Quotes of All Topics . Occasions . Authors
The greatest thing about being a WWE Superstar is being able to reach so many people. We have so many young girls that look up to us and that drives me to lead by example.
I don't care what I look like; it's how people think of me. And I do care how people think of me. I want people to say, 'Oh, she's nice,' rather than, 'Oh, she's so pretty.'
You look at how Barack Obama has had to conduct himself as president. It reminds me of Jackie Robinson, how he had to be very careful to reassure people that this was all right.
My speed as a tall guy is deceptive. You look at me and I might not look fast, but when I go out and play, people are left scratching their heads like 'Where did that come from?'
In sociology, they call it 'code switching.' I can feel just as comfortable in a room full of people who don't look like me because I understand the social cues of class and race.
The way people look at me these days - that's the same way I looked at President Obama before I met him. We tend to forget that people who've attained a certain position are human.
When you cry, you don't look very attractive; you look snotty and blotchy. People seem to manage to cry quite prettily these days, and to me, that smacks of not being very genuine.
You get built up and put on a pedestal and then people want to bring you down. It can be hurtful. Some people try to make me look bad or not a nice person but it's completely false.
When I look back, I can see why people thought I was aggressive. My first single, 'Do It Like A Dude,' resulted in a lot of misconceptions about me. I'm confident - but I'm not arrogant.
To me, tattoos are a way of people being able to express themselves and have other people look at them and get a little insight into who they are, without ever even saying a word to them.
You get pigeonholed. It's a kind of safety device for people who don't really want to look any further outside of the box, but I'm actually impregnable as far as what people say about me.
It's nice to actually look done-up, because people see a different side of me, the more girly side. Obviously, I can't do that with cycling. I can't go with nice girly hair and full make-up.
You can point any kind of laser at my face, but I don't think Botox is for me. I think it is bad. People who have too much, they look like their faces are full of candles - a shiny, shiny face.
What I have is a malevolent curiosity. That's what drives my need to write and what probably leads me to look at things a little askew. I do tend to take a different perspective from most people.
Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
A lot of people say I look like a rock star or a designer punk. But I swear it's the job that has carved my face. It's the hours, the stress, and the pressure. It's not me trying to look like this.
People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.
If people recognize me from 'The Vampire Diaries,' they just give me that look that's like, 'I think I know you. I think I saw you boxing in 1912, but I'm not sure,' because it was such a short-lived run.
I didn't get recognized a whole lot at first, but all of a sudden it just started happening. People would look at me out of the corner of their eye, deciding whether or not they were going to come up to me!
I don't know that I'm not normal, because usually, when I tell people the things I do, either their jaw drops or they look at me shocked, but I'm sure I do normal things - everyone eats, that kind of stuff.
I've worked with a couple of people in my career that have stopped me dead in my tracks because they make it look so effortless and so extraordinary. One of them is Ben Daniels and the other is Chris Larkin.
We've had drive-by shootings. I've been spat on, slapped, shot at. One guy tried to stab me with a broken beer bottle. But the way we look at it, if people do the worst they can, we'll still wake up in glory.
Yeah, a lot of people ask me to take my shirt off, which is aggressive. I wish that I were just one of those guys who was just like, 'You know, look, when I was seven I had a six-pack, and it just never went away.'
As you might imagine, I'm approached by lots of organizations and lots of people who want me to support their various charitable efforts in some way. And I look at those requests, and I basically try to do what I can.
Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
A lot of people think that there has to be extreme continuity in an album, but if you look at my background, it's variety! I want to see some variety in an artist, I want to be entertained, I want some depth. Show me some different styles!
People's hands fascinate me. It's tempting to look at a businessman's left hand and see if there's an indentation from a missing wedding ring. Or maybe there's a tan line and the skin is pressed down where's he's worked a ring off his finger.
I look at people in certain circumstances, and I fall into caretaker mode real quick, real easy. I like to shoulder people up and carry them along, and then I end up creating some kind of dependency. I enable. It's really, really hard for me.
