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On 'The Chase,' I don't know what questions are going to appear, so they deliberately try and catch me out.
For me to take a role, I read a script, and I think, 'Wow, I don't know how I'm going to do this, but I want to try.'
I know the position I'm in. Guys are going to try and take me out, but I got to be able to overcome it all and not let those type of things affect me.
I try to take whatever the defense gives me, have a sense of urgency, know who's guarding me and pick my spots, get my teammates involved and also attack the rim.
I try to make very careful decisions about what I choose to do, and it's - I know that unfortunately one of the misperceptions about me, I think, is that I'm sort of a moth to the limelight.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.
Increasingly, there are those of us who write from outside the center, and those are the writers that I'm most interested in because they bring me into worlds that I did not previously know. And that, as a writer, is what I try to create.
I only really fake it anymore with sommeliers who are being really snotty to me and I don't want to take their grief and so I try to do something to kind of throw them off or put them on the defensive, even if I don't know what I'm talking about.