Quotes of All Topics . Occasions . Authors
I'd love to see Peter Parker and Daredevil hang out. There's a wonderful issue of the comics where Matt Murdock has to defend Daredevil, because the public don't know, and so he has Peter Parker put on his Daredevil outfit so that he can sit in the docks. You know, great storyline.
We let the lyrics be the focus of the song. Which is not what you hear with some of the zeitgeisty bands, like the War on Drugs, who I love, their lyrics are usually buried and The National, one of my favorite bands, Matt Berninger writes in fragments, in a very impressionistic way.
The Dream didn't need to struggle. He's homegrown talent, straight from the WWE Performance Center, trained by the best coaches in the world: Norman Smiley, who's known from coast-to-coast, Matt Bloom, head trainer, and I am protege of the one-and-only The Heartbreak Kid Shawn Michaels.
I have two friends named Matt. They're both scouts in the cavalry. They both served in the same section of Iraq. They both worked with the same Iraqi translator. And yet, if you talk to them, their stories couldn't be more different, because one was there in 2006. One was there in 2008.
My father was a really sharp cartoonist and filmmaker. He used to tape-record the family surreptitiously, either while we were driving around or at dinner, and in 1963 he and I made up a story about a brother and a sister, Lisa and Matt, having an adventure out in the woods with animals.
With 'The Host,' I think the actors could be really big names. That would be cool. I'd love to see Robert Redford put on a beard and be Jeb; he would be amazing... Matt Damon has some very Jared-esque qualities, and then Casey Affleck as Ian and Ben Affleck as Kyle. Imagine the interplay.
And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
Quite simply, we're re-telling the very first adventures of 'Daredevil', as originally seen in DD #1-6, but in a modern style and setting - being faithful without being slavish. And I'm using those adventures as a framework to delve into Matt's psyche a little, as he learns to become a hero.
Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness, but I can tell you this is a happy bunch.
One time, when I was really young, my dad and brother were watching 'Team America,' the Trey Parker and Matt Stone movie. I walked in and they didn't know I was there, but I got really freaked out by the marionettes - just the look of them, their mouths, those grins. That cemented in my brain.
I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.
When you look at my record at 10-0 as a professional and look at Jon Jones' record when he was 10-0, who was his toughest guy? Stephan Bonnar, and he did not finish him. I have fought higher-caliber opponents at this stage in my career than Jon did in his at 9-1; His tenth fight was Matt Hammil.
I was doing one of my first plays at the Royal Court, and Matt LeBlanc came to see the play. He came backstage afterwards, and I couldn't speak. I kept trying to, but no words came out. I just kept thinking, 'That's Joey from 'Friends.' That's actual Joey from 'Friends!'' It was so embarrassing!
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
When you're coming up, and you have Matt Hughes, Tim Sylvia, Jens Pulver and Pat Miletich, Jeremy Horn to train with and compete with - guys that have fought in Japan, all over the world - and you see these guys every day, you just embrace the grind and get after it: you have no choice but to succeed.
I didn't study science beyond high school level, but I'd been reading a lot of science books by people like Richard Dawkins, Matt Ridley and Daniel Dennett. I also spent a year working on a fellowship in a research centre - the Allan Wilson Centre - where I got a hands-on look at their work sequencing DNA.
Matt Leinart's L.A. duplex looks more like a Chuck E. Cheese safe house than a millionaire jock's crash pad. There's the requisite leather couch and flat-screen television, but the rest of the ground floor is bare except for a pile of Nick Jr. DVDs, a high chair, and a SpongeBob SquarePants director's chair.
I was sitting in the nosebleeds eating hot dogs and watching Georges St. Pierre win the world title from Matt Hughes. Like never in my wildest dreams if someone would have tapped me on the shoulder and said, 'Hey, seven years from now you're going to be down there doing the same thing' would I have believed them.
I first learned about kicking under pressure in 1996, my rookie year with the Patriots. I was signed as a free agent by a team that already had Matt Bahr, one of the best kickers around. To win the job, I had to show coach Bill Parcells that I could make kicks when they counted. That process started in training camp.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
I would have loved to have been a footballer like my great uncle Matt Busby, but I knew quite early on that I wasn't going to make the grade. Luckily I was told by the age of 13 that I wasn't good enough. That's not a bad thing. You see this 'X Factor' generation of kids now who don't accept that they're not good enough.
This is about right vs. wrong - and focusing on our values of faith, family and hard work so we can help Kentucky families who are falling behind. While Matt Bevin cares about the special interests, we're fighting to improve public education, expand access to health care, protect pensions, and create more good-paying jobs.
One of the things I love about working with my brother is that there's a commitment there - an unwavering commitment. From our basement in Illinois when I was three years old to Iceland on a frozen glacier with Matthew McConaughey and Matt Damon in spacesuits - there's a commitment to the pure spectacle, the pure cinema of it.
During contract negotiations, when I started to notice as well as hear from friends about Jeff Jarrett's shady business tactics, I did two things: I immediately filed a trademark for 'Broken' Matt Hardy, and started to record every conversation between Matt and anyone at that TNA office, including Ed Nordholm and Jeff Jarrett.
When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.
I hope that the restaurant I go to will have buffalo chicken fingers. I hope that one day I can work with Matt Damon. I have big and little dreams, and they're all equally important to me. A life without buffalo chicken fingers, I don't know if I would want that life. Even if it meant I got to work with Matt Damon. Everything has its worth.
Our singer, Matt, was reading Stephen Hawking and other physics-related books, and I was reading entrepreneurial books, and we all started discussing the new technologies that were taking over the world, from 3-D printing to space travel. These conversations starting leading us to think of how we could portray these things in a musical way.
When I read Matt Ruff's book, that was my first encounter with learning about sundown towns, and I was like 'What?' Like, you can't make this up. If I wrote this horror movie talking about sundown towns where you can't be black after dark in America, people be like, 'OK, we get the metaphor,' and it's like, no, that's real. It's not a metaphor.