No one's banging down my door. People see the way I look, and they don't feel threatened, but they should watch out for me. They don't know there's a steel rod that drives me. I get ticked off, and the rage just gets me going. My motor is anger.
I have 250 contacts, employees, and investors who, anytime they come across something relevant, will share it with me. I wake up to 10-15 links that people have explicitly recommended for me. I don't have to look for news anymore; it flows to me.
When people look and decide they have nothing in common with me - I'm 43, balding, blond, whatever - there's something absolutely invigorating about winning them over. Even if it's eight people from Sweden who don't understand what I'm talking about.
Since the beginning of the Bush administration when we were attacked, September 11th, we've not had any major terrorist attack in this country. We've had individual crazy people, of normally, they look more like me than they look like Middle Easterners.
Personally, I don't have a Twitter account. I like to be in control of the way the stand up of Stewart Lee is perceived, I don't want to have to engage with individual people. Also, when I do look at it, loads of factually inaccurate things about me are written.
People want to call me racist for doing the Bon Qui Qui character, and I'm like, 'Look, Bon Qui Qui is a representation of a hood chick. That's it.' There are lots of hood chicks out there: some are black, some are Mexican, some are Salvadorian, and some are white.
You could look at people in India and say we are manufacturing the cabin that is going to be a part of the U.S. President's helicopter. That's a pretty big deal, right? There are 11 other heads of state who we support, but the fact is, to me, it's a very large deal.
Even now, a year later, people ask me about the Wheelchair Photo: what do I think about it? Does it bother me? The honest answer: I don't think about it. I glanced at the photo once, about a week after the bombing. I knew immediately I never wanted to look at it again.
Growing up biracial, I didn't have someone to look up to watching TV or movies. Halle Berry was the closest one who looked like me. I'm happy to see more biracial people on screen, and I'm happy to represent for the little girls who didn't have someone who looked like me on TV.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling, and I really try to think about what people want.
You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,' and I'd say no? That's rude.
I tend to be that swimmer that doesn't look like she is trying, but is actually dying on the inside. It's a little bit unfortunate because people are, like, 'Can you just try harder?' I was, like, 'If you can see what's going on in my head right now, you wouldn't be telling me that.'
I think a lot of directors over the years have cast me because they see something of another generation in me: you know, certain people look like they've come from the 19th century. Because I have classical background I suppose that is more suitable to patriarchal roles and easily infuses them.
What drives that desire to destroy Paris Hilton? What drives that desire to venerate Angelina Jolie? I do understand it, but it still baffles me. It baffles me when people treat me specially and differently, because I just want to look at them and go, 'What are you talking about? I'm just a person.'
From, like, two, three years old, I was obsessed with Michael Jackson and just wanted to be on stage with him. And my mum put me in dance classes, but I had a lot of social anxiety and didn't want to be around people; I didn't like to look at anyone in the eye, so that was a difficult thing to get over.
You look at how Barack Obama has had to conduct himself as President. It reminds me of Jackie Robinson, how he had to be very careful to reassure people that this was all right. And you still have people trying to tear him down. They make up all sorts of lies, with the goal of making him seem illegitimate.
I do sometimes find it interesting when I look at a lot of the pranks that are out there, and I see kids doing the exact things that I did in the '90s. Like, I would go out on the street on crutches and fall down, and people would help me. Or I would paint my parents' house plaid; I've seen that replicated.
When I got to the stage, it was like a release, you know what I mean? Because it was like, 'Oh, people like me. People like me. They're listening to what I have to say. They're not judging me on how I look; they're judging me on what I'm saying.' So to me, that's what's worth it, and that's what comedians have.
I had a lot of friends, but none of them I felt super close with. Now that I'm older, I can look back on my teenage self and kind of see the things I did wrong and the things I did right, what affect they had on me, and what affect they had on other people. I can look at it in a much more conducive way to storytelling.
On my posts, I would tell people, 'If you like this, give it a share.' If you go online and look at my videos, you might see where I have 80,000 likes, but 525,000 shares. That's where you gain more people as followers coming in. It took me a second to learn it all, but now that I have, it's been a blessing and a curse.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'