Quotes of All Topics . Occasions . Authors
I never thought acting would be a realistic job for me. Because, quite frankly, I didn't see people who looked like me doing it. I quickly realized, that's all the more reason to try.
I want to show people all of me, because that's what I haven't been doing. To be able to play so many instruments, and no one's ever seen me play, it seems like someone who's bluffing.
I'm very happy with this new record. It's dealing with different aspects of love-it's me making a statement about people doing something with their lives. It is about caring for others.
Honestly, I was always very keen on acting in the South Indian films. I think people here have a notion that Bollywood actresses aren't keen on doing films here but let me tell you, we are.
A lot of people just ask me about how I can do small budgets and big budgets, but many actors do both. I think the more self-destructive impulse I have is doing so many different characters.
I've always found when I was captain when other people were doing the talking for me, I didn't need to say as much, and when I did say one or two things, people tended to listen all the more.
It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'
If I'm going to see people, I won't wear heavy makeup. It's not attractive on me. When you see those pictures on my Instagram, they are usually for when I'm doing a photo shoot or an interview.
I realized I'd built up walls and carried grudges for years. I had a lot of animosity, dating back to when I was growing up, toward people who told me that what I was doing datingwise was wrong.
I think it's very comforting for people to put me in a box. 'Oh, she's a fluffy girlie girl who likes clothes and cupcakes. Oh, but wait, she is spending her weekends doing hardware electronics.'
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
When I'm making an American film, it's more safe because there are so many people on the set to watch me. Whatever I do, they say, 'What are you doing!? Tell me first!' There are so many restrictions.
Probably the biggest challenge for me as a director was to not show how scared I was. I was surrounded by some of the most talented people in the industry, and I had to pretend I knew what I was doing.
The letters I get from people, a lot of people are very appreciative. I get stacks of letters. I'll do an event, and all the kids will send me all kinds of letters, and that right there is enough motivation to keep doing it.
A lot of people have been quite surprised with the stuff that I'm doing on my own, which shocks me because I've always known what I wanted to do. But people have only seen me with the Spice Girls, so I suppose it's not that surprising.
If there were some people who considered me a joke, I'm sorry about that. But I did not do it for any other reason except that I loved to ski jump, and I had hopes that by my doing it, other people in my country would take up the sport.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
It just so happens that people aren't doing comedy about abortion or cannibalism or waterboarding. And that to me doesn't necessarily mean that there aren't aspects of those subjects that are funny, it just means that people are too uptight.
For the last four or five years, I had been in the position where I didn't have to take a pilot. I took this one because the script and the people were terrific. It never frightened me. As we were doing the pilot, I could tell that it was working.
Well, I mean there are so many producers that inspire me. I used to try to imitate production by certain people. And now I'm only interested in doing the opposite of that. I'm only interested in doing production that like no one's ever done before.
People stopped hanging out with me at the point when I stopped doing drugs. All of a sudden they didn't wanna hang out with me anymore. And I would have hung out with them. I mean they were killing themselves, but I still would have hung out with them.
I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.
People say to me, 'You don't seem that interested in interviews.' Well, you know, I'm not, often. I'm not going to talk tactics with the press, so you are left with talking about how you are feeling; for me, it is not the most interesting thing to be doing.
I think people should have the legal right to hurt themselves without fearing that they're going to get locked up for doing so. But on a personal level, if someone I loved was hurting himself or herself in front of me, I would, of course, try to restrain them.
To be totally honest? I don't know if I'll keep doing more impressions. People told me I had a facility for it, and I was like, 'Okay, I'm the impression guy.' So you imagine the cast at 'SNL' is an A-Team, and you've got the explosives guy, and I'm the impression guy.
I've been getting pretty focused about that recently, and even considered doing a masters degree to polish up the craft. I've been pretty lucky in that I seem to have found people online who are willing to constructively tear it apart for me, and indicate its weaknesses.
As my career has gone on, I guess I've become more well known. I'm playing to fuller halls in general, which is a nice feeling. When you're doing that, you're going to have a certain number of people who are not just the hardcore classical fanatics, and this makes me very happy.
'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
Some religious practitioners make absolutist claims for their beliefs: I've no interest in doing this, nor do I have any interest in converting people, which is doubtless a relief to anyone who has feared finding me on their doorstep asking if they'd like to know more about Odin.
But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
I was at a book convention, in a cab. On one side of me was Arthur Schlesinger; on the other side was William Manchester - real heavyweights. All they were doing was asking me about Charles Manson. The only thing that enables me not to be bored is the people talking about it - they're so interested.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
In early 2005, I really studied the prospectuses of these mortgage pools that were tranched out into different-rated slices rated by agencies like S&P and Moody's. They had names like Park Place and People's Choice. It was clear to me that many of the buyers of these repackaged subprime mortgages were doing little analysis.