles I've done that a couple of times.
I'm sort of a Walter Mitty. I got fewer brain cells than most people, so when I got friendly with cowboys, I started rodeoing. When I was calf-roping, there was something about the dirt that made me feel clean.
It's incredible when I'm out in these towns. I have people telling me they were waiting for hours just to meet me and get my autograph. I feel so guilty. I always feel like I have to give them more than just Kato Kaelin.
Of course I want the things I write to reflect well on me or anyone who might feel represented by me, but also, I'm not writing a guidebook on how to be or how my people should be seen. I'm telling very specific stories.
When I would go to the barrio, people saw me as a rich person, but when I'm around rich people, they see me as someone from the ghetto. It's all perceptions. I like moving between worlds. I feel equally comfortable in both.
The Queen has stayed with me in the sense that she lets people come to her. She doesn't feel like she has to go out. I mean, she doesn't have to anyway because of her rank and her position, but she doesn't have to overdo it.
I feel that David took a risk with me. I have a sense that by starting off in the theatre and going off to do films you are seen to sell out in some way. I don't hold truck with that, but you can't stop people from feeling it.
I was kind of known as a ballad singer. People would send ballads. Some of them would go over my shoulder and float off the top of my head, and I just didn't feel anything. Then I would hear a song that would absolutely shake me.
Someone once told me we have in our minds who we want, and often those aren't the people we actually want. Like, once there was a girl I thought was perfect for me - I had every box checked with her. But I just didn't feel anything.
There were times when close people… Some of my closest friends have left me. People hurt me, so everything fell apart. I didn't feel like I had anyone on my side or anyone who could understand me. So that's why I completely fell apart.
I feel like, maybe in the '90s, 'Rookie' would have been shamed for trying to reach a lot of people or trying to be 'mainstream', but I'm so pleased that our readers are happy to see me promoting the 'Rookie' yearbook on TV or whatever.
Sometimes I get all the credit, and it makes me feel bad because I'm not the only one out here sacrificing everything. There are people out here on the road with me with kids and families, and they're out here busting their backs for me.
Many people told me such convincing ghost stories that I felt that there really were ghosts, though I hadn't seen any. And though I still haven't seen a ghost, I feel that they are all around us; we are just not aware of them being there.
I knew a homeless guy who'd give all the copper coins that people gave him to charity. So I think there's something that makes us want to give. For me, it's quite a selfish luxury: you feel enlivened, deepened and self-nurtured by generosity.
I feel a real need to observe a level of propriety in what I'm handing out. Instead of me just venting or spilling my guts, I've got to consider how it's going to affect people. How it's going to affect me, as well. Because it's like a cycle.
People talk about this 'bucket list': 'I need to go to this country, I need to skydive.' Whereas I need to think as much as I can, to feel as much as I can, to be conscious and observe and understand me and the people around me as much as I can.
People often ask me about what constitutes a nerd-friendly show - like, does it have to have sci-fi elements? But I think it's just a show that satisfies the secret craving we all have to be obsessed with something and not feel at all stupid about it.
I think that Microsoft will increasingly feel margin pressure from Linux as well as people saying: well actually the applications that really matter to me are not on my PC. And so they're going to be able to extract less of a monopoly rent, so to speak.
In my fiction, I pursue this idea of intimacy, but also - philosophically, politically - I just feel like that's the interesting question for me. How much can we share with other people? I'm not interested in human individuality; I don't even know what that means.
I know that some people shy away from what I say. They think it is too blunt, but when you don't give people that, they feel like you are being fake and you're not telling the truth. So it's like, you want me to tell the truth, but when I do, it's too much for you.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel. Everything I did is on the record and, if you want to hear it, just listen to the record.
Now I have a standard for how I make sure people do not speak to me in a way that I feel uncomfortable with. When I was younger, I didn't have that. I was like, 'Try not to make waves.' I wanted everybody to like me, and so I stifled a lot of the discomfort that I had.
The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released.
I really do feel like I'm doing what the people that elected me in the first place wanted me to do. I'm not doing it in the same fashion they thought, or that I thought, when I ran for office in 2010. But I will be doing what they wanted me to do, and that is to try to fix Washington.
There are some people who come to me for some illumination on their problems. I guess they feel I'm writing about some of the things they themselves are going through. But I don't usually have much help to give - there isn't much you can say to someone in the midst of their own crises.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
When I was just writing books and giving lectures, if people disagreed, they just didn't buy your book or attend your lectures. But, if you're leading a congregation, people feel they have the right to tell you what you should or shouldn't talk about. And that hasn't always been easy for me.
That one thing that people say about me taking plays off, I feel like somebody said that when I was playing in college and it has followed me throughout my career. Because I feel like if we had the film and you wanted to pick one person who was taking a play off on a particular play, you could pick anybody.
A lot of people tell me now I'm their inspiration. They say, 'I don't play baseball,' and then they mention whatever - engineer, doctor, college student, high school student - but they're hurt because, for some reason, people feel shame about themselves or embarrassed because they are short or skinny or fat or whatever.
When I grew up in America, I didn't see anyone who looked like me on TV. I feel overwhelmed with the things that people have said to me. When I meet Indian Americans who've lived here all their lives, it's overwhelming people holding me and crying. Someone said to me, 'Thank you for making us relevant.' It's such a big thing.
It's a vicious circle. If you feel hideous, you convey it to people. A couple of male friends from university have said, 'I quite fancied you, but I wouldn't have dared...' and I was like, 'Oh really?' I was completely amazed that anyone had ever fancied me, and also that I'd obviously given an impression of 'Don't touch me.'
Because you're fat, you feel that everybody's watching every bite you take. So, you closet-eat, and you think because nobody sees you eating, then you're not eating. You know, if you're eating a Big Mac in a closed car, can anybody hear you nosh? If I ate only what people saw me eat, I would've probably been about 170 pounds.
Once or twice in the height of 'Happy Days' excitement, which had more to do with Henry Winkler as The Fonz than ever had to do with me, we were kind of like a boy band for a year or so, and we would go out on personal appearances and feel the limousine rocking, and the grabbing at your clothes and people trying to steal your cap.